In this eagerly awaited second installment, Suzuki, now 70, reflects on his entire life — and on his hopes for the future. The book begins with his life-changing encounters with racism while interned in a Canadian concentration camp during World War II and continues through his troubled teenage years and later successes as a scientist and host of PBS's The Nature of Things. With characteristic candor and passion, he describes his growing consciousness of the natural world and humankind’s precarious place in it; his travels throughout the world and his meetings with international leaders, from Nelson Mandela to the Dalai Lama; and the abiding role of nature and family in his life. David Suzuki is an intimate and inspiring look at one of the most uncompromising people on the planet.

    As the story shifts back and forth in time and between characters, we meet the men and women of the Burrows family: brothers Ziv and Arvel, drawn to the mine for different reasons; their father, a former union organizer; Ziv’s ex-girlfriend, now living in Japan; and Arvel’s wife, who hopes for a better life for herself in the city. In the aftermath of the explosion, and as the investigation into its causes unfolds, the members of the Burrows family are forced to confront each other – and themselves – bringing the novel to its moving and redemptive conclusion. Written in spare, hard-hitting prose, and inspired in part by the Westray mining disaster, Twenty-Six is a novel of universal human struggle and understanding that evokes in all its drama and pathos a community transformed by tragedy.

    Quietly, precisely, he has created a body of work that is among the greatest to appear in English in the last fifty years.A book-besotted patriarch releases his only son from the obligations of the sea. A father provokes his young son to violence when he reluctantly sells the family horse. A passionate girl who grows up on a nearly deserted island turns into an ever-wistful woman when her one true love is felled by a logging accident. A dying young man listens to his grandmother play the old Gaelic songs on her ancient violin as they both fend off the inevitable. The events that propel MacLeod's stories convince us of the importance of tradition, the beauty of the landscape, and the necessity of memory.

    Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

    He lives on Vancouver Island, a place of uncommon beauty, where the climate is mild, the air is soft, and the growing season lasts nearly all year long.Lane has gardened for as long as he can remember, and sees his garden’s life as intertwined with his own. And when he gave up drinking, after years of addiction, he found solace and healing in tending to his yard. In this exquisitely written memoir, he relates stories of his hard early life in the context of the landscape he’s created. As he observes the seasonal changes, a plant or a bird or the way a tree bends in the wind brings to mind an episode from his storied past.Lane writes evocative descriptions of the animals, birds, insects, and plants that are his garden, and of the relationship he has to them all. Accompany Lane as he wanders his garden, where botanical “madeleines” release in him a flood of memory.From the Hardcover edition.

    The Klondike stampede was a wild interlude in the epic story of western development, and here are its dramatic tales of hardship, heroism, and villainy. We meet Soapy Smith, dictator of Skagway; Swiftwater Bill Gates, who bathed in champagne; Silent Sam Bonnifield, who lost and won back a hotel in a poker game; and Roddy Connors, who danced away a fortune at a dollar a dance. We meet dance-hall queens, paupers turned millionaires, missionaries and entrepreneurs, and legendary Mounties such as Sam Steele, the Lion of the Yukon.Pierre Berton's riveting account reveals to us the spectacle of the Chilkoot Pass, and the terrors of lesser-known trails through the swamps of British Columbia, across the glaciers of souther Alaska, and up the icy streams of the Mackenzie Mountains. It contrasts the lawless frontier life on the American side of the border to the relative safety of Dawson City. Winner of the Governor General's award for non-fiction, Klondike is authentic history and grand entertainment, and a must-read for anyone interested in the Canadian frontier.

    After teaching himself the basics, he turned pro as an eighteen-year-old in 1956 and over the next twenty-three years fought some of the sport's greatest names: Joe Frazier, George Foreman and, most famously, Muhammad Ali (twice). Since retiring from the ring in 1979, Chuvalo has had to come to terms with a series of crushing body blows. His youngest son, a heroin addict, died of a self-inflicted gunshot wound. Two other sons died from heroin overdoses. His first wife, overcome with grief, took her own life. Yet Chuvalo has stoically fought back. He formed his Fight Against Drugs foundation in 1996 and has spent the past seventeen years travelling across Canada and to parts of the United States, talking to tens of thousands of students and young adults about what happened to his family.An inspirational story of a Canadian icon, Chuvalo is both a top-flight boxing memoir and a poignant, hard-hitting story of coping with unimaginable loss.

    It is both a radio and stage play and a multi-layered epic poem. This edition also includes Kay's much-acclaimed BBC radio play on CD.

    Thankfully, I landed a gig as a translator for a minor-league Russian hockey player. Sadly, the initial enthusiasm was short lived.One glance and I immediately recognized my new client as the same arrogant jerk who came on to me at the bar the night before. Sure, Aleksandr Varenkov was sexy--with his chiseled muscles and alluring grin. That didn’t change the fact that he’s a notorious womanizer. While our working relationship started as friendly as a hard check on the ice, I soon saw a softer side to Aleksandr that left me entertaining thoughts of a trip for two to the penalty box. After all I’ve been through, I can’t risk letting my guard down for a hot-headed player with a bad reputation. Still... how can I resist an attraction hot enough to melt the ice?This is a New Edition of a previously published book. There is exclusive, NEW content.

    Granted extraordinary access to Cohen’s personal papers, Liel Leibovitz examines the intricacies of the man whose performing career began with a crippling bout of stage fright, yet who, only a few years later, tamed a rowdy crowd on the Isle of Wight, preventing further violence; the artist who had gone from a successful world tour and a movie star girlfriend to a long residency in a remote Zen retreat; and the rare spiritual seeker for whom the principles of traditional Judaism, the tenets of Zen Buddhism, and the iconography of Christianity all align. The portrait that emerges is that of an artist attuned to notions of justice, lust, longing, loneliness, and redemption, and possessing the sort of voice and vision commonly reserved only for the prophets.More than just an account of Cohen’s life, A Broken Hallelujah is an intimate look at the artist that is as emotionally astute as it is philosophically observant. Delving into the sources and meaning of Cohen’s work, Leibovitz beautifully illuminates what Cohen is telling us and why we listen so intensely.

    

    Beginning with the King’s Cook, who is preparing a sumptuous Christmas Pie, Wenceslas takes us to a medieval feast. The lords and ladies are at their places, the wine is in full flow, the musicians are playing in the gallery and the entertainment has begun. All should be perfect. But when the good King looks up from his table he sees something more than just snow, falling deep and crisp and even . . .In reimagining the much-loved carol of King Wenceslas, Carol Ann Duffy’s wonderful new poem offers merriment and festive cheer, but also celebrates what is truly important at this special time of year: the simple acts of kindness that each of us can show another.

    The result is a lyrical and piercingly insightful collection of essays, letters (to her grandmother, to the basketball star Michael Jordan, to Death), and her own brand of essay-meets-prose poetry about identity and culture. Inspired by Maggie Nelson’s Bluets, Lydia Davis’s short prose, and Vivian Gornick’s exploration of interior life, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression.Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today.

    It tells how God created the world as very good, but that it was distroyed in the flood as a result of man's disobedience. The new world after the flood was also spoiled by human sin (ch. 11). The call of Abraham, through whom all the nations would be blessed, gives hope that God's purpose will eventually be realized through Abraham's descendants (ch. 49).

    She describes unforgettable scenes from her childhood with simplicity and accuracy, traveling through magical times and places that, when seen from a distance, awake steady feelings of loneliness, love and death find their perfect expression in Davilas writing, who delicately shapes them into life.