This is a comprehensive, illustrated anthology of more than 300 myths from around the world which have shaped humankind's collective experience.

    Its organization and tactics were highly advanced and were unequaled until the modern era. Spectacular monuments to its perseverance and engineering skill are still visible today, most notably Hadrian’s Wall and the siegeworks around the fortress of Masada.This book is the first to examine in detail not just the early imperial army but also the citizens’ militia of the Republic and the army of the later Empire. The unprecedented scope and longevity of Roman military success is placed in the context of ordinary soldiers’ daily lives, whether spent in the quiet routine of a peaceful garrison or in arduous campaign and violent combat. Key battles and tactics are described, and there are brief biographies of the great commanders.Drawing on archaeology, ancient art, and original documentary sources, this book presents the most convincing history ever published of the Roman army.

    They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.

    In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular belie

    From the mythical beasts of ancient Greece to the hormonal vampires of the Twilight saga, monsters have captivated us for millennia. Matt Kaplan, a noted science journalist and monster-myth enthusiast, employs an entertaining mix of cutting-edge research and a love of lore to explore the history behind these fantastical fictions and our hardwired obsession with things that go bump in the night. Ranging across history, Medusa’s Gaze and Vampire’s Bite tackles the enduring questions that arise on the frontier between fantasy and reality. What caused ancient Minoans to create the tale of the Minotaur and its subterranean maze? Did dragons really exist? What inspired the creation of vampires and werewolves, and why are we so drawn to them? With the eye of a journalist and the voice of a storyteller, Kaplan takes readers to the forefront of science, where our favorite figures of horror may find real-life validation. Does the legendary Kraken, a squid of epic proportions, really roam the deep? Are we close to making Jurassic Park a reality by replicating a dinosaur from fossilized DNA? As our fears evolve, so do our monsters, and Medusa’s Gaze and Vampire’s Bite charts the rise of the ultimate beasts, humans themselves.

    The Babylonian worldview is centered on the supremacy of Marduk, and contributes the belief that mankind exists to service god. This Babylonian creation epic was first discovered by modern scholars in the ruins of an early library in Mosul, Iraq and its seven translated clay tablets are provided to you here in the form of a paperback book.

    Providing vital evidence of the views of the Greek philosophers of the Hellenistic age, Cicero also casts light on the intellectual life of first-century Rome. When these Greek beliefs are translated into the Roman context they result in a fascinating clash of ideologies.This new translation of a work whose importance is becoming increasingly recognized is complemented by an invaluable introduction to the main philosophical issues, as well as substantial and helpful annotation.

    The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East, the Ultimate Encyclopedia of Mythology is a comprehensive A to Z of the classic stories of gods and goddesses, heroes and mythical beasts, wizards and warriors.

    Slow in speech, shy in manner, thoughtful in mind, weak in health, he went back north for a quiet life. Influenced by the group of poets there, he may have written some of the doubtful poems included in our Virgilian manuscripts. All his undoubted extant work is written in his perfect hexameters. Earliest comes the collection of ten pleasingly artificial bucolic poems, the "Eclogues," which imitated freely Theocritus's idylls. They deal with pastoral life and love. Before 29 BCE came one of the best of all didactic works, the four hooks of Georgics on tillage, trees, cattle, and bees. Virgil's remaining years were spent in composing his great, not wholly finished, epic the "Aeneid," on the traditional theme of Rome's origins through Aeneas of Troy. Inspired by the Emperor Augustus's rule, the poem is Homeric in metre and method but influenced also by later Greek and Roman literature, philosophy, and learning, and deeply Roman in spirit. Virgil died in 19 BCE at Brundisium on his way home from Greece, where he had intended to round off the "Aeneid." He had left in Rome a request that all its twelve books should be destroyed if he were to die then, but they were published by the executors of his will.The Loeb Classical Library edition of Virgil is in two volumes.

    They conjure up vibrant images of medieval Europe, of chivalry and of romance. But did Arthur really exist, or is Camelot only a dream?In this lavishly illustrated survey, Christopher Snyder examines the realities and the impact of the Arthurian legends on history and the arts. Medieval texts and the latest archaeological discoveries are used to piece together a picture of the fifth and sixth centuries, when Arthur was believed to have reigned as champion of the Britons. The stories of Arthur -- the so-called "Matter of Britain" -- took shape as Welsh and Briton bards sang of the exploits of Arthur and his knights, in turn inspiring French poets like Chrétien de Troyes to compose the first chivalric romances of the Middle Ages. Snyder traces the development of Arthurian literature in medieval Europe, showing how writers brought the stories of the Grail and Tristan into association with Arthur.The nineteenth-century revival of interset in Arthur reached its height in the poetry of Alfred Tennyson, the paintings of the Pre-Raphaelites and the operas of Richard Wagner, while in the twentieth century Camelot found new adherents through novels, movies and computer games. The account of recent developments includes recommendations of Arthurian Internet sites.Never before has one book attempted such a thorough exploration of King Arthur's world.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

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    Patrick W. Gainer wrote, "The material presented in this volume has been collected from people in West Virginia over the last half-century. Long before the tape recorder came into use, I was writing down all kinds of traditional lore as I traveled over the hills and through the hollows of the mountain state."Witches, Ghosts, and Signs: Folklore of the Southern Appalachians was first published in 1975 and is the only work thus far to catalog portions of the extensive tradition of folk cures, nature lore, and agricultural signs, as well as a number of witch-tales and ghost-tales. Gainer describes bean stringings, quilting bees, play parties, and infares along with other, more recognizable social occasions such as Christmas and Halloween. These descriptions are extremely valuable to aid our understanding of the textual material that might be passed on at such times. Taken together, Dr. Gainer's material makes the days and atmosphere of long ago come alive and immediate. Even as radio, television and easier travel between communities today tend to standardize speech and tradition, Dr. Gainer's carefully collected and preserved folklore lets readers comprehend more fully what sets the people of Southern Appalachia so proudly apart from the rest of the country.About the Author:Patrick W. Gainer, Professor Emeritus of English at West Virginia University, is widely renowned as a collector of folklore, as a musician, educator, and founder of the West Virginia Folk Festival at Glenville

    The book is magnificently illustrated in both full color and black and white. No other collection on the topic is as lively or as attractive.--School Library Journal.

    The world's most important Arthurian expert presents a riveting portrait of the darkly complex woman known only through legend.