In them an assortment of animals, magical creatures, witches, giants, and children struggle for a life in which good overcomes evil. These fast-moving and adventuresome fantasies provide insight into the values and culture of native South American peoples. They stress the importance of close relationships, hard work, bravery, gentleness, and beauty, and contain colorful explanations of natural phenomena.A tale of three tails --The magic dog --The calabash man --Na-Ha the fighter --The humming-bird and the flower --The magic ball --El Enano --The hero twins --The four hundred --The killing of Cabrakan --The tale of the gentle folk --The tale that cost a dollar --The magic knot --The bad wishers --The hungry old witch --The wonderful mirror --The tale of the lazy people --Rairu and the star maiden --The cat and the dream man (less)

    She is the main attraction, though visitors never get more than a glimpse of her.She has a tail. She can't walk. She can't speak.But she can make friends with Livia, an ordinary girl, and yearn for a life that includes yoga and pizza. She can grow stronger and braver. With determination, a touch of magic, and the help of a loyal octopus, she can do anything.

    A deadly enchantment. And only Merlin can destroy it. A meteorite brings a mysterious black stone whose sinister power ensnares everyone except Merlin, the blind son of a swordsmith. Soon, all of Britain will be under its power, and he must destroy the stone—or die trying.MERLIN'S BLADE won the 2014 Silver Moonbeam Award in the YA Fantasy/Sci-Fi category, as well as the 2013 Grace Award.

    The initial sequence consists of three images: beginning, middle and end of a journey. The following six sequences take up this same story, but with new details and extra images added each time. The story thus quickly becomes enormous as the number of new images doubles with each sequence.

    Favourites such as Jack the Giant-killer, Jack and the Beanstalk, Dick Whittington, The Three Little Pigs and The Babes in the Wood are all here among many others, but stories from different traditions also make their appearance, including The Three Bears and Little Red Hiding Hood.

    She fears for her life, but finds kindness rather than danger there, for the lion by day is a gentle young man by night-a prince under the spell of a wicked enchantress. Soon the lady and the lion fall in love. Unlike the more familiar tale, however, this story has only just begun. The prince is not yet safe from the enchantress, and it will take all of the lady's strength and courage, through a seven-year quest, to rescue him. Dazzlingly romantic and visually magnificent, this is a book for the ages-an exhilarating tale of virtue, heroism, and the power of love. Illustrated by Laurel Long.

    Creation myths tell us how the land, its animals, and its people all came into existence under a punishing sun or against the backdrop of a spectacularly beautiful mountain landscape. Whether warning children about the dangers of disobedience or demonstrating that the underdog can, and often does, win, these stories, through their depiction of wise animals as well as evil monsters, are universal in their portrayal of humanity, beasts, and the mystical. Translated from their original languages—Karanga, Nguni, Xhosa, and many others—these folktales are a testament to the craft of storytelling and the power of myth.

    That was before they burst upon my life as vibrant, luminous beings, permeating my art and my everyday existence, causing glorious havoc..." In the long-awaited sequel to the international bestseller "Faeries", artist Brian Froud rescues pixies, gnomes, and other faeries from the isolation of the nursery and the distance of history, bringing them into the present day with vitality and imagination. In this richly imagined new book, Brian reveals the secrets he has learned from the faeries-- what their noses and shoes look like, what mischief and what gentle assistance they can give, what their souls and their dreams are like.As it turns out, faeries aren't all sweetness and light. In addition to such good faeries as Dream Weavers and Faery Godmothers, Brian introduces us to a host of less well behaved creatures-- traditional bad faeries like Morgana le Fay, but also the Soul Shrinker and the Gloominous Doom. The faery kingdom, we find, is as subject to good and evil as the human realm. Brilliantly documenting both the dark and the light, "Good Faeries/Bad Faeries" presents a world of enchantment and magic that deeply compels the imagination.

    After the mysterious disappearance of their parents, the sisters are sent to live with their grandmother--a woman they believed was dead! Granny Relda reveals that the girls have two famous ancestors, the Brothers Grimm, whose classic book of fairy tales is actually a collection of case files of magical mischief. Now the girls must take on the family responsibility of being fairy tale detectives.

    But 13 years have passed, and the prophecy couldn’t be further off. Guinevere is now an orphan and a ward of her aunt and uncle, the king and queen of Gwynedd. Tomboyish and awkward, Gwen is no great beauty, and nobody takes the prophecy seriously–especially not Gwen.But then one day Gwen meets a strange young man in the woods who claims to be part of an ancient tribe whose mission is to guard and protect her. Then she stumbles across a sinister plot brewing within the castle walls–one she alone might be able to prevent. Guinevere is beginning to realize her destiny is more complex than it seems–and this is only the beginning.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    T. Anderson turns to Arthurian lore, with captivating art by Andrea Offermann bringing the classic legend to life.Eager for glory and heedless of others, Sir Yvain sets out from King Arthur’s court and defeats a local lord in battle, unknowingly intertwining his future with the lives of two compelling women: Lady Laudine, the beautiful widow of the fallen lord, and her sly maid Lunette. In a stunning visual interpretation of a 12th century epic poem by Chrétien de Troyes, readers are — at first glance — transported into a classic Arthurian romance complete with errant knights, plundering giants, and fire-breathing dragons. A closer look, however, reveals a world rich with unspoken emotion. Striking, evocative art by Andrea Offermann sheds light upon the inner lives of medieval women and the consequences Yvain’s oblivious actions have upon Laudine and Lunette. Renowned author M. T. Anderson embraces a new form with a sophisticated graphic novel that challenges Yvain’s role as hero, delves into the honesty and anguish of love, and asks just how fundamentally the true self can really change.

    Twenty-eight fables from different cultures and traditions are wonderfully adapted and illustrated in comics format by twenty-six different cartoonists. Edited by New York Times bestselling Fairy Tale Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Stories include The Lady of Astolat, Sir Gawain and the Green Knight, Tristan and Isolde, and The Enchantment of Merlin, many of which have been adapted in modern cinema and remain a fascination within contemporary culture. The book also features detailed notes on each story and discusses specific places in Britain with Arthurian links.

    She lives in "New York Between," a Manhattan alongside our own, home to creatures of folklore. Protected by her fairy godmother until she breaks a Fairy Law, now she must face the challenge of the Green Lady of Central Park or be sacrificed! Neef is determined, but time is running out.