Or so Oak Jones thought. He’s wanted on the Police Dinosaur Unit all his life. Now that he’s in, he’s discovered that training a Police Working Velociraptor is a lot harder than he ever imagined. And if he thought training would be difficult, living with a Velociraptor is a whole new level. Banshee can clear a six-foot fence like it was nothing, and he has a love for eating the neighborhood cats, which is putting Oak on the outs with his next-door neighbor, Christy Dao. But there is a reason for everything, and when Oak discovers why Banshee struggles, it breaks his heart. Terrible Lizard is a funny and endearing look at life with Banshee, a great working dinosaur, but one terrible lizard. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Officer Hendricks sat at the temporary desk for training leads. He was without his sunglasses for the first time ever. His bright blue eyes burned with intensity. “I wanted to talk to you about Banshee,” he said. “I know it was rough yesterday,” I said, “but we’ve made good progress.” “You have, and it’s to be commended. You are the best handler here. But it’s a team effort, Oak. I called you in because I wanted you to be the first to hear that I intend to fail Banshee.” “What? No. There’s still two weeks left.” “Less than two weeks left. And this isn’t the kind of thing that gets fixed in less than two weeks.” “Give me a chance.” “Oak, you will be returned to your station until I can place you in Violent Offenders. Renato has given you a great review, and the captain there can’t wait to have you. Next year, you can re-apply. I cannot guarantee you that you will be accepted, but based on what I’ve seen over the past four weeks, I like your chances. You will definitely have my vote.” Officer Hendricks extended his hand to me, and I shook my head. “No. I refuse. Give me two weeks.” The open hand pinched Officer Hendricks’ nostrils. “You are not the first officer to work with Banshee. This was his third time in the course. Three strikes, and the raptor is gone.” “So that’s it? There’s nothing more that can be done?” “Not in my experience, Oak. I’m sorry.”

    Things go bad fast. During the deal on the fourteenth floor of an apartment building, the dealer disappears, and Drake is stuck in the apartment with a dead woman.The police are at the door. He has nowhere to go.On the run from the police and the maniacal killers intent on framing Drake for murder, he must uncover the truth before it is too late.There is a reason behind the madness that has become his life. That information takes him back twelve years to when he was hospitalized with a concussion and his fiancée went missing.The only way out is to clean up someone else's mess. The only way out is murder.Drake Bellamy didn't want to break the law, but now he is out for blood.

    Something happened to her and her two older sisters when they were children, something they can’t quite remember but that left each of them with an identical half-moon scar at the base of their throats. Iris has spent most of her teenage years trying to avoid the weirdness that sticks to her like tar. But when her eldest sister, Grey, goes missing under suspicious circumstances, Iris learns just how weird her life can get: horned men start shadowing her, a corpse falls out of her sister’s ceiling, and ugly, impossible memories start to twist their way to the forefront of her mind. As Iris retraces Grey’s last known footsteps and follows the increasingly bizarre trail of breadcrumbs she left behind, it becomes apparent that the only way to save her sister is to decipher the mystery of what happened to them as children. The closer Iris gets to the truth, the closer she comes to understanding that the answer is dark and dangerous – and that Grey has been keeping a terrible secret from her for years.

    Her thin arms are covered with bruises from her "caregiver," and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything--except a friend.Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable--and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable.But her new life comes at a price. As the years pass, Elizabeth's survival depends on managing Victor's dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness.

    If you break the rules, you get three warnings. If you exceed your limit, what happens is absolutely terrifying. Reissue.

    until it was unravelled by something as simple as a blood test.Taken from his family, Toby now lives in the Death House: an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They're looking for any sign of sickness. Any sign of their wards changing. Any sign that it's time to take them to the sanatorium.No one returns from the sanatorium.Withdrawn from his house-mates and living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes.Because everybody dies. It's how you choose to live that counts.

    She knows the rhythms of hard work and harder seas. But when she experiences the sudden death of her father, the veil between the living and the dead blurs and she begins to be haunted by a girl on a nearby, uninhabited island. The girl floats a song over the waves, and it is as beautiful as it is terrifying. Familiar and distant.Then Rilla meets Sam, a University of Southern Maine archeology student tasked with excavating the very island where the ghostly girl has appeared. Sam sifts the earth looking for the cultural remains of an island people who were forcibly evicted by the state nearly a hundred years ago. Sam tells Rilla the island has a history no locals talk about—if they know about it at all—due to the shame the events brought to the working waterfront community. All Rilla knows for sure is that the island has always been there—an eerie presence anchored in the stormy sea. Now Sam’s work and the ghostly girl’s song lure Rilla to the island’s shores.As Rilla helps Sam to unearth the island’s many secrets, Rilla’s visions grow—until the two discover a tragedy kept silent for years. And it’s a tragedy that has everything to do with Rilla’s past.

    J is one of only twenty-six students, all of whom think of the school’s enigmatic founder as their father. J’s peers are the only family he has ever had. The students are being trained to be prodigies of art, science, and athletics, and their life at the school is all they know—and all they are allowed to know. But J suspects that there is something out there, beyond the pines, that the founder does not want him to see, and he’s beginning to ask questions. What is the real purpose of this place? Why can the students never leave? And what secrets is their father hiding from them? Meanwhile, on the other side of the forest, in a school very much like J’s, a girl named K is asking the same questions. J has never seen a girl, and K has never seen a boy. As K and J work to investigate the secrets of their two strange schools, they come to discover something even more mysterious: each other.

    Since the Tox hit and pulled Hetty's life out from under her.It started slow. First the teachers died one by one. Then it began to infect the students, turning their bodies strange and foreign. Now, cut off from the rest of the world and left to fend for themselves on their island home, the girls don't dare wander outside the school's fence, where the Tox has made the woods wild and dangerous. They wait for the cure they were promised as the Tox seeps into everything.But when Byatt goes missing, Hetty will do anything to find her, even if it means breaking quarantine and braving the horrors that lie beyond the fence. And when she does, Hetty learns that there's more to their story, to their life at Raxter, than she could have ever thought true.

    There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From bloody horror to supernatural creatures to unsettling, all-too-possible realism, this collection has something for any reader looking for a thrill.Fans of TV’s The Walking Dead, True Blood, and American Horror Story will tear through tales by these talented authors:Stefan BachmannLeigh BardugoKendare BlakeA. G. HowardJay KristoffMarie LuJonathan MaberryDanielle PaigeCarrie RyanMegan ShepherdNova Ren SumaMcCormick TemplemanApril Genevieve TucholkeCat Winters

    Harry Potter and the Philosopher's Stone (released in the United States and India as Harry Potter and the Sorcerer's Stone) is a 2001 fantasy/adventure film based on the novel of the same name by J. K. Rowling. Directed by Chris Columbus, it is the first in the popular Harry Potter films series. The story follows Harry Potter, a boy who discovers on his eleventh birthday that he is a wizard, and is sent to Hogwarts School of Witchcraft and Wizardry to begin his magical education. The film stars Daniel Radcliffe as Harry Potter, alongside Rupert Grint and Emma Watson as Harry's best friends Ron Weasley and Hermione Granger. The adult cast features Richard Harris, Maggie Smith, Robbie Coltrane, Alan Rickman and Ian Hart. Warner Bros. bought the film rights to the book in 1999. Production began in 2000, with Columbus being chosen from a short list of directors to create the film. Rowling insisted that the entire cast be British or Irish, in keeping with the cultural integrity of the book and the film. Rowling also approved the screenplay, written by Steve Kloves.

     It was still dark when I woke up this morning. As soon as my eyes opened I knew where I was. A low-ceilinged rectangular building made entirely of whitewashed concrete. There are six little rooms along the main corridor. There are no windows. No doors. The elevator is the only way in or out. What's he going to do to me? What am I going to do? People are really quite simple, and they have simple needs. Food, water, light, space, privacy. Maybe a small measure of dignity. A bit of freedom. What happens when someone simply takes all that away?

    Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real--and she could prove it.That belief got Becca killed.It's been nearly thirty years, but Heather has never told anyone what really happened that night--that Becca was right and the Red Lady was real. She's done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn't seen since the night Becca died.The night Heather killed her.Now, someone else knows what she did...and they're determined to make Heather pay.

    They are all suffering from short-term memory loss and they can't remember why or how they got on this ship. The onboard computer (MAC) tells them that it was programmed to wake them up early. They believe MAC woke them up by mistake. They can't re-enter suspended animation, there's only enough food for a few months, and they are too far away to return to Earth ... but even if they could return, MAC tells them that the Earth has been destroyed by nuclear war. They realize that they are all going to die on this ship.Cromartie, the unelected leader of their group, tries his best to keep the others calm, but soon they are at each other's throats. After one of them is found murdered, Cromartie and Sanders form an alliance. Cromartie tells Sanders that pieces of his memories are beginning to come back to him in his dreams; he believes he's seeing clues to their survival.But after the next murder, Cromartie and Sanders must work fast to find the mind-blowing key to their survival and figure out which one of them is the killer before it's too late.

    But behind the sunny retail space bursting with overwhelming scents and homemade fudge, seventeen-year-old Poppy Palladino discovers something dark and unsettling: a back room filled with dozens of startlingly life-like wax sculptures, crafted by one very strange old lady. Poppy hightails it home, only to be shocked when one of the figures—a teenage boy who doesn’t seem to know what he is—jumps naked and screaming out of the trunk of her car. She tries to return him to the candle factory, but before she can, a fire destroys the mysterious workshop—and the old woman is nowhere to be seen.With the help of the wax boy, who answers to the name Dud, Poppy resolves to find out who was behind the fire. But in the course of her investigation, she discovers that things in Paraffin aren’t always as they seem, that the Grosholtz Candle Factory isn’t as pure as its reputation—and that some of the townspeople she’s known her entire life may not be as human as they once were. In fact, they’re starting to look a little . . . waxy. Can Poppy and Dud extinguish the evil that's taking hold of their town before it’s too late?