By turns caustic, tender, and creepily hilarious, Sweet Affliction reveals the frailties, perversions, and resilience of Anna Leventhal’s cast of city-dwellers. Shiftless youths, a compulsive collector of cigarette butts, and a dying pet rat populate fifteen sharply-observed and darkly funny stories that suck at the marrow of modern life.

    A librarian is called to a remote Canadian island to inventory the estate of a secretive Colonel whose most surprising secret is a bear who keeps the librarian company--shocking company.

    From the author of Fugitive Pieces, this work provides a collection of poems, meditations on how love changes in order to survive and how we move from obsolete science to new perceptions.

    In it she extends her poetic range in poems about the violences of history and the relationships among women and between cultures. Though she writes tenderly about the clumsiness of love and reminds us of each day's fragility, both the intensity and the irony of her vision are at their height. Passionately rooted in out time and space, these poems impel us to reexamine our lives.

    

    In Butala’s world, the season of fury and wonder is the season of old age. The stories in this book are the stories of women who have had experiences; women who have seen much of life and have felt joy of success and the sting of shortcomings; women who hold opinions and come to conclusions about the lives they’ve lived.But Sharon Butala gives us more — not only is each story an observation on aging, each story in Season of Fury and Wonder pays tribute to a classic work of literature that has had an impact on Butala’s writing. Among those writers are Raymond Carver, Willa Cather, Flannery O’Connor, John Cheever, James Joyce, Shirley Jackson, Anton Chekhov, Alan Sillitoe, Ernest Hemingway and Edgar Allan Poe. The result of Butala’s effort is a series of deeply felt tributes to those writers, to their creativity and their power to inspire.

    Their stories unfold in this explosive new book told in free verse. A story of teen angst like no other, it is based on fictional characters but is rooted in the realities of the teen experience. When Natalie moves to a new high school she befriends three unwitting victims into her spider-web of manipulations, lies and deceit. Through the poetry and assignments of an English class we glimpse the world of the four teens. Natalie, whose alcoholic parents, years of neglect and ultimate rape by her father's friend has shaped her into a cruel and manipulative teen; Tricia, dealing with her blended family, is drawn into Natalies' forbidden world of partying and rebellion; Kyle, a would-be musician is in love with Tricia and Miguel who lusts for Natalie while hiding the secrets of his family.The story weaves us through their poetry, their lives and culminates at a party where the four lives fishtail out of control. English class will never be the same.

    It is the first book-length collection by an accomplished, original voice. Sunday mornings are never going to be the same again."The voice is laconic and composed but its images come off these pages resonant (more than resonant, shaking) with their own newness." -- Don Coles

    The Single Guy is a popular new reality series, where dozens of women are trying to woo bachelor veterinarian Austin Hawke. As the filming gets underway, though, accident-prone Chloe finds herself in one predicament after another: a wayward puck hits her in the face during a hockey game, she sprains her ankle at a dude ranch, and she falls out of a boat at high speed. But Chloe has bigger problems. The stress of her home life with her nutty but loveable Gramps and Aunt Ollie is getting to her, her job is consuming her, and painful memories from her past threaten to overwhelm her. To top it off, her co-worker Amanda is pressuring her to find a boyfriend. It doesn't take long before Chloe realizes that not having all her wishes come true might not be such a bad idea.

    He did it three years in a row (only two others have scored 50 since) before being unceremoniously stripped of his captaincy and traded out of town, and he did it for a promising team that was nonetheless largely stuck at the bottom of the standings. So why isn't his number 22 hanging from the rafters of the Leafs' rink and his name as revered in Leafs lore as Gilmour, Sundin and Clark?You could blame it on a team that lost far more than it won. You could blame Harold Ballard and his erratic ownership. You could blame the fans, the media...Rick Vaive doesn't blame anybody. Sometimes, life just doesn't go your way. He'd know. Growing up in a household plagued by alcoholism, the gifted young hockey player took shelter in the company of his grandmother and a blind and severely disabled uncle. Rick learned quickly that there are more valuable things in life than hockey. Even after his promising coaching career stopped dead when it ran into Don Cherry in Mississauga--one of the worst seasons in Ontario junior hockey history--he still doesn't point fingers. Life is too sweet for regrets, but learning that lesson can be one hell of a ride.

    Lau's deft clinical inspection of the dynamics of power, sex, and money takes caustic snapshots of lives lived in stasis or, worse, caught in a downward spiral. In the title story, Monica, the queen bee of the massage parlour, is threatened by the constant influx of supple young women: "New girls, they come; new girls all the time. How am I supposed to make a living? Tell me!" In "Marriage," a nameless young woman falls heavily for an older doctor. Under his deluge of compensatory gifts and outright cash, she gasps, "I have no similar method of striking such bargains with my conscience." Plain Jane, in "The Apartments," dares to dream that "Perhaps tonight will be the night he sinks to his knees" and tells her that he loves her, "that he can't be a client anymore." Not a chance. On the sobering cab ride home, "between the waves of nausea it occurs to her that certain things, things that once seemed so possible, are becoming less and less likely with each passing night." Lau's writing is clear and relentlessly nuanced, neither jaded nor sanctimonious. A detour toward personal destruction spawned her best-selling 1989 memoir, Runaway: Diary of a Street Kid. Three years later, her first book of poetry, Oedipal Dreams, made Lau the youngest-ever Governor General's Award nominee, and she has continued to fashion poignant books of poetry, short story collections, and novels from the shards of her shattered past. --Sigcino Moyo

    In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    A vibrant and transcendent journey about growth and healing. Ancestry and honoring one’s roots. Expatriation and rising up to find a home within yourself.Divided into five chapters and illustrated by Kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of lifesaid my motheras she held me in her arms as i wept think of those flowers you plantin the garden each year they will teach youthat people toomust wiltfallrootrisein order to bloom

    Instructions: An elimination dance begins with a crowded dance floor. At a signal, the band stops playing and the announcer reads an elimination, say, "Any lover who has gone into a flower shop on Valentine's Day and asked for clitoris when he meant clematis." Any dancer answering this description must sit down, and his partner is also disqualified. The process continues (e.g. "Any person who has burst into tears at the Liquor Control Board") until a single couple remains. And now, the post-Meech Lake edition.