He was 45: a literary legend, a national treasure, married with ten children. This meeting sparked a love affair that lasted over a decade, destroying Dickens's marriage and ending with Nelly's near-disappearance from the public record. In this remarkable work of biography, Claire Tomalin rescues Nelly from obscurity, not only returning the neglected actress to her rightful place in history, but also giving us a compelling and truthful account of the great Victorian novelist. Through Dickens's diaries, correspondence, address books, and photographs, Tomalin is able to reconstruct the relationship between Charles and Nelly, bringing it to vivid life. The result is a riveting literary detective story—and a portrait of a singular woman.

    Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. The Art of Art History is a unique guide to understanding art history through a critical reading of the field's most innovative and influential texts over the past two centuries. Each section focuses on a key issue: aesthetics, style, history as an art, iconography and semiology, gender, modernity and postmodernity, deconstruction and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofsky, Heidegger, Lisa Tickner, Meyer Schapiro, Jacques Derrida, Mary Kelly, Michel Foucault, Rosalind Krauss, Louis Marin, Margaret Iversen, and Nestor Canclini are brought together, and Donald Preziosi's introductions to each topic provide background information, bibliographies, and critical elucidations of the issues at stake. His own concluding essay is an important and original contribution to scholarship in the field.Contents:Art history : making the visible legible by Donald PreziosiReflections on the imitation of Greek works in painting and sculpture by Johann Joachim WinckelmannWinckelmann divided : mourning the death of art history by Whitney DavisPatterns of intention by Michael BaxandallWhat is enlightenment? ; The critique of judgement by Immanuel KantPhilosophy of fine art by G.W.F. HegelPrinciples of art history by Heinrich Wölfflin"Form," nineteenth-century metaphysics, and the problem of art historical description by David SummersStyle by Meyer SchapiroStyle by Ernst GombrichLeading characteristics of the late Roman "Kunstwollen" by Alois RieglImages from the region of the Pueblo Indians of North America by Aby WarburgWarburg's concept of "Kulturwissenschaft" and its meaning for aesthetics by Edgar WindRetrieving Warburg's tradition by Margaret IversenSemiotics and iconography by Hubert DamischSemiotics and art history : a discussion of context and senders by Mieke Bal and Norman Bryson"Et in Arcadia ego" : Poussin and the elegiac tradition by E. PanofskyToward a theory of reading in the visual arts : Poussin's "The Arcadian shepherds" by Louis MarinSculpture in the expanded field by Rosalind KraussWhat is an author? by Michel FoucaultThe allegorical impulse : toward a theory of postmodernism by Craig OwensMapping the postmodern by Andreas HuyssenThe art historical canon : sins of omission by Nanette SalomonSexuality andbyin representation : five British artists by Lisa TicknerNo essential femininity by Mary Kelly and Paul SmithPostfeminism, feminist pleasures, and embodied theories of art by Amelia JonesThe temptation of new perspectives by Stephen MelvilleThe origin of the work of art by Martin HeideggerThe still life as a personal object : a note on Heidegger and van Gogh by Meyer SchapiroRestitutions of the truth in pointing ["pointure"] by Jacques DerridaOrientalism and the exhibitionary order by Timothy MitchellThe art museum as ritual by Carol DuncanInventing the "postcolonial" : hybridity and constituency in contemporary curating by Annie E. CoombesRemaking passports : visual thought in the debate on multiculturalism by Néstor García CancliniThe art of art history by Donald Preziosi

    On its outcome hung the future of Prime Minister Neville Chamberlain's government and also of Britain--indeed, perhaps, the world. Troublesome Young Men is Lynne Olson's fascinating account of how a small group of rebellious Tory MPs defied the Chamberlain government's defeatist policies that aimed to appease Europe's tyrants and eventually forced the prime minister's resignation.Some historians dismiss the "phony war" that preceded this turning point--from September 1939, when Britain and France declared war on Germany, to May 1940, when Winston Churchill became prime minister--as a time of waiting and inaction, but Olson makes no such mistake, and describes in dramatic detail the public unrest that spread through Britain then, as people realized how poorly prepared the nation was to confront Hitler, how their basic civil liberties were being jeopardized, and also that there were intrepid politicians willing to risk political suicide to spearhead the opposition to Chamberlain--Harold Macmillan, Robert Boothby, Leo Amery, Ronald Cartland, and Lord Robert Cranborne among them. The political and personal dramas that played out in Parliament and in the nation as Britain faced the threat of fascism virtually on its own are extraordinary--and, in Olson's hands, downright inspiring.

    From exile, he instigated what became the biggest manhunt the nation had ever seen, spreading out across Europe and America and lasting for over thirty years. When he ascended to the throne in 1660 as Charles II, his search for revenge intensified, with show trials in London and assassination squads scouring foreign countries.Many of the most senior figures in England were hanged, drawn and quartered; imprisoned for life; or consigned to a self-imposed exile, in constant fear of the assassin's bullet.History has painted the regicides and their supporters as fanatics, but among them were exceptional men, including John Milton, poetic genius and political propagandist; Oliver Cromwell's steely son-in-law, Henry Ireton; and the errant son of an earl, Algernon Sidney, whose writings helped inspire the founders of the American Revolution. Cromwell himself was subjected to the most bizarre symbolic revenge when—though long-dead—his body was disinterred and beheaded.Set in an age of intrigue and betrayal, The King's Revenge brings these remarkable figures vividly to life in an engrossing tale of ambition, double agents, and espionage.

    To everyone's great surprise, this playboy prince sobered up and became an extremely effective leader and the founder of England's modern monarchy. For readers of Sally Bedell Smith's Elizabeth the Queen and Robert K. Massie's Catherine the Great."This is not only the best biography of King Edward VII; it's also one of the best books about royalty ever published." So began the London Independent's review of this wonderfully entertaining biography of Britain's playboy king-a Prince Charles of the Victorian age, only a lot more fun-who waited for nearly six decades to get his chance to rule. A notorious gambler, glutton and womanizer (he was dubbed "Edward the Caresser"), the world was his oyster as this aging Prince of Wales took advantage of his royal entitlements to travel, hunt, socialize, over-indulge-he smoked a dozen cigars a day-and bed a string of mistresses and married women in addition to his own wife. His mother Queen Victoria despaired: "Bertie, I grieve to say, shows more and more how totally, totally unfit he is for ever becoming king." And yet by the time he died in 1910, after only nine years on the throne, he had proven to be a hard working, effective king and an ace diplomat, at home and abroad.A bestseller in the UK, this "exhaustively researched, richly colorful and wittily observed biography" (the London Sunday Times) is a tremendously entertaining read for history buffs and royal watchers.

    Whether he's recording 'Justified and Ancient' with Tammy Wynette; contemplating the dull lunacy of the Turner prize; resisting the urge to paint landscapes; or glorying in the crapness of rock comebacks; he is consistently amusing and thought-provoking, and draws us into his world with the seductive enthusiasm of a born storyteller. An artist with a singular approach to his work, Bill Drummond paused to take stock of his life and a career that spans over twenty-five eventful years. Famously enjoying international success with The KLF and inviting national controversy for burning a million quid with The K Foundation, these days Drummond spends much of his time writing profusely. He avoids and confronts issues, infuriates and inspires those around him, muses and confuses, creates and destroys. He has maintained a penchant for reckless schemes - all this while drinking endless pots of tea.

    Painting surprising portraits of Lincoln and other presidents, including Ulysses S. Grant, Theodore Roosevelt, Woodrow Wilson, Franklin D. Roosevelt, Harry S. Truman, Dwight Eisenhower, and Lyndon B. Johnson, and illuminating the courage of such influential citizen activists as Martin Luther King Jr., early suffragettes Alice Paul and Carrie Chapman Catt, civil rights pioneers Rosa Parks and John Lewis, First Lady Eleanor Roosevelt, and Army-McCarthy hearings lawyer Joseph N. Welch, Meacham brings vividly to life turning points in American history.He writes about the Civil War, Reconstruction, and the birth of the Lost Cause; the backlash against immigrants in the First World War and the resurgence of the Ku Klux Klan in the 1920s; the fight for women's rights; the demagoguery of Huey Long and Father Coughlin and the isolationist work of America First in the years before World War II; the anti-Communist witch hunts led by Senator Joseph McCarthy; and Lyndon Johnson's crusade against Jim Crow. Each of these dramatic hours in our national life have been shaped by the contest to lead the country to look forward rather than back, to assert hope over fear — a struggle that continues even now.While the American story has not always — or even often — been heroic, we have been sustained by a belief in progress even in the gloomiest of times. In this inspiring book, Meacham reassures us, "The good news is that we have come through such darkness before" — as, time and again, Lincoln's better angels have found a way to prevail.

    Nothing of the scope and magnitude of this work had ever been conceived; the first complete history of modern art, it is widely regarded as the most influential art history book ever written. The Lives' colorful and detailed portraits of the most representative figures of Italian painting and sculpture trace the flowering of the Renaissance across three centuries. This single-volume edition of selections from Vasari's immense work features eight of the book's most noteworthy artists: Giotto, Masaccio, Fra Filippo Lippi, Botticelli, Leonardo da Vinci, Raphael, Michelangelo, and Titian. It also includes an introduction, notes, and glossary; as well as woodcut portraits of each artist by Vasari himself. Students, teachers, and art enthusiasts will find this convenient edition an indispensable resource.

    Now, Karen Harper tells the tale of Consuelo Vanderbilt, her “The Wedding of the Century” to the Duke of Marlborough, and her quest to find meaning behind “the glitter and the gold.”On a cold November day in 1895, a carriage approaches St Thomas Episcopal Church on New York City’s Fifth Avenue. Massive crowds surge forward, awaiting their glimpse of heiress Consuelo Vanderbilt. Just 18, the beautiful bride has not only arrived late, but in tears, yet her marriage to the aloof Duke of Marlborough proceeds. Bullied into the wedding by her indomitable mother, Alva, Consuelo loves another. But a deal was made, trading some of the vast Vanderbilt wealth for a title and prestige, and Consuelo, bred to obey, realizes she must make the best of things.At Blenheim Palace, Consuelo is confronted with an overwhelming list of duties, including producing an “heir and a spare,” but her relationship with the duke quickly disintegrates. Consuelo finds an inner strength, charming everyone from debutantes to diplomats including Winston Churchill, as she fights for women’s suffrage. And when she takes a scandalous leap, can she hope to attain love at last…?From the dawning of the opulent Gilded Age, to the battles of the Second World War, American Duchess is a riveting tale of one woman’s quest to attain independence—at any price.

    After risking her life spying on the Nazis, day after day for four long years, Rose lived to fulfill her destiny: locating and returning tens of thousands of works of art stolen by the Nazis during their occupation of France. Yet her remarkable story, like much of her personal life, has remained unknown to the broad public…until now. This book, written by French Senator Corinne Bouchoux, was originally published in France in 2006. Ms. Bouchoux’s interest goes far beyond the wartime service of Rose Valland by delving into her personal life and post-war work to provide important insights about this fascinating and determined woman. Her research also proved helpful in confirming my understanding of the intense relationship between Rose Valland and the man who shared her wartime destiny, Monuments officer Lt. James Rorimer. The absence of books about Rose Valland in the English language has, until now, left us wondering how this ordinary woman mustered such courage to do extraordinary things even when, after the war, many in her own country simply wanted the story of Nazi looting to fade away and with it, Rose Valland’s contribution to history. It has therefore been an honor to translate and publish Corinne Bouchoux’s book and make it available to a much larger audience." - adapted from the book's forward written by Robert M. Edsel, author of The Monuments Men

    Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.'Julian Barnes began writing about art with a chapter on Géricault's The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays , chiefly about French artists, for a variety of journals and magazines. Gathering them for this book, he realised that he had unwittingly been retracing the story of how art made its way from Romanticism to Realism and into Modernism.

    At the beginning of the seventeenth century, however, Run's harvest of nutmeg turned it into the most lucrative of the Spice Islands, precipitating a fierce and bloody battle between the all-powerful Dutch East India Company and a small band of ragtag British adventurers led by the intrepid Nathaniel Courthope. The outcome of the fighting was one of the most spectacular deals in history: Britain ceded Run to Holland, but in return was given another small island, Manhattan. A brilliant adventure story of unthinkable hardship and savagery, the navigation of uncharted waters, and the exploitation of new worlds, Nathaniel's Nutmeg is a remarkable chapter in the history of the colonial powers.

    Up till 2006 a British Ambassador leaving his post was encouraged to write what was known as a valedictory despatch, to be circulated to a small number of influential people in government. This was the parting shot, an opportunity to offer a personal and frank view of the host country, the manners and morals of its people, their institutions, the state of their cooking and their drains. But it was also a chance to let rip at the Foreign Office itself and to look back on a career spent in the service of a sometimes ungrateful nation. Combining gems from the archives with more recent despatches obtained through the Freedom of Information Act, Parting Shots sheds light on Britain's place in the world, revealing the curious cocktail of privilege and privation that makes up the life of an ambassador. 'Wonderful ... a glimpse of that lost world of private eloquence and erudite candour' Matthew d'Ancona, Evening Standard 'Unbuttoned, indiscreet and very funny' Yorkshire Post Matthew Parris had a short career in the Foreign Office where one of his tasks was to distribute incoming valedictory despatches. He was a Conservative MP from 1979 to 1986, since when he has worked as a journalist. He is the author of A Castle in Spain, Parting Shots, and A Spanish Ambassador's Suitcase. He divides his time between Derbyshire (where his old constituency was situated) and east London.

     James came together with two other brilliant and charismatic thinkers of the day-Richard Hodgson, a converted skeptic, and James Hyslop, a natural grandstander who would often visit mediums unannounced, a hooded mask covering his face-to form the core of the American Society for Psychical Research. They eventually merged with the British Society for Psychical Research, adding to the group the Cambridge philosopher Henry Sidgwick and his tiny, ferociously smart wife Eleanor, as well as the mythically handsome Edmund Gurney and others. While studies of ESP and ghostly visitations have occurred since the days of the society, at no other time have scientists of the caliber of James and his colleagues devoted themselves in such an ambitious and driven way for evidence of a life beyond. James and his band of brothers staked their reputations, their careers, even their sanity, on one of the most extraordinary (and entertaining) psychological quests ever undertaken, a quest that brought its followers right up against the limits of science. This riveting book is about the investigation of the ghost stories-the instances of supernatural phenomena that could not be explained away-and it is about the courage and conviction of William James and his colleagues to study science with an open mind. At the heart of the story is the ongoing tension between empiricism and spiritualism-between a way of explaining the world that is grounded in the purely tangible and a way that is grounded in a mixture of the evident and the hidden. Pulitzer Prize-winning author Deborah Blum uses her extraordinary storytelling skills and scientific insight to explore nothing less than the nexus of science and religion. It is a territory as fascinating to us now as it was to William James and his colleagues then.

    He explores the growth of a modern consumer society, the impact of immigration, the invention of modern pop music, and the British retreat from empire. He tells the story of the colourful characters of the period, like Harold Macmillan, Kingsley Amis, and Paul McCartney, and brings to life the experience of the first post-imperial generation, from the Notting Hill riots to the first Beatles hits, from the Profumo scandal to the cult of James Bond.