In this second guide, Elspeth Morrison not only covers the final three Niccol˜ novels for the first time, but also provides a wealth of additional information about all of the earlier novels and highlights the links between the two now-completed series. Once again, she illuminates the real figures and events and the cultural and literary allusions Dunnett weaves into her works, translating foreign phrases and offering up fascinating background details, from the history of golf and the argot of galley slaves to the uses of puffins and polar bears. Together with the first Companion, The Dorothy Dunnett Companion II provides a complete and essential guide to the world of Lymond and Niccolo.

    We’re talking about bookshops in barns, disused factories, converted churches and underground car parks. Bookshops on boats, on buses, and in old run-down train stations. Fold-out bookshops, undercover bookshops, this-is-the-best-place-I’ve-ever-been-to-bookshops.Meet Sarah and her Book Barge sailing across the sea to France; meet Sebastien, in Mongolia, who sells books to herders of the Altai mountains; meet the bookshop in Canada that’s invented the world’s first antiquarian book vending machine. And that’s just the beginning. From the oldest bookshop in the world, to the smallest you could imagine, The Bookshop Book examines the history of books, talks to authors about their favourite places, and looks at over three hundred weirdly wonderful bookshops across six continents (sadly, we’ve yet to build a bookshop down in the South Pole).The Bookshop Book is a love letter to bookshops all around the world.

    Together, they built the only ship capable of bringing Eli home. But on the eve of their departure, it disappears. Their quest to find it exposes a conspiracy to destroy all life in the universe — a plan they can't stop without their one-of-a-kind ship.For years, Geddy didn't need anything or anyone but a custom-made blaster and a couple fingers of Old Earth whisky. But since triggering the industrial accident that forced the evacuation of Earth 2, he's only had Eli for company. A daring escape off-planet lands him aboard a creaky salvage trawler with a plucky crew and the galaxy's worst business model.But stalwart friends are better than any weapon. With the help of Eli, his oddball crew, and their trusty trawler, Geddy must traverse the cosmos in order to track down his ship and save the universe. Each thrilling, hilarious new adventure brings them closer to the truth but ever farther from a decent steak.If you like solid sci-fi with a generous dose of wit, the scale of Guardians of the Galaxy, and the offbeat alien characters of Men In Black and The Orville, you'll devour Rocket Repo: Book 1 of Reassembly.

    What sort of girl steals boyfriends? Especially when you don’t even have a boyfriend to steal in the first place. Once again Lily, the good-hearted, 12 year old witch steps up to the challenge, when the school’s meanest cheerleaders, Tiffany and Krystal are up to their conniving tricks again and set to destroy the school’s Christmas party. And this time, they’re out to get Lily as well. Lily realises something smells fishier than sardines on a hot road, when Krystal starts hanging round Alex, Lily’s best ‘boy’ friend as he tries to organise a school party. But he’s not the only boy that Krystal has her sights set on, and she and Tiffany, her partner in bullying, will do anything to get what they want, even if it means putting everyone at the party in grave danger. It’s one of Lily’s most dangerous and difficult challenges yet, and she’s not sure if her witchcraft powers can save the day, but she does everything she can to try. Another light-hearted and humorous look at teenage life for girls. 'Boyfriend Stealer' deals with bullying, self-image, panic attacks, boys, staying true to yourself and just being a good friend.

    As paranoia takes its ugly hold, it’s clear some things just can’t be forgotten…or forgiven.

    Now, the democracies of the West are buckling under a new crisis emerging from Russia: ten thousand liberated Builders, now fully grown and no longer protected by the UN, are forced to flee. One country is ready to receive the descendants of Xinth: the Special Administrative Region of South Africa, where a lone Builder, Hortat, is running for president. The situation is unprecedented, and around the world is giving rise to as much distress as it is hope for a better future for humanity. Hortat wins, but is mysteriously assassinated on election night. To unravel the mystery, head of the Human Foundation Luther Karlhammer calls in a familiar face: former investigator Pano Hofer. He’s long since walked away from his old life as an investigator, but another name from the past, Agatha Devenworth, lures him out and draws him into a deadly plot ...

    The price might have upset the union chief, convicted gangster, and major-league James Joyce book collector Dennis Silverman, who had sold his copy, signed and inscribed by the author, for a mere 135,000 ten years earlier. Great books attract all kinds and come to fascinating destinies of their own, as Nabokov's Butterfly amply demonstrates. Here, noted author and rare book dealer Rick Gekoski — whose vocation led to the BBC radio series titled Rare Books, Rare People, — profiles twenty editions of major books that have passed through his hands and made publishing history, as they have become the legends of rare book collectors. Sued by J. D. Salinger, harassed by Harold Pinter, berated by Ted Hughes who unloaded his personal and passionately inscribed copy of Sylvia Plath's The Colossus, Gekoski is a convivial participant in these histories, including his sale of Mr. Tolkien's college gown. He recalls one day purchasing from Graham Greene his first edition of Lolita, with Nabokov's signature drawing of a butterfly inside, and on the next day he sold it to Elton John's lyricist at a 10,000 profit.

    Tolkien written by Lin Carter. It was 1st published in paper by Ballantine in 3/69 & went thru numerous additional printings. It was among the earliest full-length critical works devoted to Tolkien's fantasies, the 1st to set his writings in their proper context in the history of fantasy. It was the earliest of three studies by Carter devoted to fantasy/horror writers & the history of fantasy, being followed by Lovecraft: A Look Behind the Cthulhu Mythos ('72) & Imaginary Worlds: The Art of Fantasy ('73), establishing him as an authority on the genre, indirectly leading to his editorial guidance of the Ballantine Adult Fantasy series. Gollancz published a cloth edition updated by Adam Roberts in 8/03. The study serves as an introduction for those unfamiliar with Tolkien's work. An introduction briefly reviews the publishing phenomenon of The Lord of the Rings & its popularity in the wake of the 1st paper editions in the '60s, after which he devotes three chapters to a short biography of the author thru the late '60s, including an account of how it was written. Four chapters explaining Middle-earth & summarizing the stories of The Hobbit & the three volumes of The Lord of the Rings follow, for the benefit of readers who may not have actually read the works. Carter next turns to the question of what the works are, a point of some confusion at the time. The then-current vogue for realistic fiction provided critics with few tools for evaluating an out-&-out fantasy on its own terms. Attempts to deconstruct it as a satire or allegory were rife. Carter firmly debunks these efforts, supporting his argument by drawing on Tolkien's own published ruminations on fantasy's functions & purposes. He then contextualizes the works by sketching the history of written fantasy from its earliest appearance in the epic poetry of the ancient world thru the heroic poetry of the Dark & the prose romances of the Middle Ages, down to the fairy tales, ghost stories & gothic novels of the early modern era & the rediscovery of the genre by writers of the 19-20th centuries prior to & contemporary with Tolkien. The origins of the modern genre are discovered in the writings of Wm Morris, Lord Dunsany & E.R. Eddison & followed thru the works of authors they influenced, including H.P. Lovecraft, Fletcher Pratt, L. Sprague de Camp & Mervyn Peake. Carter next highlights some of Tolkien's particular debts to his predecessors, tracing the motifs & names he utilizes back to their beginnings in Norse mythology & highlighting other echoes in his work deriving from legend & history. Finally noted is Tolkien's influence on contemporary fantasy, which was just beginning to make itself felt, primarily in the juvenile fantasies of Carol Kendall, Alan Garner & Lloyd Alexander.

    Encouraged by the little yellow bird to look closely at the world around him for inspiration, Rocket sets out on a journey. Along the way he discovers small details that he has never noticed before, a timid baby owl who becomes his friend, and an idea for a story. Declared a best children's book of the year by Amazon, Barnes & Noble, School Library Journal, and Publishers Weekly, this book is sure to appeal to kids, parents, teachers, and librarians.

    Some of us read novels, while others read cookbooks, sheet music, tarot cards, or even the stars in the sky. We read clocks, train schedules, and facial expressions. In this ode to reading, each form is lovely and worth celebrating. Mom, Dad, Our Books, and Me follows a young boy and those around him — parents, grandparents, aunts and uncles, and neighbors — as they all read, immersed in what moves them. Vibrant, whimsical paper collage artwork depicts the colors and textures of the many places in which we read, from hammocks and bubble baths to park benches and waiting rooms. The diverse cityscapes and landscapes often include fanciful elements of imagination.Mom, Dad, Our Books, and Me will leave young readers reveling in this newfound or soon-to-come skill that sparks new adventures and brings people together.

    But when an EMP brings New York to its knees, Kate must fight to survive amid the terror descending upon the city and rescue her family.

    The text is rich with literary, historical, and theoretical references that make it eminently re-readable. The Key makes each reading fuller and more meaningful by helping the interested reader not merely to read but also to understand Eco's masterful work. Inspired by pleas from friends and strangers, the authors, each trained in Classics, undertook to translate and explain the Latin phrases that pepper the story. They have produced an approachable, informative guide to the book and its setting--the middle ages. The Key includes an introduction to the book, the middle ages, Umberto Eco, and philosophical and literary theories; a useful chronology; and reference notes to historical people and events.The clear explanations of the historical setting and players will be useful to anyone interested in a general introduction to medieval history.Adele J. Haft is Associate Professor of Classics, Hunter College, City University of New York. Jane G. White is chair of the Department of Languages, Dwight Englewood School. Robert J. White is Professor of Classics and Oriental Studies, Hunter College, City University of New York.

    According to the authors,effective human resource management is necessary for a firm to gain true competitive advantage. The three challenges companies face are the global challenge,the challenge of meeting stakeholder needs,and the high performance work practices challenge. HUMAN RESOURCE MANAGEMENT provides students with the technical background needed to be a successful HR professional,to manage HR effectively,and most importantly to be a knowledgeable consumer of HR products and services. The text also emphasizes how managers can more effectively acquire,develop,compensate,and manage the internal and external environment that relates to the management of human resources.

    And every time they open a book, they open up a whole new world, too! Learning to read is a big accomplishment, and this exuberant picture book celebrates reading in its many forms. In rhyme, it follows a diverse group of word-loving children who grab the opportunity to read wherever and whenever they can. They read while waiting and while sliding or swinging; they read music and in Braille and the signs on the road. And, sometimes, they even read together, in a special fort they’ve built.

    The modern world has, he argues, directly inherited the products of this labor: the basic principle of referring to texts, the dream of a universal library, real or imaginary, containing all the works ever written, and the emergence of a new definition of the book leading to some of the innovations that transformed the relationship of the reader to the text.The Order of Books will be welcomed by students and researchers of cultural history, and the history of reading in particular.