From the controversy of his early work to the political storm surrounding the arrival of the exhibition Sensation at the Brooklyn Museum of Art, his work has redefined international expectations of modern art. Even people with only a passing knowledge of art are familiar with his installations of a shark, cows, and sheep pickled in formaldehyde. "On the Way to Work" is an extremely candid autobiography of Hirst presented in a series of conversations. He expounds in unpredictable and scabrously funny ways on everything from art to celebrity to sex, and these frank and intimate conversations are punctuated with art from all phases of his career chosen by Hirst himself. This book is a window into Hirst's world: growing up in working class northern England, roughhousing in pubs, obsessing about life and death, questioning art world fame, and believing that art and beauty make a difference in the modern world. In addition to the attention he generates, this dynamic artist also garners critical acclaim-he is the winner of the Turner Prize and, ever since the groundbreaking exhibition that he organized as a fledgling artist in the early nineties, he is considered the unofficial leader of the Young British Artists movement. Hirst's appeal goes beyond the world of art; he's an influential figure to architects, designers, and the fashion crowd as well. Engaging, well-illustrated, and a real event in the art world, "On the Way to Work," like its subject, will generate controversy and acclaim.

    

    While many pages have been devoted to visual Surrealism, this is the only book on the suject by the movement's founder and prime theorist. It contains Andra Breton's seminal treatise on the origins and foundations of artistic Surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays--many of them classics in their own right--on Picasso, Duchamp, Kahlo, Dal', Ernst, Masson, Gorky, Picabia, MirA, Magritte, Kandinsky, and others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But above and beyond the subject matter, what makes this book so enduringly compelling is Breton's signature mixture of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting is not only a supremely exciting work of art criticism, but also one of the three or four indispensable references for any serious discussion of modern art.

    They were away from the chaos, and they thought they were safe. They thought wrong.What will they do?All across the country cities are in crisis.Logan and his family look out from their Manhattan penthouse. The world is crumbling before their eyes. Unprepared, he’s got to do something. They can’t stay. But how can they leave and where will they go?Someone has a solution.It’s Logan’s domestic android.Can he believe a machine?You won’t believe the twists and turns, but you’ll love the adventure.Get it now.

    Some of these works are considered the most important; others may be less well known, but they all play an important role in the philosophical and artistic development of this diverse group of artists.

    Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.

    The action of this exciting historical mystery romance takes place in the lively and pulsating world of Restoration London, with its bear-baiting and dog-fighting pits, with its taverns and bawdy houses, its libertines and Puritans, its fops and its society beauties. In the cold winter of 1664, the Thames has frozen over, and a great comet has appeared in the skies above the city of London. The comet seems a portent of disaster because England is in a deeply troubled and divided state. The King, Charles II, had been welcomed back as a saviour four years before, but is now resented by increasing numbers of his own people. And war too is looming with the Dutch, England’s great seagoing trade rivals… Molly Titchen is a precocious 16-year-old orange seller at the new King’s Theatre in Drury Lane who dreams of becoming an actress, and strutting the stage in breeches parts. Yet being an actress in the King’s company seems to be a dangerous choice of profession at present as a succession of young actresses die in mysterious circumstances. The leader of the company, Sir Thomas Killigrew, asks a wealthy young physician and merchant, Henry Raven, to investigate the deaths of the actresses. Raven and his lawyer friends Anthony Mawdsley and Adam Strange are regular theatregoers and the three soon become drawn into the mysterious affairs at the King’s theatre. Yet Mawdsley is also chief secretary to the Lord Chancellor, the 1st Earl of Clarendon, and the King’s chief minister, and therefore has his hands full with affairs of state. When a mysterious masked man threatens the life of the King, Mawdsley is forced to turn to his friend Henry Raven for help. Raven in turn needs the help of the aspiring actress Molly, which brings them together in their search for a wicked murderer and a scarred madman with an evil plan for London on his mind...

    Along with a plethora of images of [Kahlo's] paintings, the book features archive images, family photographs, objects, and artifacts from her personal collection as well as photos of the surrounding landscape, all of which offer insight into how these places shaped her work and vision.' - An Artnet Favourite Art Book of 2016

    Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), this volume presents a completely new view which affords enlightening comparisons between eras and genres. This remarkable work is indispensable for artlovers of all tastes and disciplines.

    Her lifelong friend, Ingrid, has asked her to do the impossible -- authenticate the painting from a photograph. The photograph in question was passed down to Ingrid by her grandfather, Klaus Rettke a key member of the German Einsatzstab Reichsleiter Rosenberg, the Nazi organization appointed to confiscate art from the Jews. Obscure references in Klaus Rettke's diary convince Maggie that Rettke stole the painting from the Nazis. Now she must use science to verify that the painting in the photo is genuine, something that has never been done before. From the National Gallery of Art in Washington, D.C. to the Musee du Jeu de Paume in Paris, Maggie searches for answers. Finally, she confronts the possibility that there is not one painting, but the original and several forgeries. With tens of millions of dollars at stake and a killer at large, she is determined to find the authentic Van Gogh. To do so, Maggie must stay alive . . . something that's proving difficult to do.

    - STEVEN SORA, author of The Lost Treasure of the Knights Templar, The Lost Colony of the Templars, Secret Societies of America's EliteA well-researched, original and fascinating work - a real page-turner. - GRAHAM PHILLIPS, bestselling author of The End of Eden, Merlin and the Discovery of Avalon, The Templars and the Ark of the Covenant, Alexander the Great, The Moses Legacy, The Marian Conspiracy, Act of GodFROM THE BACK PAGEIn Medieval England the defence of the realm in times of need rested on the shoulders of twelve men - a secret brotherhood of knights, who answered only to the ruler of England. They were called The White Hart.As they are now...In the hot late summer of 1666, a strange document is delivered to the King of England. The writing, though easy to read, refers to an obscure promise: a great fireworks display will soon take place, culminating in a pure body of flame higher than St Paul's.A week later and with the City of London burned to rubble, the hunt is on for its mysterious sender.Present day: When flames are spotted inside a modern building located at the exact site of Thomas Farriner's bakery in Pudding Lane on the anniversary of the Great Fire, few are prepared that this is just the first phase of the greatest terror attack in living memory. But when information reaches the Prime Minister of a second fire spreading in Edinburgh and a break-in at the Tower of London, it isn't long before chaos ensues.For White Hart agents Mike Hansen and Kit Masterson, the escalating attacks are just the start of a bizarre sequence of events that threaten to send the present and past on a collision course. A forgotten foe has finally resurfaced, their ancient threat being carried out. Armed with both the latest in modern technology and cryptic clues from the nation's dark past, they have no choice but to tackle the threat head on, while also frantically attempting to solve a centuries' old puzzle before it's too late. If successful, they could yet save both cities from certain destruction.But only by uncovering one of history's best-kept secrets can they prevent the past from repeating itself. . .

    Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue he carved in his youth - he was subject to constant trials and labours.In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.

    

    Now, in the hands of the superb biographer Hilary Spurling, the unknown Matisse becomes visible at last.Matisse was born into a family of shopkeepers in 1869, in a gloomy textile town in the north of France. His environment was brightened only by the sumptuous fabrics produced by the local weavers--magnificent brocades and silks that offered Matisse his first vision of light and color, and which later became a familiar motif in his paintings. He did not find his artistic vocation until after leaving school, when he struggled for years with his father, who wanted him to take over the family seed-store. Escaping to Paris, where he was scorned by the French art establishment, Matisse lived for fifteen years in great poverty--an ordeal he shared with other young artists and with Camille Joblaud, the mother of his daughter, Marguerite. But Matisse never gave up. Painting by painting, he struggled toward the revelation that beckoned to him, learning about color, light, and form from such mentors as Signac, Pissarro, and the Australian painter John Peter Russell, who ruled his own art colony on an island off the coast of Brittany. In 1898, after a dramatic parting from Joblaud, Matisse met and married Amélie Parayre, who became his staunchest ally. She and their two sons, Jean and Pierre, formed with Marguerite his indispensable intimate circle.From the first day of his wedding trip to Ajaccio in Corsica, Matisse realized that he had found his spiritual home: the south, with its heat, color, and clear light. For years he worked unceasingly toward the style by which we know him now. But in 1902, just as he was on the point of achieving his goals as a painter, he suddenly left Paris with his family for the hometown he detested, and returned to the somber, muted palette he had so recently discarded.Why did this happen? Art historians have called this regression Matisse's "dark period," but none have ever guessed the reason for it. What Hilary Spurling has uncovered is nothing less than the involvement of Matisse's in-laws, the Parayres, in a monumental scandal which threatened to topple the banking system and government of France. The authorities, reeling from the divisive Dreyfus case, smoothed over the so-called Humbert Affair, and did it so well that the story of this twenty-year scam--and the humiliation and ruin its climax brought down on the unsuspecting Matisse and his family--have been erased from memory until now.It took many months for Matisse to come to terms with this disgrace, and nearly as long to return to the bold course he had been pursuing before the interruption. What lay ahead were the summers in St-Tropez and Collioure; the outpouring of "Fauve" paintings; Matisse's experiments with sculpture; and the beginnings of acceptance by dealers and collectors, which, by 1908, put his life on a more secure footing.Hilary Spurling's discovery of the Humbert Affair and its effects on Matisse's health and work is an extraordinary revelation, but it is only one aspect of her achievement. She enters into Matisse's struggle for expression and his tenacious progress from his northern origins to the life-giving light of the Mediterranean with rare sensitivity. She brings to her task an astonishing breadth of knowledge about his family, about fin-de-siècle Paris, the conventional Salon painters who shut their doors on him, his artistic comrades, his early patrons, and his incipient rivalry with Picasso.In Hilary Spurling, Matisse has found a biographer with a detective's ability to unearth crucial facts, the narrative power of a novelist, and profound empathy for her subject.From the Hardcover edition.

    Based on Philip Hook’s thirty-five years’ experience of the art market, Breakfast at Sotheby’s explores the artist and his hinterland (including definitions for -isms, middle-brow artists, Gericault, and suicides), subject and style (from abstract art and banality through surrealism and war), “wall-power,” provenance, and market weather. Comic, revealing, piquant, splendid, and occasionally absurd, Breakfast at Sotheby’s is a book of pleasure and intelligent observation, as engaged with art as it is with the world that surrounds it.