VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.

    Whether tender or hard-hitting, McGriff juxtaposes natural images of deep forests, creeks, coyotes, and crows against the harsher oil-grease realities of blue-collar life, creating poems that read like folk tales about the people working in grain mills, forests, and factories."New Civilian"The new law says you can abandon your childin an emergency room,no questions asked. The young fathercarries the sleeping boythrough the hospital doors.Later, alone, parked at the boat basin,he takes a knife from his pocket,cuts an unfiltered cigarette in two,lights the longer half in his mouth.He was a medic in the war.In his basement are five bronze eaglesthat once adorned the wallsof a dictator's palace.Michael McGriff attended the University of Oregon; the University of Texas at Austin, where he was a Michener Fellow in creative writing; and Stanford University, where he was a Stegner Fellow. He is the co-founding editor and publisher of Tavern Books and lives in Salt Lake City, Utah.

    But in a few brief moments, Walter sees his life and his world fracture and split apart, driving him to commit a terrible crime. Many years later, Frank Cartwright ponders his next move. His film career has left him wealthy but incomplete. When a director approaches him with a script that has a riddle for a plot Frank is intrigued by its resonance. In his search for an answer to the riddle, Frank embarks on a journey that will lead him into a past he doesn’t remember.Jim Lewis, acclaimed author of Why the Tree Loves the Ax, returns with a novel stunning in its originality and scope. And as he tells the stories of two men and the conflicts that shape them, he delivers a powerful portrait of America and the treacherous currents that run through it.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    Micco Hagan has been charged with pairing up the last of Earth's survivors based on genetics for optimal survival of the species. He can't resist the opportunity to be with his dream girl, Rena Gates. Though she rejected him before the Earth ended, he hopes now she'll find a soft spot for him.In the time before, Rena thought Micco had only come on to her to win a bet. She never expected them to be rescued together, or to be eventually partnered. Unable to resist following orders, she discovers they have a lot more going for them than DNA matching. The sex is explosive, but can it eventually grow into love?Good with his HandsParanormal Erotic RomancePhotographer Teresa Kelley is on assignment to shoot old ghost towns and desert scenery. What she doesn't anticipate is that scenery including the delicious Max Draper. The sizzling desert sun isn't the only thing heating up the abandoned mining town when the hot, muscled and oh so sexy mechanic offers to give her a hand. Dusty floorboards and ghost tales aside, Teresa finds herself on the other end of the lens when she and Max are caught in flagrante delicto by an unexpected...assistant.Arrested DesiresFuturistic RomanceX Quadrant, Baida Proper, Earthbase 5792461Juliana Harrison is in serious need of saving. When her neglectful husband abandons her along with their marriage, she's stunned--though she knows she shouldn't be. The man was a jerk and she'll be better off without him. However, just when she thought he could sink no lower, he puts a restraining order on her, claiming she's been threatening his life just so he can take their Earthbase home.Officer Maverick Perkins looks like he's stepped right out of the past and right into her life. Like everything else on the Earthbase of Baida Proper the police style is what she liked to think of as retro-Earth, based of the twentieth century as it was back on the planet Earth--except of course for the obvious, like squad cars that hover not drive and guns that fire lasers not bullets. Unfortunately, Maverick has been sent to evict her. He's the last person she'd expect to come to her rescue. Yet somehow, he manages to turn what should have been a terrible experience into something Juliana will never want to forget.Faire JusticeParanormal RomanceFinding herself undercover as a serving wench at a Renaissance Faire, FBI Agent and mild psychic Leda Williams isn't planning to partake in any role-playing games. She's there to find a mace-wielding serial killer, which isn't easy with everyone around her pretending to be in character. Not only does the entire village fit the Medieval-obsessed profile, but she's already been propositioned by a few of the knights. Clearly, sexual harassment wasn't around in the Middle Ages. But, when she sees the delectably gorgeous, magically seductive tournament champion, Sir Calum, Leda realizes there might be one knight she wouldn't mind getting into character for.Rating: Contains graphic sexual content, adult language, and violence. Intended for adults 18 years and older.

    Whether it’s the garden, the bedroom, or the front porch, Madisen takes you into her own “home,” sharing some of the most intimate parts of her life so that you might also, someday, feel free to share some of yours. Filled with beautiful hand-drawn illustrations from Melody Hansen, this boldly intimate, preternaturally wise, and emotionally candid collection encourages you to consider what home means to you—whether it’s in the lush, green-lawned suburbs or a city apartment—and, more importantly, explores how you can find it even when home feels like it’s on the far-off horizon.

    Of The Babies, poet Claudia Rankine writes, “Rarely do we encounter poems that are so precisely framed, though on their surface seemingly whimsical and erratic. These poems are gorgeous, intelligent, and disturbing.”

    

    Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.

    This set includes Singing And Swinging And Getting Merry, I Know Why The Caged Bird Sings, Maya Angelou: Poems and Wouldn't Take Nothing For My Journey Now.

    Though she published just one collection in her lifetime, The Colossus, and a novel, The Bell Jar, it was following her death in 1963 that her work began to garner the wider audience that it deserved. The manuscript that she left behind, Ariel, was published in 1965 under the editorship of her former husband, Ted Hughes, as were two later volumes, Crossing the Water and Winter Trees in 1971, which helped to make Sylvia Plath a household name. Hughes's careful curation of Plath's work extended to a Collected Poems and a Selected Poems in the 1980s, which remain in print today and stand testimony to the 'profound respect' that Frieda Hughes said her father had for her mother's work. It was not until the publication of a 'restored' Ariel in 2004 that readers were able to appraise Plath's own selection and arrangement of her work.This edition of the poems, chosen by the Poet Laureate Carol Ann Duffy, offers a fresh selection of Sylvia Plath's poetry to stand in parallel to the existing editions. Introduced with an inviting preface, the book is essential reading for those new to and already familiar with the work of this most extraordinary poet.

    Most particularly if she writes poems about death and violence. Or at least that is the lesson that the posthumous careers of Anne Sexton and Sylvia Plath seen to teach us.Reading this new volume of Sexton's previously uncollected poems, one has to wonder what will happen when there are no more half-finished poems left to be published. Will her grocery lists be next?I'm sure that the editor of this volume, Sexton's daughter Linda Gray Sexton, acts out of the desire to complete her mother's oeuvre, and apparently Anne Secton did leave instructions for at least some of her work, the section called "Letters for Dr. Y," to be published after her death. And in all fairness to Linda Gray Sexton I should mention that she and her co-editor Lois Ames did an excellent job of annotating and editing Anne Sexton's collected letters, putting together in A Self-Portroit in Letters (1977) a picture of a remarkably courageous woman and talented artist who fought her madness for many years.The heart of Anne Sexton's work lies in her earliest books - To Bedlam and Part Way Back, Live or Die, All My Pretty Ones. Here searing images take one by surprise, and the poems combine virtuoso technical skill with highly personal material is a way no one dies had ever done before. Yet as she grow older, worn down by her recurring bouts with insanity , Sexton's work grew sloppier, more self-indulgent , repetitive and heavy-handed. Her obsession with death and violence became more and more a part of some personal psychotic heil, more and more distorted each time she wrote, like a drawing one can't quite get right and finally ruins by constant erasure. The poems and the three horror stories in Words for Dr. Y are no exception.I would like to remember Anne Sexton for what I consider to be those extraordinary poems written in the face of great odds - poems like "Music Swims Back to Me," "You, Dr. Martin," "Her Kind." But the continuing publication of her inferior work tends to obscure her real achievement. [susan wood]

    5 towering brothers: Three who play in the NFL - a Denver Bronco, a Cleveland Brown and a record-breaking tight end with the New England Patriots, Rob Gronkowski, who is realizing a meteoric rise to a spot in NFL history. Another who played major league baseball. And the youngest, an up-and-coming Division 1 football player.  Growing Up Gronk takes readers behind the scenes to tell the Gronkowski's incredible story, revealing how they were raised, how they were motivated, how they trained, how they played, even how their mother kept them fed. It all started with their father, Gordy, under whose tutelage this collection of giants has broken every rule about how 21st century athletic success functions. Beyond their monstrous size, physicality, and raw talent, Papa Gronk recognized early on that a clear commitment to fitness, health, and determination would give his boys a leg up in a way other families simply couldn’t match.  This unique story of the NFL's new first family reveals the secrets to the Gronkowski's collective success and opens the door a one-of-a-kind household, a veritable incubator of athletic greatness.

    M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her keen ability to explore how extraordinary the ordinary can be is at the heart of her touching and funny new novel, her first in six years. Richard Novak is a modern-day Everyman, a middle-aged divorcé trading stocks out of his home. He has done such a good job getting his life under control that he needs no one- except his trainer, nutritionist, and housekeeper. He is functionally dead and doesn't even notice until two incidents-an attack of intense pain that lands him in the emergency room, and the discovery of an expanding sinkhole outside his house-conspire to hurl him back into the world. On his way home from the hospital, Richard forms the first of many new relationships: He meets Anhil, the doughnut shop owner, an immigrant who dreams big. He finds a weeping housewife in the produce section of the supermarket, helps save a horse that has fallen into the sinkhole, daringly rescues a woman from the trunk of her kidnapper's car, and, after the sinkhole claims his house and he has to relocate to a Malibu rental, he befriends a reluctant counterculture icon. In the end, Richard is also brought back in closer touch with his family-his aging parents, his brilliant brother, the beloved ex-wife whom he still desires, and finally, before the story's breathtaking finale, with his estranged son Ben. The promised land of Los Angeles-a surreal city of earthquakes, wildfires, mudslides, and feral Chihuahuas-is also very much a character in This Book Will Save Your Life. A vivid, revealing novel about compassion, transformation, and what can happen if you are willing to lose yourself and open up to the world around you, it should significantly broaden Homes's already substantial audience.