The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.

    ‘Do you then see the bird?’ There was a sense of rising excitement in Drona’s voice. ‘No! I can simply see the eye of the bird, nothing else,’ responded Arjuna without taking his eyes off the target. ‘Now, shoot!’ Drona commanded in a shrill voice. Everyone who stood there saw Arjuna’s arrow whizz past and heard a sharp click. The arrow was stuck in the middle of the bird’s eye. That day, a legend was born. Arjuna was declared a shreshtha, a supreme human talent. Arjuna’s most powerful weapon was not his Gandiva. His power came from ekagrata—his one-pointed concentration. Arjuna re-defined the limits of human achievement. He conquered his enemies with the sword of clarity and the shield of discrimination. In this creative re-imagining of the story of Arjuna, Debashis Chatterjee mines the Mahabharata and discovers nine precious lessons that will enable any one of us to become heroes in our own lives. Whether it is gaining mastery over life, harnessing our will power, or prioritising action choices—these life-lessons from that most charismatic of Pandavas can truly put each one of us on the hero-path. A magical blend of mythology and management, this book is worth reading and re-reading, many times over.

    Using the comics format he told stories from mythology, history and literature to generations of children.Uncle Pai, as he was known, wanted Indian children to be familiar with their heritage. He believed that it helped build self-esteem and confidence. A chemical engineer by profession, Anant Pai gave up his job to follow his dream, a dream that led to the creation of Amar Chitra Katha and Tinkle.Amar Chitra Katha pays tribute to its creator and traces the story of the man who left behind a legacy of learning and laughter.

    Combining stories from the Adi Parva which precede the main narrative of the Pandav-Kaurav war for succession.

    He is the one who manifests energy and is limitless. He is known to be gentle, benevolent and almost indulgent towards his devotees, and ruthless towards those who destroy the balance of the world with their evil ways. He is Shiva, also called Mahadeva.

    He has been creating trouble and evoking laughter since January 1983, issue Tinkle 27. He’s a total goof and will make you laugh with his silly antics. Suppandi has had multiple jobs however none of them have lasted very long. He takes instructions from his employers, applies his own literal logic to them and causes total mayhem. The character of Suppandi is based on a Tamil folklore character, Chappandi. Ram Waeerkar, the legendary Tinkle artist gave form to Suppandi. Currently, his daughter, Archana Amberkar, illustrates the strip.Meet the Cool CastMaddy: Suppandi’s best friend who often gives him advice and nearly always regrets it, but he is the only one who will stick with Suppandi and bears his gaffes.Soupy: Suppandi’s admirer, who usually has Suppandi fleeing her attentions.Frooty: Suppandi’s crush, she is the only one who understands the intent behind Suppandi’s actions and so always has a smile for SuppandiAbout TinkleContinuously published since 1980, Tinkle is one of the oldest and most cherished children’s comics magazines in India. It boasts of a large fan following and beloved characters that include such household names as Suppandi, Shikari Shambu and Tantri the Mantri.

    Caught in the crossfire is Raam, the son of rishi Yamdagni and scion of the Bhargava clan.Will the machinations of Asura, Naga and Urag tribes affect the Brahmin boy and his family? Will the political intrigues of Nabhi-varsh let Bhargava Raam find his destiny or push him towards a future he never envisioned?This is the story of a man who rose to the level of divinity to establish a fair and just society; the story of the making of a legend. This book is best understood with 'Viswamitra', the first book by Vineet Aggarwal to establish the context within which it is written.

    But the gentle and generous nature of the daughter brings good fortune. Six queens plot against the seventh, jealous that she is bearing the King's heir, and accuse her of witchcraft. A thoughtless queen decrees that anyone who cries in her kingdom will be thrown out, not foreseeing that one day she too might feel sorrow. India has a rich heritage of folktales, most of which are never written down, present only in a rapidly vanishing oral culture. Each region and language has its own particular set of stories – though many tales recur across different traditions. The stories here are taken from Bengal.

    To vanquish him and his horde of evil monsters, Lord Vishnu comes to Earth in his eighth avatar - Krishna, the defender of dharma. Since his birth, Krishna valiantly fights evil monsters, showing courage and valour. But as he grows up and becomes a councillor of the race of Yadavas, he observes that the real struggle in this age is not with magical monsters but with evil kings and warriors. Accompany this wise and courageous hero on his journey on Earth as he conquers evil to put mankind back on the path of righteousness.

    Whether playing the online dating game, trying couples therapy, dealing with uncooperative children, discovering the melancholy of middle age, dreaming of a better life, or finally grasping the golden (or at least bronze) ring, these chickens encounter everyday troubles and triumphs as painfully recognizable as they are hilarious. Clever, charming, and endlessly entertaining, Going for the Bronze is a brilliant follow-up to a wholly unique bestseller.

    But why does he have the head of an elephant? Set in the Himalayas in a time of gods and goddesses, Elephant Prince tells the story of a remarkable bond between a mother and her son, a remorseful god, a generous elephant and the boy who became Ganesh. Belgin K. Wedman's jewel-toned illustrations, reminiscent of classical Indian miniatures, complement this poetic story of one of the most beloved gods of all.

    In what may be the world’s first religious, scholarly comic book, Waldman tells the epic tale of exile and redemption in graphic form.When Esther, a Jewish woman, is made Queen of Persia she must keep her identity hidden, all the while maneuvering to save her people from annihilation. This is a story familiar to many Jews who have heard it recounted every year on the holiday of Purim. But readers of all backgrounds will be entranced by what artist Waldman depicts in his interpretation of the text. At once traditional and groundbreaking Megillat Esther will challenge secular assumptions about the Bible.Each page of Megillat Esther is a visual tour de force and features the Hebrew text with original English translation, as well as opulent drawings depicting the story of the Persian Queen. Traditional interpretations of the story are woven throughout the panels.Megillat Esther presents the reader with a topsy-turvey world in which fortunes reverse and nothing is what it seems. This vibrant, edgy retelling of a classic Biblical tale is sure to amaze and intrigue scholars and laypeople of all religions and comic book lovers alike.

    Every Indian has grown up conditioned to the view that the Pandavas were virtuous and wronged; and the Kauravas were manipulative and evil. On a visit to Malanada Temple, Kerala, national bestselling author of ASURA, Anand Neelakantan, discovered the temple deity to be none other than Duryodhanan, the ostensible 'villain' of the Mahabharata. This astonishing discovery prompted him to delve deep into the narrative of the defeated Crown Prince of Hastinapura, and the Kaurava clan. Ajaya challenges established views and compels us to think again. The book is all about the power of perception. It retells with compelling credibility, the epic events from Duryodhan's (given name: Suryodhana), point of view. While Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the 'unconquerable' Kauravas, who were decimated to the last man. At the heart of India's most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen – Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny – or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. About the Author : Anand Neelakantan says: Ajaya is an attempt to revisit our mythologies with a modern view and see what the same events look like when observed from the side of the defeated. Were these people branded villains because they were far ahead of their times? There are many books about the Pandavas, about Karna, Draupadi, Kuniti and the other dramatis personae of the Mahabharata. But who speaks for Duryodhana? Growing up in a Kerala village with more temples than necessary, it was small wonder that mythology fascinated Anand early on. Ironically, he was drawn to the anti-heroes. But life called and he went on to become an engineer; joined the Indian Oil Corporation; moved to Bangalore; married Aparna; and welcomed a daughter and a son. But the voices of yore refused to be silenced in his head and he felt impelled to narrate the stories of the vanquished and the dammed; to give life to those silent heroes we have long overlooked in our uncritical acceptance of the conventional renderings of our epics. Ajaya follows the outstanding success of his #1 bestseller, Asura: Tale Of The Vanquished.

    We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world (not unlike our own) fueled by fear, lust, and greed; and as they discover the extraordinary depth—and frailty—of their connection. At once contemporary and timeless, Habibi gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.

    They hid in the bowels of the Earth, in the water and in space and remained dormant for eons. In the 20th century of the Christian era, however, some of them reappeared in different forms to plague the Earth with Wars and illnesses. At the end of his war with Ravana, Rama had asked Hanuman to raise and train a contingent of warriors who would take birth multiple times on Earth, to contain the demons. Aishani and adheesh are two such warriors, blessed with divine weapons and powers to fight the world’s evils at present times. Read this exciting story to know who finally wins. The good or the evil? The demons of jaitraya is the first book of the trilogy of the war between demons and humans.