She doesn't do flings. But neither of them can deny the sizzling attraction between them. Layla St. John has the talent, creativity, and drive to start her own clothing line. What the big-hearted entrepreneur lacks is the capital. So when a celebrity photographer offers to connect her with investors if she’ll let him feature her in his photography series about Caribbean carnival culture, it’s a deal she can’t refuse. But Layla can’t help being attracted to the brilliant artist. Too bad he’s her little brother’s former best friend and way too young for her. Quincy Johnston has spent the past ten years making a name for himself as a photographer and avoiding complicated relationships. But when an impromptu trip to his small hometown, Pleasure Cove, leads to a chance encounter with the woman he's been crushing on since he was a kid, Quincy gets a taste of the deep connections he's been missing. Can Layla and Quincy move past their relationship fears and take a chance on turning their short-term, secret fling into a shot at forever?

    A National League Rookie of the Year, eight-time MLB All Star, and four-time World Series Champion, Strawberry’s baseball achievements were often overshadowed by his struggles off the field. In Straw, he tells it all: his boyhood in Crenshaw, Los Angeles; his rise to baseball superstardom; the high life and low life; his brushes with the law; his triumphant battle over cancer; his religious awakening, and his marriage to the love of his life.

     But one thing that arrangements usually don't account for...falling in love. **Note: If you have not read the Nobles of Sweet Rapids series, this novella has spoilers from the series.**

    Basco ruminates on the formative power of his Filipino-American heritage, his family, the dynamics that evolved throughout his career, and his experiences behind playing a couple of America's most popular characters.

    A press-and-curl costs a quarter. Records play on phonographs. And a telephone is a luxury. Meet twenty-three-year-old Taffy Bledsoe Freeman. She doesn’t need her gift of second sight to know her “mockery of a marriage” to a man twice her age is far from good. After a seven-year exile Up North, Taffy travels down-home to the small town bearing her family’s name, plotting her escape from a marriage not worth the price of a press-and-curl. She only needs to retrieve the son her husband banished to her parents’ care, before boarding a train headed for the Windy City filled with liberty and opportunity. Instead, Taffy stumbles into Roam Ellis: the man Taffy meant to marry. Twenty-six-year-old Roam Ellis is a “broad-shouldered, hard-bodied” Pullman porter riding the rails coast-to-coast, outrunning the bitter heartbreak Taffy left behind. Now, after a seven-year absence, Roam is face-to-face with his first love. Anger ignites. Old wounds are exposed. But when pain subsides, passion rises, thrusting Taffy and Roam into a hurricane of buried secrets and lies. Reminiscent of the works of Bernice McFadden, Bertice Berry, and Andrea Smith (The Sisterhood of Blackberry Corner) this Historical Romance is bathed in southern lore and sweeping imagery. Lyrical and powerful, Taffy is a story of restoration and redemption that you won’t soon forget.

    How the vision met reality – and how the two came to shape each other – places Voyage of the Cormorant in the great American tradition of tales of life at sea, and what it has to teach us.

    An internationally acclaimed playwright, Eduardo Machado has grappled with questions of identity, loss and resistance throughout his life and work. He hasmore than any other playwrightbeen able to convey the experiences of both the Cubans who chose to stay in Cuba and those who chose to leave. His fearless style and unabashed politicism in the face of dissent have made him a controversial figure to the Cubans and Americans on opposite sides of an intense conflict. In his memories and in his more recent travels to Cuba, he has found that the most natural means of connecting with todays Cuban experience is through food. Machado says, When I taste something I havent tasted in twenty years, I cant resist that connection to the past, to the conflict, to the identity that is mine. I know the feeling as I taste the flavor. There are no arguments, no political controversies, just the real sensation. If its that complex, it must be Cuban. To any exile, food represents not only the lost comfort of home, but the best chance to reclaim it. The stories of Machados lifefrom child of privilege in pre-Revolutionary Cuba; to exile in Los Angeles; to actor, director, playwright and professor in New Yorkare interleaved with recipes for the meals that have enriched him. Every recipe has been updated for the modern home cook, enabling us to recreate the flavors of traditional Cuban dishes such as Machados favorite roast pork and his grandfathers arroz con pollo, as well as the cuisine of necessity he encountered in 1960s suburban America: Velveeta, SPAM, and otherprocessed wonders. What emerges is a larger picture of what it means to be a Latino in America today. For anyone who has ever longed for a home, real or imagined, Tastes Like Cuba delivers a fascinating story of two worldsand one delectable life.

    The haunting return of a French soldier who was killed during the Revolutionary War.. The mysterious "curse tree" which separated husband and wife in their graves.. The strange portrait which moved about on its own.. These and other examples of inexplicable psychic phenomena are chronicled in this book.Are the stories true?Judge for yourself.

    Now on her own and with bills to pay, she works at the Butterball Turkey Emergency Squad, fielding phone calls from folks in desperate need of turkey-prep advice. As she faces another Thanksgiving, estranged from her family and pining after her married best friend, she receives a series of calls that force her to confront the reality of her deepening loneliness.With turns both humorous and heartbreaking, Butterball explores one woman’s hopeful attempts to connect during the holidays.

    It is the third of three plays written over twelve years (1957-1969) meant to symbolize the different stages of life, usually shown together. The first, representing birth, is "The Suitcase". The second, "The Cliff of Time," represents life itself, or "The Process," and the third, "The Man who Turned into a Stick," is death.This play has been considered as a main example of the current of Magic Realism in Japanese Literature. Other Japanese authors with considerable literary contributions to this genre are: Yasunari Kawabata, Oe Kenzaburo and Yasushi Inoue.

    Rich in detail, and woven with wit and insight, these fascinating portraits reveal the Shooters as they really lived, fought, and died.Shooters --Billy [the Kid]: the enduring legend --Sam Bass: a square shooter --Black Jack Ketchum: a true loser --Tom Smith: he brought them in alive --The James boys --The Daltons: brothers on the prowl --Elfego Baca: last of the old-time shooters --Print Olive: just plain mean a hell --Stoudenmire: El Paso marshal --King Fisher: frontier dandy --Butch Cassidy and the Sundance Kid --Dave Mather: a deadly shooter --Pat Garrett --Jim Miller: bushwhacker --Chisum: cattle baron --Luke Short and Jim Courtright --Johnson County War --Buffalo Bill: the remarkable showman --Wild Bill Hickok --Clay Allison: wild wolf of the Washita --Texas Rangers --Blood and salt --John Larn: Texas killer --Bass outlaw --James Garrett: Texas Ranger --Pearl Hart, John Ringo, and Jack Slade --John Wesley Hardin --Doc Holliday and Wyatt Earp

    Her less than successful attempts to be seen as more than a cultural lightweight take Faye on a journey back to her native Ghana, where she finds love, culture galore and the confidence to fulfil her potential. From Pasta to Pigfoot explores in a light-hearted way the clash of cultures in this modern, multicultural world.

    The book demonstrates that Chicago's cemeteries are home not only to thousands of individuals who fashioned the city's singular culture and character, but also to impressive displays of art and architecture, landscaping and limestone, egoism and ethnic pride. Mysterious questions such as Where is Al Capone buried? and What really lies beneath home plate at Wrigley Field? are answered in this reminder that although physical life must end, personal notes—and notoriety—last forever. Ever wonder where Al Capone is buried? How about Clarence Darrow? Muddy Waters? Harry Caray? Or maybe Brady Bunch patriarch Robert Reed? And what really lies beneath home plate at Wrigley Field? Graveyards of Chicago answers these and other cryptic questions as it charts the lore and lure of Chicago's ubiquitous burial grounds. Like the livelier neighborhoods that surround them, Chicago's cemeteries are often crowded, sometimes weary, ever-sophisticated, and full of secrets. They are home not only to thousands of individuals who fashioned the city's singular culture and character, but also to impressive displays of art and architecture, landscaping and limestone, egoism and ethnic pride, and the constant reminder that although physical life must end for us all, personal note—and notoriety—last forever. Grab a shovel and tag along as Ursula Bielski and Matt Hucke unearth the legends and legacies that mark Chicago's silent citizens—from larger-than-lifers and local heroes, to clerics and comedians, machine mayors and machine-gunners.

    African American Studies. MULE is highly lyrical, obsessively incantatory, audaciously formal, and actually a very personal, very autobiographical book. In it, the author addresses his at the time failing second marriage (which he is no longer in), his son's autism, his own racial identity, and some of his beliefs about God. "Some books come down like gods dying to transform us out of our empty, shattered lives. MULE is such a book. Never shying away from sudden confusions of pain and beauty, Shane McCrae's questions are not why so much pain? why so much beauty? but, instead, how can they remake us? McCrae's is a living, breathing poetry made of wisdom and wrenching song"--Katie Ford.

    Then, her only mission was to attend college, pursue her modeling career, and leave her past hurts behind. But when Carmen receives some startling news, she decides the time to make her final appearance has arrived; however, reemerging could open old wounds and the obstacle of facing the man she left behind presents the biggest challenge of them all. Dominic Johnson has long since put thoughts of Carmen Mitchell out of sight and out of mind. Circumstances would bring her back to Brunswick, but there was no repartee to be spoken to the woman who’d left him years ago without so much as a goodbye. It isn’t until Dominic gains a first-hand glimpse of Carmen that old memories spark and a detonation of what was, and what could be, set off a myriad of images in his mind. Now Dominic is faced with a battle that’s waging internally, to stay out of her way or to succumb to Carmen Mitchell, again.