Whitney --Kirkland revels / by Victoria Holt --Wings of the falcon / by Barbara Michaels --Lady of Mallow / by Dorothy Eden --River Rising / by Jessica North.

    In addition to works by Edgar Allan Poe, Arthur Conan Doyle, Bram Stoker, Wilkie Collins!, and other well-known writers, it features several sensationalized retellings of famous folk legends and accounts of notorious highwaymen. The book includes two full-length novels: the original 1818 text of Frankenstein, which was considered more shocking before Mary Shelley toned down its gruesomeness for the better-known 1831 edition, and Sweeney Todd: The Demon Barber of Fleet Street, a genuine penny dreadful that has served as the foundation for all accounts of Sweeney Todd written since. The book will appeal to readers who are currently enjoying the literary horror mash-ups featured on the hit Sky Atlantic series Penny Dreadful.Includes: - Aurelia, or, The Tale of a Ghoul by E.T.A. Hoffman

    This collection brings together Dahl’s finest work, illustrating his genius for the horrific and grotesque which is unparalleled.Contents- Madame Rosette- Man from the South- The Sound Machine- Taste- Dip in the Pool- Skin- Edward the Conqueror- Lamb to the Slaughter- Galloping Foxley- The Way Up to Heaven- Parson's Pleasure- The Landlady- William and Mary- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Georgy Porgy- Genesis and Catastrophe- Pig- The Visitor- Claud's Dog (The Ratcatcher, Rummins, Mr. Hoddy, Mr. Feasy, Champion of the World)- The Great Switcheroo- The Boy Who Talked with Animals- The Hitchhiker- The Wonderful Story of Henry Sugar- The Bookseller

    Sheridan La Fanu --Hurst of Hurstcote / E. Nesbit --The mysterious stranger / Anonymous --The bottle imp / Robert Louis Stevenson --Dracula's guest / Bram Stoker --Wandering Willie's tale / Sir Walter Scott --Circumstance / Herriot Prescott Spofford --The lifted veil / George Eliot --One summer night / Ambrose Bierce --The dream woman / Wilkie Collins --The lost ghost / Mary E. Wilkins Freeman --Carmilla / J. Sheridan La Fanu --The banshee's warning / Mrs. J. H. Riddell --Clarimonde / Theophile Gautier --The upper berth / F. Marlon Crawford --Thrulow's Christmas story / John Kendrick Bangs

    And when two eminent archaeologists have died mysteriously, Judith Osmond was certain that it was the curse at work. Then, overnight, her life changed. There was an unexpected inheritance. Then Tybalt, a young archaeologist and the man she adored, asked her to marry him. But Tybalt planned a honeymoon amid the tombs of the Pharaohs, and suddenly it looked as if the curse of the kings had come to haunt Judith . . .

    P. Lovecraft, the master of twentieth-century horror, including some of his most fantastic tales:THE DOOM THAT CAME TO SARNATH--Hate, genocide, and a deadly curse.THE NAMELESS CITY--Death lies beneath the shifting sands, in a story linking the Dream Cycle with the legendary Cthulhu Mythos.THE CATS OF ULTHAR--In Ulthar, no man may kill a cat...and woe unto any who tries.THE DREAM QUEST OF UNKNOWN KADATH--The epic nightmare adventure with tendrils stretching throughout the entire Dream Cycle.AND TWENTY MORE TALES OF SURREAL TERROR

    This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.

    Count Elim, out with a hunting party, becomes lost in Germany's Taunus Mountains. Seeking refuge in the deteriorating Castle Eppstein, he convinces the caretakers to let him spend the night in the haunted Red Room, where his sleep will be disturbed by the wandering spectre of the Countess von Eppstein!The Castle of Eppstein by Alexandre Dumas was originally published in 1843 as Chateau d'Eppstein. This Gothic tale is brought to you with a translation and introduction by Alfred Allinson, by Ruined Abbey Press. It is the first English digital edition that has been restored and formatted for Kindle.

    E. AYERS - A CHRISTMAS FAR FROM HOMEFar from home and with love in their hearts, a young Wyoming rancher and the daughter of a Montana railroad businessman learn the true joy of Christmas is in giving.LINDA CARROLL-BRADD - WISHES ON A STARWill a wish on a star foretell the future of a young suffragette and a visiting rancher?MJ FREDRICK - ABIGAIL'S CHRISTMAS ANGELA lonely widow and a lonelier marshal make peace with their past.DEBRA HOLLAND - THE GIFT OF MUSICCan two reserved people overcome their limitations and find love?DEBRA HOLLAND - A FAMILY FOR IKEAn orphaned boy finds an unexpected family.DEBRA HOLLAND - THE JOY OF CHRISTMASThe town banker learns that perhaps some things are more important than money.PATY JAGER - A CHRISTMAS TO REMEMBERIda doesn't remember the last two years, but her husband is determined to find her and reignite their love.JILL MARIE LANDIS - UPON A MIDNIGHT CLEARA spinster discovers it's never too late to embrace love and the surprises life has in store.TRISH MILBURN - A NEW HOME FOR CHRISTMASA woman scarred in face and heart finds love with a cowboy.LINDA MCLAUGHLIN - THE BEST PRESENTA grieving ten-year-old girl anticipating a sad Christmas receives some surprises.BEV PETTERSEN - THE CHRISTMAS CROSSINGWith a little Christmas magic, two searching hearts discover they can bridge much more than a raging river.TORI SCOTT - A PROMISE FOR CHRISTMASFaced with her first Montana winter without her husband, Rachel Tanner and her young son need a miracle.CYNTHIA WOOLF - SUGARPLUM DREAMSJulia Bosworth travels west to fulfill a special dream and finds her heart's desire.

    A true master tells all, revealing the strange secret of growing young and mad; opening a Witch Door that links two intolerant centuries; joining an ancient couple in their wild assassination games; celebrating life and dreams in the unique voice that has favored him across six decades and has enchanted millions of readers the world over.Contains: Unterderseaboat Doktor -- Zaharoff/Richter Mark V -- Remember Sascha? -- Another Fine Mess -- The Electrocution -- Hopscotch -- The Finnegan -- That Woman on the Lawn -- The Very Gentle Murders -- Quicker Than the Eye -- Dorian in Excelsis -- No News, or What Killed the Dog? -- The Witch Door -- The Ghost in the Machine -- At the End of the Ninth Year -- Bug -- Once More, Legato -- Exchange -- Free Dirt -- Last Rites -- The Other Highway -- Make Haste to Live: An Afterword

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    Le Guin has produced a body of work that testifies to her abiding faith in the power and art of words. She is perhaps best known for imagining future intergalactic worlds in brilliant books that challenge our ideas of what is natural and inevitable in human relations—and that celebrate courage, endurance, risk-taking, and above all, freedom in the face of the psychological and social forces that lead to authoritarianism and fanaticism. It is less well known that she first developed these themes in the richly imagined historical fiction collected in this volume, which inaugurates the Library of America edition of her works.The Complete Orsinia gathers for the first time the entire body of work set in the imaginary central European nation of Orsinia: the early novel Malafrena, begun in the 1950s but not published until 1979, the related stories originally published in Orsinian Tales (1976), and additional stories and songs. In a new introduction written for this volume, Le Guin describes the breakthrough that led to her first novel: “Most of what I read drew me to write about Europe; but I knew it was foolhardy to write fiction set in Europe if I’d never been there. At last it occurred to me that I might get away with it by writing about a part of Europe where nobody had been but me.” So Orsinia was established, a country, like its near neighbors Czechoslovakia, Poland, and Romania, with a long and vivid history of oppression, art, and revolution.An epic meditation on the meaning of hope and freedom, love and duty, Malafrena takes place from 1825 to 1830, when Orsinia is a part of the Austrian empire. Itale Sorde, the idealistic heir to Val Malafrena, an estate in the rural western provinces, leaves home against his father’s wishes to work as a journalist in the cosmopolitan capital city of Krasnoy, where he plays an integral part in the revolutionary politics that are roiling Europe.Thirteen additional stories trace the history of Orsinia from the twelfth century, when it first emerges as an independent kingdom, to 1989, when its repressive Stalinist government falls in an Orsinian Velvet Revolution. The poem “Folksong from the Montayna Province,” Le Guin’s first published work, joins two never before published songs in the Orsinian language.The volume also features a newly researched chronology of Le Guin’s life and career, and detailed notes. The beautiful full-color endpaper map of Orsinia is drawn by Le Guin herself.

    With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    Each story contains the common elements of the gothic tale--a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.