the Flash, learns more about the source that fuels his incredible powers, this same Speed Force that flows through him is unleashed all over Central City, striking cops, criminals and ordinary civilians alike, it’s up to the Flash to train this new wave of speedsters to use their amazing abilities wisely!But while some may become his partners in crime-fighting—forming a true “Speed Force”—others will use their godlike powers for a more sinister purpose. And the Flash is about to learn that there’s some evil even he can’t outrun… Meanwhile, the Scarlet Speedster is also discovering secrets about his past beyond anything he’d ever dreamed—how he created a Flashpoint that changed history and helped create a new world, watched over by forces unknown.The race is on as writer Joshua Williamson (Justice League vs. Suicide Squad) and artist Carmine di Giandomenico (All New X-Factor) present The Flash Vol. 1: Lightning Strikes Twice—the starting line of a bold new era for the Scarlet Speedster, bursting from the blockbuster DC Universe Rebirth event! Collects: The Flash: Rebirth #1 and The Flash #1-8. A great new jumping-on point is here in The Flash Vol. 1: Lightning Strikes Twice, a part of the critically acclaimed, best-selling, all-new line of volume one graphic novels, DC Universe Rebirth!

    In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. Does he probe the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman’s private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right.

    As the Caped Crusader begins to unravel this deadly mystery, he discovers a conspiracy going back to his youth and beyond to the origins of the city he’s sworn to protect.Batman has heard tales of Gotham City’s Court of Owls: that the members of this powerful cabal are the true rulers of Gotham. The Dark Knight dismissed the stories as rumors and old wives’ tales. Gotham was his city. Until now.A brutal assassin is sinking his razor-sharp talons into the city’s best and brightest, as well as its most dangerous and deadly. If the dark legends are true, his masters are more powerful predators than the Batman could ever imagine.Collects issues #1-7 of Batman.

    She shows how the female hero in modern mythology has broken through the traditional boy's club barrier to reveal the pivotal role of high-heeled crimefighters in popular culture. Chapter topics include love and compassion, spies and sexuality, daddy’s girls, and the complicated roles of superwomen who are also mothers. The book also includes a glossary of modern mythic women, as well as a foreword by acclaimed cultural commentator Roz Kaveney, author of Superheroes! Capes and Crusaders in Comics and Films.http://www.ink-stainedamazon.com/

    Eve Babitz was the ultimate factory girl, a pure product of LA.The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few.Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she’s since experienced a breakthrough. Now in her mid-seventies, she’s on the cusp of literary stardom and recognition as an essential—as the essential—LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so sheerly enjoyable as to be mistaken for simple entertainment.For Babitz, life was slow days, fast company until a freak fire in the 90s turned her into a recluse, living in a condo in West Hollywood, where Lili Anolik tracked her down in 2012. Anolik’s elegant and provocative new book is equal parts biography and detective story. It is also on dangerously intimate terms with its subject: artist, writer, muse, and one-woman zeitgeist, Eve Babitz.

    Collecting WONDER WOMAN #1-7, featuring the young Amazon's origin and her introduction to "Man's World." Before she has a chance to fully assimilate into her new home, Wonder Woman must battle the chaos of the Greek god Ares, as he plans to bring upon World War III! This collection, the first in a 4-volume series reprinting the first two years of George Pérez's run on WONDER WOMAN, also features an introduction, rare art, and a new cover by Pérez.

    It includes brand-new artwork of some of DC's most famous characters, as well as recalling famous storylines and battles.

    Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD?  Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown?Gives you fresh insights into the complex inner world of Batman and Bruce Wayne and the life and characters of Gotham CityExplains psychological theory and concepts through the lens of one of the world’s most popular comic book charactersWritten by a psychology professor and “Superherologist” (scholar of superheroes)

    Selling in the millions each year for the past six decades, comic books have figured prominently in the childhoods of most Americans alive today. In Comic Book Nation, Bradford W. Wright offers an engaging, illuminating, and often provocative history of the comic book industry within the context of twentieth-century American society.From Batman's Depression-era battles against corrupt local politicians and Captain America's one-man war against Nazi Germany to Iron Man's Cold War exploits in Vietnam and Spider-Man's confrontations with student protestors and drug use in the early 1970s, comic books have continually reflected the national mood, as Wright's imaginative reading of thousands of titles from the 1930s to the 1980s makes clear. In every genre—superhero, war, romance, crime, and horror comic books—Wright finds that writers and illustrators used the medium to address a variety of serious issues, including racism, economic injustice, fascism, the threat of nuclear war, drug abuse, and teenage alienation. At the same time, xenophobic wartime series proved that comic books could be as reactionary as any medium.Wright's lively study also focuses on the role comic books played in transforming children and adolescents into consumers; the industry's ingenious efforts to market their products to legions of young but savvy fans; the efforts of parents, politicians, religious organizations, civic groups, and child psychologists like Dr. Fredric Wertham (whose 1954 book Seduction of the Innocent, a salacious exposé of the medium's violence and sexual content, led to U.S. Senate hearings) to link juvenile delinquency to comic books and impose censorship on the industry; and the changing economics of comic book publishing over the course of the century. For the paperback edition, Wright has written a new postscript that details industry developments in the late 1990s and the response of comic artists to the tragedy of 9/11. Comic Book Nation is at once a serious study of popular culture and an entertaining look at an enduring American art form.

    Wonder Woman is the most popular female super hero of all time and a cultural icon. During her existence, she has served in the army, renounced her powers at the height of the feminist movement, and helped launch Gloria Steinem’s Ms. magazine. She has been—and continues to be—a trailblazing role model to girls and women and an integral part of the cultural zeitgeist. Loosely chronological, Wonder Woman explores idiosyncratic creator William Moulton Marston’s interest in ideas of a "new woman" for the twentieth century; costume and character story changes over the decades; the influence on all other female comic book characters since her inception; and how Wonder Woman is still powerful and relevant in today’s comic book renaissance. The book contains more than 250 Wonder Woman illustrations, including covers, interior comic art, and sketch treatments, beginning with her inception in the early 1940s to present-day treatments of the character. Celebrated artists include Alex Ross, Jim Lee, George Perez, and Brian Bolland, to name only a few. The book will also feature rare covers and pin-up posters created for past special-edition comic books. Wonder Woman is certain to appeal to fanboys and fangirls, collectors, and newcomers to the comic book genre alike.

    No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in "Mad "magazine. The story of the rise and fall of those comic books has never been fully told--until "The Ten-Cent Plague." David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. "The Ten-Cent Plague "shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

    When everyone's favorite shape-shifting secret agent is sent to Europe to investigate a biotech company rumored to be using mutants as guinea pigs, she discovers a mystery far greater than anything she'd imagined! As Mystique and Shortpack get closer to their objective, they must confront a new revelation: that someone is selling transient mutants as guinea pigs, slaves and worse!Collecting: Mystique 14-24

    Yup, you know her, it's the dazzling Kate Bishop - making her solo comics debut! Kate is heading back out west and returning to Los Angeles, with her bow and arrow and P.I. badge in tow. There are crimes to solve and she's the best archer to handle 'em! The City of Angels has a new guardian angel. This is Kate Bishop like you've never seen her before, in a brand-new saga that really hits the mark!COLLECTING: HAWKEYE 1-6

    Yet more than merely the story of "The Man Who Made The Beatles," The Fifth Beatle is an uplifting, tragic, and ultimately inspirational human story about the struggle to overcome seemingly insurmountable odds. Brian himself died painfully lonely at the young age of thirty-two, having helped The Beatles prove through Sergeant Pepper's Lonely Hearts Club Band that pop music could be an inspirational art form. He was homosexual when it was a felony to be so in the United Kingdom, Jewish at a time of anti-Semitism, and from Liverpool when it was considered just a dingy port town.

    Harley and Ivy on the road trip of the century! Following the wedding disaster of the decade, Harley Quinn and Poison Ivy end up on the run from Commissioner Gordon and the GCPD! But as fun as all that sounds, Ivy still worries over leaving Kite Man at the altar…Luckily, Harley’s got the perfect scheme to shake her out of her wedding-day blues!