Hauntingly vivid, the poems march through a soldier's lingering psychological wounds, tackle the curious questions of school children on the meaning of "hate," and tangle with a lover's witty and vibrant description of longing. Gibson's poems deconstruct the current political climate through stunning imagery and careful crafting. With the same velocity, the poignant and vacillating love poems sweep the air out of the room. It's word-induced hypoxia. Pole Dancing to Gospel Hymns whispers with a bold and unforgettable internal voice rich with the kind of questioning that inspires action.

    He was the only one the others teased and tormented, the only one who longed for his own sex – a crime among his kind. And when he repeated his mother’s mistake with a human male, the punishment was terrible – his wings were broken, his body was crushed, and he was imprisoned in a bottle, freed only to grant the wishes of whichever greedy human found him next. And there he stayed, alone. Faine was born different, too, his legs withered at birth, his little body left at the edge of the woods for the other abandoned ones to take in. Sylvonna the wise woman raised him in kindness, and the sheep he tended were patient with his slow, painful gait. It was a good life…only he longed for a lover of his own sex, and while there was no shame in it among his people, there were none among them who shared that longing. And so he was alone. The forest whispered to Faine, that he would find love…that his true love was coming soon. And when the nameless one was at last freed from his prison, his release would come on a mountain, near a forest…a forest where the world’s other outcasts dwelt. A mountain where Faine would bring his sheep to graze… “The Nameless One” is a fable, a fairy tale, a love story about two broken creatures who are made whole at last.

    As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.

    A heart warming, slow burn, late in life, friends to lovers story.Georgina owns an independent coffeehouse. Her co-owner, ex lover and sometime friend with benefits, has recently died in a car accident. Grieving, and trying to keep the business going, she finds out the half share has been willed to a complete stranger.Catherine has flitted from job to job, always searching for an important missing piece in her life. Dumped by her boyfriend, jobless, single, penniless and soon to be homeless, Catherine receives a letter which could solve all her problems.Georgina has said she would never again date a straight woman. So why is Catherine continually invading her thoughts? Catherine knows she isn’t gay. So why is she feeling something more than friendship towards Georgina? Will Georgina let her past control her future? Will Catherine acknowledge a future different to her past?Set in a coffeehouse on a busy, bustling main thoroughfare into Bristol. The Perfect Blend introduces us to the owners and characters who frequent the establishment.

    Then, when her friend starts dating a boy, Noel’s world collapses as she sees her chance at love slipping away. One night, in a moment of desperation, Noel ends up confessing her feelings for Elena to a complete stranger — but as fate would have it, this stranger turns out to be a girl named June, Elena's other best friend... and Noel's rival in love! Worst of all, now June knows Noel's secret. With everything suddenly going wrong, how can Noel ever win the girl of her dreams? The heart-pounding romantic drama by breakout Spanish artist Ana C. Sánchez!

    Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.

    Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine.

    To address this void, they started a blog. Now with an annual readership of nearly one million, their posts foster dialogue about activist methods, intersectionality, and sisterhood. And the writers' personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand.These essays explore "Sex and Power in the Black Church," discuss how "Clair Huxtable is Dead," list "Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop," and dwell on "Dating with a Doctorate (She Got a Big Ego?)." Self-described as "critical homegirls," the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism.Brittney Cooper is an assistant professor at Rutgers University. In addition to a weekly column in Salon.com, her words have appeared in the New York Times, the Washington Post, Cosmo.com, and many others. In 2013 and 2014, she was named to the Root.com's Root 100, an annual list of Top Black Influencers.Susana M. Morris received her Ph.D. from Emory University and is currently an associate professor of English at Auburn University.Robin M. Boylorn is assistant professor at the University of Alabama. She is the author of the award-winning monograph Sweetwater: Black Women and Narratives of Resilience (Peter Lang, 2013).

    Fellow student Miu witnesses the accident, and Fujiwara begs her not to tell. In exchange, she'll do whatever Miu wants. It turns out that what Miu wants is to date Fujimaru! Although this wasn't an arrangement that either girl expected, the two soon discover that breaking the vase may have been destiny's way of bringing them together.

    What happens when rising stars collide?In And This Too Shall Pass, Harris takes us into the locker rooms and newsrooms of Chicago, where four lives are about to intersect in romance and scandal. At the heart of the novel is the celibate Zurich, a rookie quarterback for the Chicago Cougars whose trajectory for superstardom is interrupted by a sexual assault charge by Mia, a sportscaster with her own sights on fame. With his career in jeopardy, Zurich hires Tamela, a high-powered attorney, to defend him, while Sean, a gay sportswriter, covers the story and uncovers his heart. All of these characters face the challenge of keeping the faith--in themselves and in God--while Harris's heartfelt storytelling reveals how the love of family can help one to face the terrible legacy of long-held secrets. Throughout these characters' search for self-knowledge, Harris weaves the stories of MamaCee, Zurich's grandmother, whose lessons of faith teach one and all that "this too shall pass." Breaking new ground in contemporary fiction, And This Too Shall Pass entertains and affirms with its stirring message about the healing power of family and faith.

    She is looking forward to doing all three over the long weekend, but when Kaydee has a friend to stay and the sunshine disappears, everything gets turned on its head. When the storm clears, will Darby find everything is back to normal, and what is 'normal' anyway?A warm, thoughtful and reassuring novel from acclaimed author Jo Cotterill.

    It's also too smart for bullshit and too graceful to be mean about the bullshit: a marvelous debut. I love it."Juliet Escoria, author of Black Cloud, says: "Imagine bodies within bodies eating a feast, spilling over with their own secrets and hopes and dreams and fears and brutality and witchery. That is the party you will find in this book — a modern-day, literary equivalent of a Bosch painting.Mike Young, author of Sprezzatura, says: "These poems list the real shit. These poems melt the hard fat of life into tallow candles, then reach up and light themselves.Salt Is For Curing is the lush and haunting full-length debut by Sonya Vatomsky. These poems, structured as an elaborate meal, conjure up a vapor of earthly pains and magical desires; like the most enduring rituals, Vatomsky’s poems both intoxicate and ward. A new blood moon in American poetry, Salt Is For Curing is surprising, disturbing, and spookily illuminating.

    Kenan speaks eloquently and with a great deal of courage."--Gloria NaylorRandall Kenan's daring and innovative first novel weaves a vivid and horrific tale through the generations of a black Southern family.Sixteen-year old Horace Cross is plagued by issues that hover in his impressionable spirit and take shape in his mind as loathsome demons, culminating in one night of horrible and tragic transformation. In the face of Horace's fate, his cousin Reverend James "Jimmy" Green questions the values of a community that nourishes a boy, places their hopes for salvation on him, only to deny him his destiny. Told in a montage of voices and memories, A Visitation of the Spirits just how richly populated a family's present is with the spirits of the past and the future.

     When Charlie's called away from his history books to consult on a strange box at the museum, the last thing he expects to find is a cure for the disease that's killing him.But nothing's that easy. It's 1915, the world's at war, and the same magic that can keep Charlie alive is being turned into a weapon in the wrong hands. Charlie's caught in a desperate race to survive, keep his relationship with Henry a secret, and save the world from a mad wizard who just might make the Germans look good.

    From the opening sequence, "Cameos", to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.