A young nurse fresh out of school, Kerstin has been hired for a position with the Cosway family, residents of the Hall for generations. She is soon introduced to her "charge" John Cosway, a thirty-nine-year-old man whose strange behavior is vaguely explained by his mother and sisters as part of the madness that runs in the family. Weeks go by at Lydstep with little to mark the passage of time beyond John's daily walks and the amusingly provincial happenings that engross the Cosway women, and Kerstin occupies her many free hours at the Hall reading or making entries into her diary. Meanwhile, bitter wrangling among Julia Cosway and her four grown daughters becomes increasingly evident. But this is just the most obvious of the tensions that charge the old remote estate, with its sealed rooms full of mystery. Soon Kerstin will find herself in possession of knowledge she will wish she'd never attained, secrets that will propel the occupants of Lydstep Old Hall headlong into sexual obsession, betrayal, and, finally, murder.

    People said her mother, Winnie, was never quite right, but with one single, irreparable act, life as Hadley knew it was shattered. The aftershocks of that moonlit night left her reeling, but the secrets and lies had started long before.When a widowed and pregnant Hadley returns years later, it’s not the safe harbor she expects. The mysteries surrounding a local boy’s disappearance remain, and the townspeople still whisper about Hadley’s strange and reclusive Uncle Eli—whispers about a monster in their midst.But Hadley’s father and grandmother, the cornerstones of everything safe in her world, avoid her questions. If Hadley stays here, will she be giving her children the family they need or putting their lives in danger?The hunt for answers takes a determined Hadley deep into the pine forests, in search of sunlight that will break through the canopy of lies long enough to reveal the truth.

    Charlotte Keating’s office. Violet wore a wedding ring, but then they all did. They bought them at the dime store just before the appointment. And Charlotte’s response was the same each time: firm but sympathetic refusal.But there was something about Violet. Perhaps it was her cheap clothes, or her forlorn predicament; perhaps it was her air of terror and grief. Charlotte went to visit her…and found instead a shabby rooming house full of sinister characters, all of whom claimed that Violet was gone and had left no forwarding address. All too soon poor Violet was found—and a chain of events began which would subject Charlotte to a harrowing ordeal like none she’d ever experienced!

    They built it outside the Suffolk town so it would not infect the healthy with its horrors. But the town itself is long gone, washed away by the North Sea. Only the Leper House remains, a shelter for the unwanted. A bereaved man strays there on a stormy night when the bell tolls once again beneath the waves. In a nearby house, a woman waits for history to repeat itself. When time isn’t what it seems, nor is love and nor are ghosts. And nor are we. The Leper House is a 19,000-word novella, written for Kindle Singles and available here for the first time. Andrew Taylor is a British crime and historical novelist whose books include the international bestseller, The American Boy (a Richard-and-Judy selection), and the Roth Trilogy (filmed for TV as Fallen Angel). Among his many awards are the Cartier Diamond Dagger for Lifetime Excellence in crime writing. His latest novel is The Scent of Death, winner of the 2013 Historical Dagger.

    The child's mother, though, isn't about to take it lying down and, along with a tracker, begins a cross-country chase to get her child back.

    He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.Meet Suzette.She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.

    She didn’t feel afraid standing in the darkness, imagining snakes, even with the smell of death in the air.Bea and Dan, recently married, let out their tiny flat to escape London for a few precious months. Driving down through France they visit Bea’s dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic.When Alex and Bea’s parents make a surprise visit Dan can’t understand why Bea is so appalled, or why she’s never wanted him to know them; Liv and Griff Adamson are charming, and rich. They are the richest people he has ever met. Maybe Bea’s ashamed of him, or maybe she regrets the secrets she’s been keeping.Tragedy strikes suddenly, brutally, and in its aftermath the family is stripped back to its heart, and then its rotten core, and even Bea with all her strength and goodness can’t escape.

    When the teen refuses to testify against the man connected to her disappearance, Tom decides to investigate the traumatizing case on his own. Nothing can prepare him for what he is about to discover.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

    Moving into a former storage building on the farm of Sarr and Deborah Poroth, he expects to spend a productive summer free from essentially all distractions - he is quite wrong in this assumption. Meanwhile, in New York, the rather reserved Carol Conklin goes about trying to survive in the big city on a small income from her job at a library. She meets Jeremy in New York just before he leaves for the summer, and a connection is made which will find the couple developing a romantic relationship on somewhat strange terms. What Jeremy and Carol do not know is that this relationship is the work of a strange, little old man known as Mr. Rosebottom. Rosie is actually the Old One working to bring his master back after a very long absence, and Jeremy and Carol are the unsuspecting keys to his success

    Then, the others came to kill animals with strange weapons and poison their sacred waters with the things they carelessly left behind. But they would soon learn to stay away. The Old Hunger would teach them. Especially the little ones.

    Now, however, Lord Matthew Fetchford is on the brink of death, and he insists he must return to his ancestral home. Something at Aldburn Park terrifies him, yet after all this time he is determined to finally go back and face the horror. As Lord Fetchford prepares for the journey, he sends his butler ahead to open the house up. For Mr. Lawrence, the journey brings mixed feelings. He has a deep connection to Aldburn Park, and to its history, but he also remembers the night when the house was finally sealed. And although he is not a man who believes in ghosts, Mr. Lawrence cannot shake a sense of unease as he arrives – all alone – at the door to the great house. What really happened on the night that Aldburn Park was abandoned? Where did Lady Catherine go after she was last seen? Was there a face at the window as Mr. Lawrence and his employer drove away? And what really lurks in the shadows as Lord Fetchford finally returns to face the consequences of his actions?

    An outcast at his high school, Dan is excited to finally make some friends in his last summer before college. But when he arrives at the program, Dan learns that his dorm for the summer used to be a sanatorium, more commonly known as an asylum. And not just any asylum—a last resort for the criminally insane.As Dan and his new friends, Abby and Jordan, explore the hidden recesses of their creepy summer home, they soon discover it's no coincidence that the three of them ended up here. Because the asylum holds the key to a terrifying past. And there are some secrets that refuse to stay buried.Featuring found photos of unsettling history and real abandoned asylums and filled with chilling mystery and page-turning suspense, Madeleine Roux's teen debut, Asylum, is a horror story that treads the line between genius and insanity.

    But after her mother's death, Sarah spirals into depression and overdoses on sleeping pills. While Sarah claims it was an accident, her teenage children aren't so sure. Patrick decides they all need a fresh start and he knows just the place, since the idyllic family home where he was raised has recently come up for sale. There's only one catch: for the past fifteen years, it has become infamous as the "Murder House", standing empty after a family was stabbed to death within its walls.Patrick believes they can bring the house back to its former glory, so Sarah, uprooted from everything she knows, pours her energy into painting, gardening, and giving the rotting old structure the warmth of home. But with locals hinting that the house is haunted, the news that the murderer has been paroled, strange writing on the walls, and creepy "gifts" arriving on the doorstep at odd hours, Sarah can't shake the feeling that something just isn't right. Not with the house, not with the town, or even with her own, loving husband--whose stories about his perfect childhood suddenly aren't adding up. Can Sarah uncover the secrets of the Murder House before another family is destroyed?

    What better way to embrace a new decade heralding her thirties than to rise to new challenges and make exciting changes in her life?Embarking on the project in the small town of Beaumont, with the expert help of her reticent but skilled and handsome contractor, the work progresses smoothly. Only one thing puzzles her, though — the townsfolk who refuse to speak of the people who once lived there, only to say that one day years ago, the family mysteriously disappeared.Digging into the Chateau’s past, Hannah discovers a distressing past, and more disturbing is how it relates to her future.What began as an exciting adventure spirals into a terror she never could have imagined.Hanna’s story is the first book in the Triquetra Series about three close friends and the unpredictable turns their lives take.