Marshall Boswell examines the four major works of fiction David Foster Wallace has produced thus far: the novels The Broom of the System and Infinite Jest and the story collections Girl with Curious Hair and Brief Interviews with Hideous Men.

    Things were never supposed to end this way for smart, athletic Ryan Connelly.The star of his Sixth Form, he was meant to shine. Not burn out.Everyone’s saying his death was a tragic accident. But teacher Geri Simpson knows there’s more to it than that.Desperate for answers, she calls on Ryan’s closest friends. But no one wants to talk.WHAT ARE THEY AFRAID OF? OR WHO?Then another student vanishes. And the killer delivers a blood-stained warning that Geri can’t ignore.Whoever did this to Ryan isn’t done with her students yet. And next time he may come for Geri herself . . .

    Theory/Theatre provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, through cultural materialism, postcolonial studies and feminist theory. This new edition includes: * More detailed explanation of key ideas * New 'Putting it into practice' sections at the end of each chapter so you can approach performances from specific theoretical perspectives * Annotated further reading section and glossary. Theory/Theatre is still the only study of its kind and is invaluable reading for beginning students and scholars of performance studies.

    By treating poetry not as a special use of language but as a distinct language—unlike the one used in prose and conversation—Koch clarifies the nature of poetic inspiration, how poems are written and revised, and what happens to the heart and mind while reading a poem. Koch also provides a rich anthology of more than ninety works from poets past and present. Lyric poems, excerpts from long poems and poetic plays, poems in English, and poems in translation from Homer and Sappho to Lorca, Snyder, and Ashbery; each selection is accompanied by an explanatory note designed to complement and clarify the text and to put pleasure back into the experience of poetry.

     To this day, her brothers, Jason and Brandon, and two cousins, Zach and Tyler have never stopped looking. The Fierce Four, as the town’s residence have come to call them, went so far as to open their own private security firm—Eagle—in the name of figuring out what happened to Annabelle. It’s a good thing, too, because ever since the girl’s disappearance, Mystic Springs has been plagued with cases of kidnapping, missing persons, and stalking—it would seem this town is in high need of protection. JASON When a woman by the name of Rebecca Sauder spills into private security agent, Jason Braun’s office with grave concerns for her life—she’s being stalked but can’t prove it, the threats in the air feel like cold hands tightening around her throat, but the police won’t help—everything Jason thought he knew about Mystic Springs—and falling in love—is quickly turned on its head. Not only is Rebecca being stalked to a life-threatening extent, but her aggressor holds the key that will unlock the first clue as to what happened to Annabelle Braun all those years ago. BRANDON When a brand-new client, a quiet mysterious woman by the name of Molly Jaspers hires Eagle Security—and Brandon specifically—he soon realizes he might not want to be a loner forever. Molly is far too enchanting, and the reason she’s come to his private security firm, too intriguing. Her sister was killed in a car crash that Molly knows was no accident. And the twist that keeps her up at night? It was Molly’s own car that her sister was driving. ZACH Agent Zach Winter spent his senior year of high school in love with the girl next door—stunning, French transfer student, Sophia Rothschild. It was never more than that, admiration from afar, despite their mutual attraction. Sophia chose the captain of the football team instead and got married quickly after graduation, but she never left Zach’s thoughts. When Sophia shows up at his private security firm, having been framed for the murder of her late husband, Zach finds the old flame that used to burn in his heart for her is reignited. TYLER Brittany Masterson comes with a dark past, one she’s working hard to forget. Beautiful and slender, with an edge of sorrow radiating from her alluring blue eyes, she’s built her life around her precious daughter, Ella, and is determined to find happiness in Mystic Springs. The bedrock of her effort is a promise she made to herself to never again become involved with a man. But that promise is quickly shattered when she has no choice but to accept the help of the very sexy bodyguard Tyler after young Ella goes missing. JESSICA Adam Walsh has big dreams. Born and raised in the backwoods of Alaska, he’s held his long-term goal of opening a cabin building company in the forefront of his mind. But money has never been easy to come by. Scrimping and saving, for the past three years he’s been moonlighting as an exotic dancer in Anchorage’s premiere male strip club. He’s got the body and the moves, but does he have what it takes to win the heart of a woman like Jessica when he hires her for protection against a stalker who has been targeting a number of the Beefcake dancers?

    A full symphony that swells from the most vocal of more than 350 avian throats representing more than 40 species. “It knocks me out, every day,” she says. Pandemonium, the home and bird sanctuary that Raffin shares with some of  the world’s most remarkable birds, is a conservation organization dedicated to saving and breeding birds at the edge of extinction, with the goal of eventually releasing them into the wild. In The Birds of Pandemonium, she lets us into her world--and theirs. Birds fall in love, mourn, rejoice, and sacrifice; they have a sense of humor, invent, plot, and cope. They can teach us volumes about the interrelationships of humans and animals. Their stories make up the heart of this book. There’s Sweetie, a tiny quail with an outsize personality; the inspiring Oscar, a disabled Lady Gouldian finch who can’t fly but finds a brilliant way to climb to the highest perches of his aviary to roost. The ecstatic reunion of a disabled Victoria crowned pigeon, Wing, and her brother, Coffee, is as wondrous as the silent kinship that develops between Amadeus, a one-legged turaco, and an autistic young visitor. As we come to know the individual birds, we also come to understand how much is at stake for many of these species. One of the aviary’s greatest success stories is breeding the gorgeous green-naped pheasant pigeon, whose home in the New Guinea rainforest is being decimated. Thanks to efforts at Pandemonium, these birds may not share the same fate as the now-extinct dodo.

    Steven’s story inspires and exemplifies the goodness and strength within the human spirit. The trauma experienced by the family is shared, giving insight of the impact on the marriage, children, and friends. Whether in abuse or abduction, From Victim to Hero portrays the grooming, lying and strategies used by predators to convince and coerce their victims into compliance. This book reiterates the three principles victims must realize – 1. Nobody has the right to hurt you. 2. It’s not your fault. 3. You don’t have the right to hurt others. Buy this book. Share it with your children. Keep them safe.Ed Smart (father of kidnap victim Elizabeth Smart)President, Surviving Parents CoalitionIn this book, From Victim to Hero, Jim Laughter expresses Steven’s heart and brings to light the extraordinary spirit of a young man that endangered himself because he believed rescuing Timmy White was the right thing to do.Diane L Brown, Founder/DirectorSafety Kids, Inc.

    Carefully chosen selections from Frye, Benjamin, Lévi-Strauss, Lukács, Bakhtin, and other prominent theorists explore the historical significance of the novel as a genre, from its early beginnings to its modern variations in the postmodern novel and postcolonial novel.Offering a generous selection of key theoretical texts for students and scholars alike, Theory of the Novel also presents a provocative argument for studying the genre. In his introduction to the volume and in headnotes to each section, McKeon argues that genre theory and history provide the best approach to understanding the novel. All the selections in this anthology date from the twentieth century—most from the last forty years—and represent the attempts of different theorists, and different theoretical schools, to describe the historical stages of the genre's formal development.

    The core of his argument in this essay (and in those that follow) lies in the old opposition between theoria and aesthesis - terms that embody, on the one hand, a linguistic, specifically rhetorical approach to literature and, on the other, a phenomenological, aesthetic, or hermeneutic approach - and all the implications those two modes carry with them. The resistance to theory, says de Man, is a resistance to the use of language about language; it is a resistance to reading, and a resistance to the rhetorical or figurative dimensions of language. The six related essays in The Resistance to Theory were written by de Man in the few years that preceded his death in December 1983. Undertaken to find out why the theoretical enterprise is blind to, or "resists," the radical nature of reading, the essays share not only a theme but also the pedagogical intent that is central to most of his work. These concerns, implicit in the title essay, are openly argued in "The Return to Philology." Each of the remaining essays is devoted to a specific theorist: Michael Riffaterre, Hans Robert Jauss, Walter Benjamin, and Mikhail Bakhtin. The Resistance to Theory also includes a 1983 interview with de Man conducted for Italian radio, and a complete bibliography of his work. Wlad Godzich's foreword tells how de Man's late work was conceived and organized for publication, and discusses some of the basic terms in his discourse."Indispensable. . . . There is resistance to 'theory' and also confusion about its status with reference to both philosophy and criticism. De Man's defense of theory is subtle but uncompromising, and highly personal in its 'aporetic' conclusion."- Frank Kermode, Columbia UniversityPaul de Man was Sterling Professor of Comparative Literature at Yale University. His books include Blindness and Insight (1971; revised edition, Minnesota, 1983), Allegories of Reading ( 1980), and The Rhetoric of Romanticism (1984).

    Through rereadings of Freud and Saussure, Agamben proposes a radical reconfiguration of the epistemological foundation of Western culture.

    This captivating novel intertwines the stories of several inhabitants on Saipan, America's least-appreciated tropical island. George Griffin is a jaded writer who comes for a press junket and stays far longer than expected; Stephanie Warner is a university professor recently on "trial separation" from her husband; Mel Brodie is an elderly entrepreneur; and Khan is a Bangladeshi laborer who comes to Saipan ("America") to escape hunger. Their voices circle the enthralling element of Saipan-and the hopes that originally drew them to the island. With the versatility that won Kluge accolades as the writer behind Dog Day Afternoon, The Master Blaster is a rare wonder of contemporary storytelling.

    But through her inspiring personal story and realistic approach she’s already inspired thousands of men and women to manage their mental health through exercise. In this journal, Bella takes you on a journey from the sofa to the open road, helping you to:• Gain a new awareness of mental health problems such as anxiety and depression• Cope with side effects such as panic attacks and intrusive thoughts• Learn and memorise calming strategies such as breathing exercises• Build a checklist of everything you need to start running• Develop a regular running schedule, with realistic targets• Use exercise to gain confidence and manage mental health problemsPacked with insights from athletes and psychologists and step-by-step achievable goals, The Jog On Journal has everything you need to get you up and running.

    This is one of those books. It's the story of a boy growing up in a lost time in an idyllic place—rural Virginia of the late 1940s. Charlie Lewis is the only child of city people who, after the war, choose to live at the foot of the Blue Ridge Mountains on a "gentleman's farm" near Charlottesville. Six years old when his family settles in the renovated corn crib on old Professor Jame's place, Charlie grows up in his personal version of heaven. His innocence is, of course, lost in the process. And so is his version of heaven. But, as the old saying goes, still waters run deep, and Charlie runs deep, with a natural (almost supernatural) affinity for the land and its animals. For knowledge , he instinctively turns to a group of older black men, some of whom work the farm, others who are neighbors. Jim Crow laws and "the curse left on the land by slavery"—as old Professor James puts it—are still very much in evidence. Even so, Charlie's passions endear him to these men. They understand that he is lonely even if he does not. They watch out for him. And more—they love him. Winter Run is a story that lets us escape for a moment our own noisy and complicated contemporary lives. Like The Red Pony, like Gerald Durrell's My Family and Other Animals, it takes us back to the joys of childhood's unrestricted enthusiasm and curiosity.

    With his usual argumentative rigor, he elucidates the distinction between science fiction, a genre in which science remains possible in spite of all the upheavals that may attend the world in which the tale takes place, and fiction outside-science, the literary concept he fashions in this book, a fiction in which science becomes impossible. With its investigations of the philosophies of Hume, Kant, and Popper, Science Fiction and Fiction of Worlds Outside-Science broadens the inquiry that Meillassoux began in After Finitude, thinking through the concrete possibilities and consequences of a chaotic world in which human beings can no longer resort to science to ground their existence. It is a significant milestone in the work of an emerging philosopher, which will appeal to readers of both philosophy and literature. The text is followed by Isaac Asimov’s essay “The Billiard Ball.”

    It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.