ABOUT THE BOOK A gem of a book; endearing, engaging and inspiring. -Catharine Hamm, Los Angeles Times Travel Editor Tired of his disconnected life and uninspiring job, Leon Logothetis leaves it all behind-job, money, home, even his cell phone-and hits the road with nothing but the clothes on his back and five dollars in his pocket, relying on the kindness of strangers and the serendipity of the open road for his daily keep. Along the way, Leon offers up the intriguing and charming tales gathered along his one-of-a-kind journey riding in trains and buses and big rigs and classic cars; sleeping on streets and couches and firehouses; meeting pimps and preachers, astronauts and single moms, celebrities and homeless families, veterans and communists. Each day of his journey, we catch sight of the invisible spiritual underpinning of society in these stories of companionship-and sheer adventure-that prove that the kind, good soul of mankind has not been lost. Masterful storytelling! Leon begins his journey as a merry prankster and ends a grinning philosopher. Really funny-and insightful, too.-Karen Salmansohn, Oprah.com Relationship Columnist, AOL Career Coach If you're looking to find meaning in this disconnected world of ours, this book contains many clues." -Psychology Today "The indefatigable Leon Logothetis elicits generosity and kindness, and occasionally some nuttiness...on his endearingly frugal journey. We also get some great travel tips, too."-Kyle Wagner, Travel Editor, Denver Post

    Likewise Swensen’s lyrics, which, with elliptical phrasing and play between visual and aural, change the act of seeing—and reading—offering glimpses of the spirit (or ghost) that enters a poem where the rational process breaks down.From “The Invention of Streetlights”Certain cells, it’s said, can generate light on their own.There are organisms that could fit on the head of a pin.and light entire rooms. .Throughout the Middle Ages, you could hire a man.on any corner with a torch to light you home. were lamps made of horn.and from above a loom of moving flares, we watched.Notre Dame seem small. .Now the streets stand still. .By 1890, it took a pound of powdered magnesium.to photograph a midnight ball.“Goest, sonorous with a hovering ‘ghost’ which shimmers at the root of all things, is a stunning meditation—even initiation—on the act of seeing, proprioception, and the alchemical properties of light as it exists naturally and inside the human realm of history, lore, invention and the ‘whites’ of painting. Light becomes the true mistress and possibly the underlying language of all invention. Swensen’s poetry documents a penetrating ‘intellectus’—light of the mind—by turns fragile, incandescent, transcendent.”—Anne Waldman

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings on cassette and a book with the text of the poetry, a bibliography, and a commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review.

    The 44 pieces collected here--particularly the long title-poem--find the poet applying his uniquely lyric, meditative, and often hilarious sensibility to the mysterious and incessant curves and crests of love, art, thought, experience, and selfhood.

    He has influenced generations of writers with his classic Letters to a Young Poet, and his reflections on the divine and our place in the world are disarmingly profound. A Year with Rilke provides the first ever reading from Rilke for every day of the year, including selections from his luminous poetry, his piercing prose, and his intimate letters and journals. Rilke is a trusted guide amid the bustle of our daily experience, reflecting on such themes as impermanence, the beauty of creation, the voice of God, and the importance of solitude. With new translations from the editors, whose acclaimed translation of Rilke's The Book of Hours won an ardent readership, this collection reveals the depth and breadth of Rilke's acclaimed work.

    New and Selected Poems includes the best of his seven full-length collections, plus over 23 new poems previously unpublished in book form. From the charged, short-lined poems of Soto's early writing to an unflinching look at poverty and hard labor in California's Central Valley to the off-beat humor in his longer, more recent work, New and Selected Poems is a timely tribute to a brilliant writer whose work confirms the power of the human spirit to survive and soar.

    Embracing the elegiac, angry, and amorous with surrealistic wordplay and off-kilter music, Young coaxes us to "fall higher" into an intimate, vulnerable, expansive exchange. This is a major new book by one of America's most inventive poets.I was satisfied with haiku until I met you,jar of octopus, cuckoo's cry, 5-7-5,but now I want a Russian novel,a 50 page description of you sleeping,another 75 of what you think staring outa window. I don't care about the plotalthough I suppose there will have to be one,the usual separation of the lovers, turbulentseas, danger of de-commission in spiteof constant war, time in gulps and glitchespassing, squibs of threnody, a fallen nest,speckled eggs somehow uncrushed, the sledout-racing the wolves on the steppes, the hugeglittering ball where all that mattersis a kiss at the end of a dark hall . . .Dean Young has published ten books of poetry, including finalists for the Pulitzer and Griffin Poetry Prizes. He teaches at the University of Texas, Austin.

    Everyday objects surround us, the unconditional keepers of confessions and secrets.They are with us in those private moments when we think we are alone, perhapsin an abandoned stairwell or an empty lift, as we adjust our clothes, checkourselves in the mirror, scratch an itch or allow ourselves a sigh or a sob.What if those inanimate witnesses to silent thought and hidden emotion hadstories to tell—Of love, betrayal and hope?

    As in Vavra's most popular books, all are alone and running free in glorious natural settings: a white Arabian in a sun-washed desert; a black Friesian galloping in snowdrifts; a gray Andalusian amid violet flowers; a chestnut Arabian prancing in autumn leaves.These lush photographs are accompanied by poetry and are followed by text and drawing that profile each breed, highlighting the particularly outstanding traits of each horse depicted. Vavra pays special attention to the Andalusian, providing an essay on its romantic history. Presented on natural, handmade paper, Horses of the Sun fuses the beautiful simplicity of Vavra's earlier works with a new, fresh image of horses. For anyone who loves horses or simply appreciates the finest of photography, Horses of the Sun is a lovely gift -- a paean to this most beloved of animals.

    Jura finds that the favourite rooms in his house, each designed to reflect an aspect of his personality, are disappearing one by one. He remembers perfectly well playing the piano in `The Grand Piano Room'. However, the other members of his family deny the room ever existed. In `The Last Day' a family discovers an app that tells them on which day one of them will die. A man receives letters from God giving him choices which throw him into a moral dilemma. In this award-winning collection of stories, `Melnikas questions the taboos that limit human freedom.' Lire Jaroslavas Melnikas is one of the most inventive and interesting Ukrainian and Lithuanian writers today. La Croix wrote of him, `He meditates, like Dostoyevsky, on the relationship between sin and freedom.'

    Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"

    With sharp wit and relentless questioning, Shapero crafts poems a reader can, if not believe in, then trust--to level with us, to surprise us, and to stay with us long after we put the book down. No Object is a fast ride you will not easily forget.

    Kenyon's fourth collection is built around two perfectly orchestrated poem sequences. In the first, the speaker contrasts memories of her baby carriage with other images from her childhood, such as her parents' toiling away at low-paying jobs. She also recalls the present-day life of her aging, increasingly dependent mother. Melancholia, the subject of the second sequence and several poems surrounding it, has been played to death in modern poetry, but still Kenyon offers new insights and gives even the most depressing poems an uplifting lilt in their final lines. In her hands a list of the latest medications becomes fit material for poetry: "The coated ones smell sweet or have / no smell; the powdery ones smell / like the chemistry lab at school / that made me hold my breath." She writes, in addition to illness, of sleep, insomnia and death. She interacts with the insects, birds and flowers in her New Hampshire landscape, relying on their fragility to teach her of her own. Kenyon describes afterlife, or "the Other Side," with the same precise, hard-edged imagery that fills her other poems." from Publisher's Weekly

    With no distracting verse numbers or stiff, formal language, the 66 books of Scripture unfold like a gripping novel.

    They have met only twice and have come to love each other through letters. Now, on an isolated ranch in the Dust Bowl, they must adjust to the harsh ranching life and the dangers of an untamed landscape, as well as the differences between them. With an extended drought worsening the impact of the Depression in the West, neighbors turn against neighbors, and secrets from Alfred and Virginia's pasts come back to haunt them. But it is the arrival of Virginia's troubled brother on the ranch that sets off a chain of events with life-and-death consequences for them all. Plain Language is a beautifully told tale of a man and woman fighting against tremendous odds for their land -- and their love.