Ghostly visitations, hauntings, unquiet souls seeking the living, vengeful wraiths, the possibility of life beyond the grave that can somehow reach out and touch us…these are some of literature’s most enduring icons. Now, in the twenty-first century, we are no less fascinated with phantoms than our cave-dwelling ancestors or our Victorian-age forebears. Thirty modern masters of fright and fantasy fill this anthology with shivers, chills, and spooky explorations of both sides of the veil. Be prepared to keep a light on all night!Peter Atkins: “Between the Cold Moon and the Earth”Rick Bowes: “There’s a Hole in the City”Laird Barron: “The Lagerstatte”Steve Duffy: “The Rag-and-Bone Men”Jeffrey Ford: “The Trentino Kid”Karen Joy Fowler: “Booth’s Ghost”Neil Gaiman: “October in the Chair”Stephen Gallagher: “The Box”Elizabeth Hand: “Wonderwall”Glen Hirshberg: “The Muldoon”Alaya Dawn Johnson: “The Score”Stephen Graham Jones: “Uncle” (original)Caitlin R. Kiernan: “Apokatastasis”Marc Laidlaw: “Cell Call”Margo Lanagan: “The Proving of Smollett Standforth”John Langan: “The Third Always Beside You”Joe R. Lansdale: “The Case of the Lighthouse Shambler”Maureen F. McHugh: “Ancestor Money”Sarah Monette: “The Watcher in the Corners”Reggie Oliver: “Mrs Midnight”Richard Parks: “The Plum Blossom Lantern”James van Pelt: “Savannah is Six”Tim Powers: “A Soul in a Bottle”Barbara Roden: “The Palace”Ekaterina Sedia: “Tin Cans”Nisi Shawl: “Cruel Sistah”John Shirley: “Faces in Walls”Peter Straub: “Mr Aikman’s Air Rifle”Melanie Tem: “Dhost”Steve Rasnic Tem: “The Ex”

    Once she restores it to the attic, she starts hearing whispers, her loving husband becomes a stranger, and her baby daughter learns a chilling new word. Maybe Ana has unlocked the house’s secrets. Or maybe she’s becoming just a little unhinged herself.Brandi Reeds’s Oak Avenue is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

    Stories from the colonial era will both entertain and enthral readers. The author is very well-known in the Himachal as a prolific and an entertaining writer. About the Book: More Ghost Stories of Shimla Hills A collection of sixteen stories about the supernatural, originating from Shimla folklore and the days of the Raj. The haunted foothills of Himalayas present the perfect setting for the dark and sinister world of phantoms and apparitions. Many spirits wander about these hills-the English nurse, the theatre manager, the English lord and his sister, even a family of local ghosts Many of these are real encounters narrated by the inhabitants. With thrilling twists and turns, each story recreates the horror of the victims and the fear of the unknown. Get ready to be spooked! About the Author: Minakshi Chaudhry Minakshi Chaudhry, an author and former journalist, lives in Shimla with her husband. She is a keen observer of people, cultures, lifestyles, and loves trekking and travelling. Minakshi has authored several books-Sunshine: My Encounter with Cancer, Love Stories of Shimla Hills, Whispering Deodars: Writings from Shimla Hills, Destination Himachal: 132 Offbeat and 12 Popular Getaways, Ghost Stories of Shimla Hills, 65 Treks and Over 100 Destinations: A Guide to Trekking in Himachal, and Exploring Pangi Himalaya: A World Beyond Civilization. She is currently working on her next book and can be contacted at minakshi_kanwar@yahoo.com

    Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted (and best-paid) writers of stories and novellas. In 'The Short Stories of F. Scott Fitzgerald', Matthew J. Bruccoli, the country's premier Fitzgerald scholar and biographer, assembles a sparkling collection that encompasses the full scope of Fitzgerald's short fiction. The forty-three masterpieces range from early stories that capture the fashion of the times to later ones written after the author's fabled crack-up, which are sober reflections on his own youthful excesses. Included are classic novellas, such as "The Rich Boy," "May Day," and "The Diamond as Big as the Ritz," as well as a remarkable body of work he wrote for the Saturday Evening Post and its sister "slicks." These stories can be read as an autobiographical journal of a great writer's career, an experience deepened by the illuminating introductory headnotes that Matthew Bruccoli has written for each story, placing it in its literary and biographical context.Together, these forty-three stories compose a vivid picture of a lost era, but their brilliance is timeless. This essential collection is a monument to the genius of one of the great voices in the history of American literature.

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    Here are tales of suspense and the supernatural that will chill, amuse, and exhilarate.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    Curl up with old friends like Washington Irving's "The Devil and Tom Walker" or Charles Dickens's "Chips." Or make the acquaintance of "The Serpent Woman" and "The Skull That Spoke"--but beware of spectral visitors like "The Blood-Drawing Ghost." There's something here for everyone who likes a good shudder. . . but be prepared for goose bumps!Delightfully creepy illustrations by Katherine Coville and Jacqueline Rogers highlight this second collection of scary stories.

    From Sir Edmund Spenser's "The Faerie Queene" to E. M. Forster's "The Machine Stops", literature is filled with sexy, deadly, and downright twisted tales. In this collection, today's most acclaimed award-winning and bestselling authors reimagine their favorite classic stories and use their own unique styles to rebuild these timeless stories, the ones that have inspired, awed, and enraged them, the ones that have become ingrained in modern culture, and the ones that have been too long overlooked. They take these twelve stories and boil them down to their bones, and reassemble them for a new generation of readers. Written from a twenty-first century perspective and set within the realms of science fiction, dystopian fiction, fantasy, and realistic fiction, these short stories are as moving and thought provoking as their originators. They pay homage to groundbreaking literary achievements of the past while celebrating each author's unique perception and innovative style.Contents:Introduction: Rags & Bones: New Twists on Timeless Tales (2013) • essay by Tim Pratt and Melissa MarrThat the Machine May Progress Eternally (2013) / shortfiction by Carrie Ryan, inspired by E.M. Forster's The Machine StopsThe King of Elfland's Daughter (2013) • interior artwork by Charles VessLosing Her Divinity [Sir Hereward and Mister Fitz] (2013) / shortfiction by Garth Nix, inspired by The Man Who Would Be KingThe Sleeper and the Spindle (2013) / novelette by Neil Gaiman, inspired by Sleeping BeautyKai Lung's Golden Hours (2013) • interior artwork by Charles VessThe Cold Corner (2013) / shortfiction by Tim Pratt, inspired by Henry James' The Jolly CornerMillcara (2013) / shortfiction by Holly Black, inspired by Joseph Sheridan Le Fanu's CarmillaFigures of Earth (2013) • interior artwork by Charles VessWhen First We Were Gods (2013) / shortfiction by Rick Yancey, inspired by Nathaniel Hawthorne's The BirthmarkSirocco (2013) / shortfiction by Margaret Stohl, inspired by Horace Walpole's The Castle of OtrantoThe Shaving of Shagpat (2013) • interior artwork by Charles VessAwakened (2013) / shortfiction by Melissa Marr, inspired by Kate Chopin's The AwakeningNew Chicago (2013) / shortfiction by Kelley Armstrong, inspired by W. W. Jacob's The Monkey's PawThe Wood Beyond the World (2013) • interior artwork by Charles VessThe Soul Collector (2013) / shortfiction by Kami Garcia, inspired by the Brothers Grimm's RumpelstiltskinWithout Faith, Without Law, Without Joy (2013) / shortfiction by Saladin Ahmed, inspired by Sir Edmund Spenser's Faerie QueeneGoblin Market (2013) • interior artwork by Charles VessUncaged (2013) / shortfiction by Gene Wolf, inspired by William Seabrook's The Caged White Werewolf..

    Through the lens of Link's vivid imagination, nothing is what it seems, and everything deserves a second look. From the multiple award-winning The Faery Handbag, in which a teenager's grandmother carries an entire village (or is it a man-eating dog?) in her handbag, to the near-future of The Surfer, whose narrator (a soccer-playing skeptic) waits with a planeload of refugees for the aliens to arrive, Link's stories are funny and full of unexpected insights and skewed perspectives on the world. Her fans range from Michael Chabon to Peter Buck of R.E.M. to Holly Black of Spiderwick Chronicles fame. Now teens can have their world rocked, too!

    A giggling crowd of masked watchers. A reassembling corpse. What could be behind you, just waiting for you to turn around? Behind You is an illustration series, a comic with no panels, where each piece is essentially a separate story. Each tale is one image and one piece of text; an unsuspecting victim with someone, or something, behind them. Entries range from the amusingly weird to the genuinely unsettling. Inspired by spooky films, books, myths, and internet tall tales, Behind You is full of scary set-ups but leaves lots of blanks for the reader to fill in with their own narrative. Includes an Introduction by New York Times Best-Seller Joe Hill.

    “Never go in, miss. Never say a prayer at its door. If you are angry, do not seek revenge by the Laughing Maiden stone or at the threshold of the Tombs. There be those who listen for oaths and vows….What may be said in innocence becomes flesh and blood in such places.”She was born Iris Catherine Villiers. She became Isis.From childhood until her sixteenth year, Iris Villiers wandered the stone-hedged gardens and the steep cliffs along the coast of Cornwall near her ancestral home. Surrounded by the stern judgments of her grandfather—the Gray Minister—and the taunts of her cruel governess, Iris finds solace in her beloved older brother who has always protected her. But when a tragic accident occurs from the ledge of an open window, Iris discovers that she possesses the ability to speak to the dead...Be careful what you wish for…it just may find you.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    It’s a loneliness she nurtures, finds comfort in even, except at Christmas, a time of dread.Then comes an invite, an offer from an old friend, to join him for ‘The Damned Season’ at his house on an island off the coast of Anglesey, for Christmas with a difference. Intrigued as well as desperate, Beth accepts, arriving there a few days before Christmas Eve.She’s not the only one invited, however, there are four others, all strangers to each other, all crossing murky, choppy waters to meet their host, a much changed man that seems not only surprised to see them, but dismayed, and weary too. Who is nothing but a husk.With the boatman gone and the mists closing in, Beth finds herself in a solitary house of ever-changing rooms and never-ending corridors, of people disappearing and then reappearing, of feasts and famine. And then there are the doors, constantly multiplying, and locked…aren’t they?The Damned Season. It’s coming.

    Jekyll and Mr. HydeMedical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.