President Roosevelt musters the captains of industry and leading scientists to find a way to turn back the Martian tide

     In his most ambitious book to date, Still Holding, Wagner immerses readers in post-September 11 Hollywood, revealing as much rabid ambition, rampant narcissism, and unchecked mental illness as ever. He infiltrates the gilded life of a superstar actor/sex symbol/practicing Buddhist, the compromised world of a young actress whose big break comes when she's hired to play a corpse on Six Feet Under, and the strange parallel universe of look-alikes -- an entire industry in which struggling actors are hired out for parties and conventions to play their famous counterparts. Alternately hilarious and heartfelt, ferocious and empathetic, Still Holding is Bruce Wagner's most expertly calibrated work.

    Librarian's note: An alternate cover edition can be found hereThis novel tells the story of America's race to Mars and the web of passionate conflict it weaves among the astronauts and their wives -- and between Russia and the United States, the contestants in this deadly race.

    This new collection of stories marks a departure in Barthelme's work with the introduction of a new mode in which he abandons all forms of characterization other than dialogue in an attempt to shift and alter reader expectations and perceptions

    Kristen, his beloved daughter, dying, pounded bloody and broken by feet and fists. Kristen, dead-as dead as Lucas' most hidden desires.In Lucas Ellington's eyes, the mindless crowd of rock n' rollers is blameless. His child was murdered by Whip Hand, the Ultimate Party Band. The main event.Whip Hand dissolved soon after the arena disaster but the musicians are still alive out there, still alive and kicking.Not for long. Lucas has sacrified one set of dreams; he will not surrender another. Instead of Kristen, he cradles revenge to his breast.His ultimate target: Gabriel Stannard. Whip Hand's lead singer.

    There's not a bad story in the lot." --Bud Webster

    Buried there from time immemorial by a long-dead race of aliens, it had at last been triggered into action . . .For among the ruins of London, surrounded by the survivors of the recent holocaust, Hawkwind rock, their music catalysing the attacking Death Raythe only potential saviours of the human race otherwise doomed to extermination in an apocalyptic battle between the forces of good and evil . . .

    It is a kaleidoscopic collage that whirls about an indelible array of images and characters: perverted Winky, who opted for the army to stay off of welfare; eccentric Payne, who’s obsessed with the film he’s making of the war; bucolic Claypool, who’s irrevocably doomed to a fate worse than death. Just to mention a few. And floating at the center of this psychedelic spin is Spec. 4 James Griffin. In country, Griffin studies the jungle of carpet bomb photos as he fights desperately to keep his grip on reality. And battling addiction stateside after his tour, he studies the green of household plants as he struggles mightily to get his sanity back. With mesmerizing action and Joycean interior monologues, Stephen Wright has created a book that is as much an homage to the darkness of war as it is a testament to the transcendence of art.

    This social experiment encourages premarital living arrangements and is totally committed - not mere lip-service or public-relations hype - to getting young men and women to think and act for themselves.What do they think about? Everything that interests the author, Bob Rimmer: human relations, sex, history, philosophy, anatomy, existentialism, art, music, Zen, politics - and, once more, sex.Four Harrad students record their thoughts regularly for four years. Their diaries include large chunks of college "action," conversation, and portraits of fellow students, so the reader is swept into the lives of these young adults trying to sort out the jumbled mores of America's Sixties.Stanley Kolasukas, a bright, good-looking youth from a poor Polish family finds himself a roommate of Sheila Grove, the introspective daughter of an oil millionaire. Harry Schacht, a brilliant but ungainly medical student from an Orthodox Jewish background, lives with Beth Hillyer, a girl with enough drive to be a better doctor and enough sensuality to need many men in her life. Jack Dawes, imaginative and enthusiastic, lives with Valerie Latrobe, a dominant girl who believes she can better any man at anything.The original Harrad Experiment sold more than three million copies. This 25th anniversary edition includes a new epilogue describing the startling "Harrad/Premar Solution," a fully up-to-date and annotated bibliography of books that support the daring, joyfully subversive premises outlined in Harrad, and Robert Rimmer's candid, controversial autobiography. When you have read this book, you will find yourself entertaining the question of whether a real-life Harrad Experiment could - or should - be going on somewhere today, turning out a very special group of young men and women with the potential to utterly change America's ways of living, thinking, and loving in the 21st century.

    Narrator Buster Fogg's family is wiped out by a twister in an early sequence described with surreal verve. Buster hitches on with Billy Bob Daniels, a patent-medicine pusher and trick shooter who claims to be the illegitimate son of Wild Bill Hickock, joining an entourage consisting of a kindly ex-slave named Albert, and Rot Toe, the wrestling ape. Adventures on the road, which include swiping the mummified remains of Billy Bob's "pa" and swindling settlers with their concoction of watered-down whiskey, stoke personal tensions that only aggravate troubles when their wagon rolls into Mud Creek and Billy Bob is called out by Texas Jack, a dime-novel desperado who, legend says, intimidated even Wild Bill.Lansdale's affection for the classic western is never in doubt, although he spends much of the novel skillfully deflating the romance of heroic reputations made as much by luck and exaggeration as by skill with a gun. The true charm of the story, though, is in its telling, which melds laconic humor, colorful colloquialisms and outrageous figures of speech into a Twainesque tall tale. This novel endures as a modern western classic. Published in a small print run with limited distribution.- From Publisher's Weekely

    And he has old newspapers stacked up to his ceiling because...well, who knows?

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    Each seduction ends in death--each victim, murdered in bed. Detective Jack Cordesman has vowed to unravel the demented mystery, to enter the heart of a maniac's temptation...where desire demands the ultimate price. PASSION FOR EVIL The stranger beckons--the man of her dreams...or of her worst nightmares. Veronica Polk longs for love, but it isn't love that awaits in the strange, moonlit manse. Something evil broods, leading her blindly into a mire of erotic obsessions and savage desires. An unspeakable secret awaits--ancient, unholy--that thirsts for her spirit and hungers for her flesh... INCUBI They'll love you...to death.

    "Gotta get moving," Rock said. A couple of hundred million years went by. A rock is always slow to take action. A rock watches an oak grow from a sapling to a towering tree, and it's a flash and a dazzle in the mind of a rock. What was that? Rock thinks. Or maybe, Huh?That's how Zod Wallop starts. Harry Gainesborough wrote and drew the story three years ago, before his daughter drowned. Now he writes nothing. Raymond Story read Zod Wallop while he was a patient at Harwood Psychiatric. Now the book means everything to him - so much so that he'd like to meet its author and live out its events. In fact, Zod Wallop means so much to Raymond that he has taken great pains to escape the institution and is now journeying to Harry Gainesborough's house with his young wife, Emily, in tow.These odd doings alone would be enough to unsettle Harry, but they're compounded by other coincidences. Bizarre coincidences. Occurrences that lead Harry to believe that Zod Wallop is actually happening.