This text describes the practice, theory, and underlying rationale of black magic in all its branches - the summoning and control of evil spirits, necromancy, psychic attack, devil worship, witchcraft, evil charms and spells - as well as other branches of occult theory.

    The definitive scholarly account on witchcraft, demonology, diabolic possession and modern spiritualism.

    Includes Crowley's "An Initiated Interpretation of Ceremonial Magic," his version of "The Bornless Ritual," Enochian translations of some of the Goetic invocations, an introduction, and notes. Illustrated. Smythe-sewn and printed on acid-free paper.

    He produces a wonderfully skillful synthesis of the available material—one that sees the occult in the light of reason and reason in the light of the mystical and paranormal. The result is a wide-ranging survey of the subject that provides a comprehensive history of magic, an insightful exploration of our latent powers, and a journey of enlightenment. “I am very impressed by this book, not only by its erudition but…above all for the good-natured, unaffected charm of the author whose reasoning is never too far-fetched, who is never carried away by preposterous theories.”—Sunday Times

    . . How to spot and identify demons and other subversive spirits . . . And what to do next.Demons, fairies, and fallen angels are everywhere. They lurk at crossroads, crouch behind doors, hide in trees, slip into beds, wait in caves, hover at weddings and childbirths, disguise themselves as friends, relatives-even disguise themselves as you. They are powerful; they are protean; they are enchanting. And, to the uninformed, they are often invisible. This illustrated guide-the first of its kind-reveals the remarkable permutations of the demon and fairy species worldwide. Packed with lore about each demon, detailing its origins, the culture surrounding it, and its reputed antics and exploits, A Field Guide to Demons, Fairies, Fallen Angels, and Other Subversive Spirits is a fascinating exploration of global mythologies. Perfect for the armchair traveler and the intrepid, seasoned demon-spotter alike, this complete guide to subversive spirits offers a behind-the-scenes look at the devilish mishaps, impish irritations, and demonic devastations that punctuate our lives.

    and the witches, hobgoblins and wizards of whom the masses lived in mortal fear.Michelet draws flaming word pictures of the witch hunts, the Black Masses, the reign of Satan, and the weird rites of the damned. Here is the age of unbridled pleasure and sensuality, of luxury beyond imagination and squalor beyond endurance. Here is the time when a girl might be accused of witchcraft merely if she were young and pretty and did not survive the test of immersion in water or boiling oil. Here is the day of beatings, floggings, tortures and summary decapitations.Encyclopedia Britannica called the book, "The most important work on medieval superstition yet written." It is indeed one of the great works on the Age of Darkness.

    From the mythical beasts of ancient Greece to the hormonal vampires of the Twilight saga, monsters have captivated us for millennia. Matt Kaplan, a noted science journalist and monster-myth enthusiast, employs an entertaining mix of cutting-edge research and a love of lore to explore the history behind these fantastical fictions and our hardwired obsession with things that go bump in the night. Ranging across history, Medusa’s Gaze and Vampire’s Bite tackles the enduring questions that arise on the frontier between fantasy and reality. What caused ancient Minoans to create the tale of the Minotaur and its subterranean maze? Did dragons really exist? What inspired the creation of vampires and werewolves, and why are we so drawn to them? With the eye of a journalist and the voice of a storyteller, Kaplan takes readers to the forefront of science, where our favorite figures of horror may find real-life validation. Does the legendary Kraken, a squid of epic proportions, really roam the deep? Are we close to making Jurassic Park a reality by replicating a dinosaur from fossilized DNA? As our fears evolve, so do our monsters, and Medusa’s Gaze and Vampire’s Bite charts the rise of the ultimate beasts, humans themselves.

    It is a collection of essays, observations and rituals, and outlines LaVey's Satanic ideology. It contains the core principles of the Church of Satan and is considered the foundation of the philosophy and dogma that constitute LaVeyan Satanism.

    The Golden Bough" describes our ancestors' primitive methods of worship, sex practices, strange rituals and festivals. Disproving the popular thought that primitive life was simple, this monumental survey shows that savage man was enmeshed in a tangle of magic, taboos, and superstitions. Revealed here is the evolution of man from savagery to civilization, from the modification of his weird and often bloodthirsty customs to the entry of lasting moral, ethical, and spiritual values.

    The master of Gothic suspense, H.P. Lovecraft, wrote about a mystical and dreaded grimoire, known as the Necronomicon––an ancient text written by an Arab that, if it were to fall into the wrong hands, could have disastrous consequences. But no one thought the Necronomicon had any basis in the world outside of Lovecraft's fiction. Until...Simon was a young man drawn to the mysterious world of the occult through his association with several Eastern Orthodox religions and his friendship with the owner of an occult bookstore in Brooklyn. In 1972 he stumbled upon a stolen text in a friend's apartment, unaware that what he held in his hands was the real Necronomicon––something long thought to be a creation of Lovecraft's brilliant mind and deft pen. After an arduous translation, done in the utmost secrecy (since the tome was in fact stolen), Simon and his close circle of friends unveiled the now–infamous grimoire to a clamoring public.In Dead Names, Simon tells the amazing true story that surrounds the Necronomicon. From the main players' humble beginnings in the pageantry–filled and secret world of Eastern Orthodox religion, to the accidental discovery of the Necronomicon, to the Son of Sam murders, the JFK assassination , the brilliant William S. Burroughs, and the eventual suspicious deaths of almost everyone involved with the grimoire, this book is an enthralling account of a book steeped in legend, lies, and murder.

    But the countless movies and books inspired by this child of the night who has a predilection for human blood are based on incidents recorded as fact in newspapers and judicial archives in the centuries preceding the works of Bram Stoker and other writers. Digging through these forgotten records, Claude Lecouteux unearths a very different figure of the vampire in the many accounts of individuals who reportedly would return from their graves to attack the living. These ancestors of the modern vampire were not all blood suckers; they included shroud eaters, appesarts, nightmares, and the curious figure of the stafia, whose origin is a result of masons secretly interring the shadow of a living human being in the wall of a building under construction. As Lecouteux shows, the belief in vampires predates ancient Roman times, which abounded with lamia, stirges, and ghouls. Discarding the tacked together explanations of modern science for these inexplicable phenomena, the author looks back to another folk belief that has come down through the centuries like that of the undead: the existence of multiple souls in every individual, not all of which are able to move on to the next world after death.

    The Demonologist reveals the grave religious process behind supernatural events and how it can happen to you. Over twenty years in print, here is the original uncut version of this classic text. Illustrated with photographs of phenomena in progress, every sentence in the book is true. Used as a text in seminaries and classrooms, this is one book you can't put down.

    The workbook formats includes exam questions at the end of each lesson, so you can build a permanent record of your spiritual and magical training.

    This comprehensive resource presents more than 400 entries and more than 80 black-and-white photographs documenting beliefs about demons and demonology from ancient history to the present.

    The forms they take, and the means by which they appear in the physical world, are cataloged. How they correspond to actual phenomena, such as death and pestilence, is likewise noted. Conway draws upon various writings within the Biblical scriptures, together with later works published in the Middle Ages and subsequent centuries, to arrive at his own comprehensive treatment of the subject. The second volume of the work concerns devils. Various figures such as Ahriman and Viswámitra receive chapters, in which the writings about them are quoted to form a complete image of their behavior and meanings. Appearances of devils in later works, such as the diabolical Mephistopheles in Goethe's Faust, are also cataloged. The overarching aim of Conway's thesis is to draw parallels between the various demonic and devilish phenomena, while noting their overall influence across the history of Christianity. The text is informative in tone and does not stray to dogmatism; Conway instead provides sourced information in a factual, studied tone. For his part, Conway was not a believer in the lore of demons. Although he served variously as a Methodist, Unitarian and Freethought minister in life, he had little time for the supernatural elements of Christianity. It is thus that Demonology and Devil-lore is an effort toward debunking and discounting what Conway viewed as the fantastical elements of a faith he otherwise identified with spiritually and morally. Today, Demonology and Devil-lore is somewhat archaic in terms of tone owing to its age. However, it still counts among the most thorough, in-depth and wide-ranging treatments of a subject which has fascinated religious and non-religious persons alike for centuries.