Now, Dick Grayson finds himself back in Gotham City fighting to reclaim the life that was taken from him. But when a new evil threatens those closest to Dick, as Nightwing he must once again choose whether or not to tear himself away from his home in order to combat this dark force.Everything Dick thought he knew about being Nightwing will be brought to bear, and his relationship to his former mentor Batman will be put to the test in Nightwing: Volume 1, Better Than Batman! written by Tim Seeley (Grayson) with art by Yanick Paquette (Swamp Thing, Batman/Superman) and rising star Javier Fernández (Red Hood/Arsenal).Collecting: Nightwing 1-4, 7-8, Rebirth

    Contibutors include Daniel Clowes, Gary Panter, Charles Burns, Art Spiegelman, Ben Katchor, Kim Deitch, Adrian Tomine, Joe Sacco, Seth, Joe Matt, Chester Brown, Kaz, and many others.

    Lone Racer is the story of a down-and-out racecar driver whose days of success are long gone. After a misguided attempt at bank robbery, where he is supposed to drive the getaway car, Lone Racer decides that the days of going downhill are over. Will Lone Racer get back on track?

    Skillfully drawn single panels explore a rich imagined world where actions have unexpected consequences and loneliness pervades, but not without a sense of the absurd. The stories read like vignettes that can span a day or decades, all drawn within a bordered page in intimate detail.Each story unfolds quickly and features characters that run the gamut: joke-writing sisters gone awry, a wandering sleepwalker, a pearl with curious properties, an elusive coughing neighbor, a wide-eyed girl of questionable appeal, even a storm drain. Whether animate or inanimate, sweet or monstrous, Lilli has the ability to infuse them all with pathos, humanity, and humor.

    But when one of the GCPD's own is killed by Mister Freeze, the squad is in a race against time to bring him in without the help of the Dark Knight. Plus, Police Detective Renee Montoya is "outed" as a lesbian, and finds her work environment and personal life turned upside down. Unfortunately for her, things only become more complicated when she is kidnapped by Two-Face.The multiple award-winning GOTHAM CENTRAL series is brought to you by acclaimed writers Ed Brubaker and Greg Rucka, with artist Michael Lark. This volume collects GOTHAM CENTRAL #1-10 and features an introduction by Lawrence Block.

    Together they would build something deemed impossible: a modern utopia in the wilderness but not before Arsene falls in love with his cousin s wife, Marieke. Whether delirious from love or a fever-inducing jungle virus, Arsene s loosening grip on reality is mirrored by the graphic novel reader s uncertainty of what is imagined or real by Arsene. This first full-length graphic novel from the critically-acclaimed Olivier Schrauwen is an engrossing, sometimes funny, slightly surreal and often beautiful narrative."

    When they each get a shot at wearing the empowering emerald artifact, they figure it's a dream come true! And it is! Power, fame, and ultimate wish fulfillment are at arm's reach! But so is the mute man-monster, Walter, and arm's reach is far too close when he's involved!

    . . welcome to another year in the life of the never-a-dull-moment McPherson family. While sister Zoe and brother Hammie's budding sibling rivalry reaches new heights (and volumes), baby Wren is making great strides of her own. With the advent of "the climbing phase" no coffee table, countertop, or bookshelf is too high.For years, the team of Rick Kirkman and Jerry Scott have given readers a too-funny-to-be-true, too-real-not-to-be insider's view of the American dream. They get the details and dilemmas so right, in fact, that it's a wonder they haven't been indicted for domestic surveillance.

    Presented as a series of comic novellas that together comprise a thoughtful, sometimes dark and often hilarious memoir about childhood, family, death, mental illness, sex and drug use, the entire book is told through cleverly inviting conceits like cat histories and card games. The graphic novel is told in five parts: In "Thirteen Cats" (featured in The Best American Comics), Reklaw discovers coping mechanisms that mimic his family pets; "Toys I Love" relates the author's pre-pubescent brushes with deviant sexual activity, and the way innocence converges with real sexual trauma; "The Fred Robinson Story" tells the story of Reklaw's period stalking perfect strangers; "The Stacked Deck," in which hereditary influences towards criminal behavior, drug use and depression are explored via card games the author played with his family; and "Lessoned," a family history of mental illness.

    Bill Mumy (Lost in Space) co-writes three issues and one issue is illustrated by legendary comic artist, Curt Swan. The stories in this volume focus on the first crew of the U.S.S. Enterprise -- Captain Kirk, Spock, Dr. McCoy, Scotty, and Mr. Chekov.

    The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julie Gfrörer’s delicate drawing style perfectly complements the period era of Black Is the Color, bringing the lyricism and romanticism of Gfrörer’s prose to the fore. Black Is the Color is a book as seductive as the sirens it depicts.

    It's the beginning of a new era for Iron Man, and he must face up to a new era of terrifying technologies that threaten to overwhelm fragile mankind! He must find out what Extremis is - and, more importantly, he must figure out who has unleashed it and what its emergence means for the world.Collecting: Iron Man 1-6

    But Kyle Baker's comic book version of King David renders that classic confrontation in 17 wordless pages, comprising one of the freshest, most suspenseful and thrilling descriptions of its subject that you are likely to find. King David is a biblically accurate, freewheeling, color-saturated biography of the boy who rose to become king of Israel. David begins the book as a scruffyDennis-the-Menace-like kid and ends the book as a vain, hunky womanizer; King Saul is a glam-rock tyrant; his son Jonathan is a skinny punk rebel. (When he asks to borrow Saul's chariot and the king asks, "Where are you going, Jonathan?" he shoots back, "Out.") Many parents will deem the book's bloody battle scenes inappropriate for young readers. King David's candor, however, is a virtue. This is real religious literature: it describes David's relationship with God in a style that's fully alive for readers today. --Paul Power

    Or when the Black Cat tries to get her claws in this new Spider-Man. Or when a new mutant threatens to grab the spotlight! And don't forget Miles' toughest foe yet: his grandmother! But his grades might be the ultimate challenge -- maybe a study session (date?) with Ms. Marvel would help? Welcome to the neighborhood, Spider-Man -- hope it's friendly! Collecting SPIDER-MAN (2016) #1-5.

    She is perhapsas well known for her tantalizing brand of Southern Gothic humor as she is for her Catholicism. That these tendencies should be so happily married in her fiction is no longer a surprise. The real surprise is learning that this much beloved icon of American literature did not set out to be a fiction writer, but a cartoonist. This seems to be the last well-kept secret of her creative life. Flannery O'Connor: The Cartoons, the first book devoted to the author's work in the visual arts, emphasizes O'Connor's most prolific period as a cartoonist, drawing for her high school and college publications in the early 1940s. While many of these images lampoon student life and the impact of World War II on the home front, something much more is happening. Her cartoons are a creative threshing floor for experimenting and trying out techniques that are deployed later with such great success in her fiction. O'Connor learns how to set up and carry a joke visually, how to write a good one-liner and set it off against a background of complex visual narration. She develops and asserts her taste for a stock set of character types, attitudes, situations, exaggerations, and grotesques, and she learns how to present them not to distort the truth, but to expose her vision of it.She worked in both pen & ink and linoleum cuts, and her rough-hewn technique combined with her acidic observations to form a visual precursor to her prose. Fantagraphics is honored to bring the early cartoons of this American literary treasure to a 21st century readership.