It is a world of great technological advancement. It is a world that has been at peace for a hundred years.While the world known as Kosundo by its inhabitants goes about its usual business, an ancient prophesy ominously predicts that the time of the soulless has come. Then, a mysterious man lurks about a secret city. A forgotten miscreation is plotting revenge. An emperor is going mad. A terrible weapon threatens to wreak destruction. And finally, a being of absolute evil is planning to make the world his own.But a prophet reveals a beacon of hope and tells of choices that need to be made. Each choice will determine whether another beacon of hope shines forth or if the darkness of evil prevails. A Beacon of Hope is the first book in The Sixth World of Men series.

    If the enigmatic aristocrat knew her secret, he'd realize that her disability left her unfit for love. So who could blame her for hiding the truth a little longer?Devlin had never met a woman like Nicole. Her unique combination of innocence and wisdom left him utterly intrigued. Yet what was she hiding? For a man who did not trust easily, discovering her secret was devastating. Overcoming their pasts and forging a future would take faith, forgiveness and trust. And second chances could lead to new beginnings...

    Chock-full of creepy information from the netherworlds of movies, TV, literature, video games, comic books, and graphic novels, The Book of Lists: Horror offers a blood-feast of forbidden knowledge that horror fans are hungry to devour, including: Stephen King's Ten Favorite Horror Novels or Short Stories—learn what scares the master! Top Six Grossing Horror Movies of All Time in the United States— which big shocks translated into big bucks? Top Ten Horror-Themed Rock 'n' Roll Songs—maybe it is devil's music' after all! And much, much more! Drawing on its authors' extensive knowledge and contributions from the (living) legends and greatest names in the horror and dark fantasy genres, The Book of Lists: Horror is a scream—an irresistible compendium of all things mysterious, terrifying, and gory . . . and so entertaining, it's scary!

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    This short story was originally published in Joe Hill's collection 20TH CENTURY GHOSTS.Eddie Carroll is sick to death of editing the collection America's Best New Horror, sick of reading through second-rate stories in order to find the few "best new." But one afternoon he stumbles across a new story so remarkable that he soon embarks on a quixotic quest to find its author - a quest he may not live to regret.

    His earliest stories, the ones that made his name a quarter of a century ago, were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador,” “The Jaguar Hunter,” and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money,” and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequences of “dragon” stories we’ve seen in the tales featuring the enormous dragon Griaule.The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field.

    In the same area lives a recluse actor called Theodore Guzman. Antonio draws him out by presenting a play. Guzman leads Antonio, in turn, into the magical world of theatre, where the only limit is the limit of imagination.

    Kimmy encounters two wild children who have grown up in the hills of Australia and tries to protect them from the unknown person who murdered their father.

    

    Now it is a novel, stuffed full of the gruesome and horrible. Taken from the mythologies and histories of humankind, it follows the trail of the Mother Spririt of the worst that the world is capable of producing. From the catacombs of ancient Rome where a blasphemous sect twisted the message of the early Christians--to modern America with its obsession with violence, deities and saints and the reincarnations of beasts battle over sublime and profane, where the very reasons for existence for us all may lie in the unthinkable.Edward Lee (author of CITY INFERNAL, MONSTROSITY, INCUBI, and SUCCUBI) says in his introduction to this new novel-length version, "What's most unique of all here (and jealously fascinating) are the creative guts of the author. If there's an ultimate dichotomy in the horror genre, it's got to be Jacob...armed with a talent to write the most beautiful prose yet using that talent to examine the most unspeakable and detestable horror. ...It's one of my all time favorite novels in the field."

    September 4, 1900. A giant hurricane—destined to be remembered as the storm of the century—is brewing offshore. Fighter John McBride has arrived from Chicago to challenge the local heavyweight champion, a 22 year-old Jack Johnson, as-yet unknown to the broader boxing world. Problem is, Johnson is black and the local Sporting Club doesn’t want him to leave the ring alive. Around this central story, Lansdale weaves a compelling historical tale, filled with prostitutes and gamblers, storm-tossed sailors and everyday citizens. His unflinching dialog recreates a time when racism and violence were facts of life.

    Michael is the sort of friend whose funny tales and charm can pull you out of the lowest depths and make life good once more. Along comes Clinton Deix, a friend of Michael's, who tells Ingram that most of those stories are lies. It isn't long before Ingram doesn't know who to believe, and what most confuses and upsets him is that both say they are old school chums. But Michael is in his late thirties while Clinton is still fifteen...

    Written when the first Arab oil embargo sent shock waves through our carefully balanced and delicately tuned economic system, THE BILLION DOLLAR SURE THING describes a plot to control the world's monetary assets.

    Jonathan Pincus personally examined and probed into the family and medical history of numerous serial killers and other violent criminals to analyze what creates and triggers the violent instinct. He discovered that virtually all suffered severe abuse as children, as well as brain damage and mental illness. In these gripping, terrifying stories, Pincus concludes that violent criminal behavior is the catastrophic product of a dysfunctional brain coupled with an abusive environment. Focusing on these critical factors, how can we prevent the development of potentially violent persons from a young age before the damage becomes irrevocable? And how do we evaluate chances of rehabilitation? "[A] rigorous, troubling, and profoundly humane book."—Leon Wieseltier, The New Republic "An urgent wake-up call for the nation...a must-read for every professional engaged in the administration of criminal justice."—Samuel Dash, Georgetown University Law Center

    WuMorning Terrors — Peter CrowtherMisadventures in the Skin Trade — Don D’AmmassaCircle of Lias — Lawrence C. ConnollyWatching the Soldiers — Dirk StrasserOne in the A.M. — Rachel DrummondA Side of the Sea — Ramsey CampbellPainted Faces — Gerard Daniel HournerMonotone — Lawrence GreenbergDead Leaves — James C. DobbsFrom the Mouths of Babes — Bentley LittleThe Late Mr. Havel’s Apartment — David HerterUnion Dues — Gary BraunbeckEarshot — Glenn IsaacsonFee — Peter Straub