Fleabag: The Scriptures includes new writing from Phoebe Waller-Bridge alongside the filming scripts and the never-before-seen stage directions from the award-winning series.

    Bound or beaten, naked or painted, still or spasmodic: the artist lives his or her art publicly in performance or privately in video and photography; these records form the Works section. Amelia Jones's survey examines the most significant works in the context of social history and Tracey Warr's selection of documents combines writings by artists, critics and philosophers.

    Over the next several years, she befriended women around the globe who had survived sex trafficking, female genital mutilation, and violence so extreme Meghan wondered at the woman's survival. Through listening to their stories, Meghan started to notice a pattern that pointed to systems of injustice that held women back--systems that her childhood church had taught and in which she was complicit. She was changed. Returning to the United States, Meghan became keenly aware of how the teachings and messaging surrounding women in her own upbringing were part of the problem. In the process, she began to find her voice, one that spoke out against injustice and moved her into tension with her Christian community. Women Rising is Meghan Tschanz's personal journey of transformation. But it's also a Christian blueprint for anyone wanting to confront injustice against women while pointing to a biblical standard for gender equality. With humility and grit, Meghan calls Christian women to amplify their voices for righteousness--and she calls the church to listen.

    "Death as a Friend," showing a man greeting his death as an old friend, with a hysterical mixture of joy and terror. "The People," in which a mother shields her offspring from phantoms of hate, poverty, and ignorance — and symbolizes woman as creator, begetter of the human race, link between past and future.These works represent the recurrent themes which most characterize the work of Käthe Kollwitz: social consciousness and a sense of the suffering of mankind, an urge to voice the basic maternal attitude, and a preoccupation with death. She has been called a propagandist, a crusader, yet her art is essentially apolitical. Her concern was not with partisan causes, but rather with universal rights.Fundamentally a dramatic artist, Käthe Kollwitz (1867–1945) brought to each of her works an uncanny ability to evoke human emotions through subtle gestures and facial expressions. The reactions of her characters were psychologically true primarily because she tested them on herself.The present collection contains 83 of Mrs. Kollwitz's finest works, including the last great print cycles: "The Weavers" of 1898; "The Peasant War" of 1908; "War" of 1925; and "Death" of 1935. These selections provide a full panorama of Mrs. Kollwitz's development as a master of the graphic techniques of etching, woodcutting and lithography. Over 69 of the illustrations have been rephotographed from the original works specially for this edition, and new techniques in photolithography and a larger format have resulted in reproductions that are as close as possible to the prints and drawings themselves.

    In the brief years between the twentieth centurys two cataclysmic world wars, the modern metropolis was invented in Berlin. Life in Berlin was a cabaret, and Marlene Dietrich, Thomas Mann, Alfred Einstein, or Joseph Goebbels might be seated at the next table. The avant-garde thrived there. The mass media magnified the impact of everything from fads to political ideas. Subcultures and club cultures nurtured gender-bending fashions and lifestyles. Architects and designers struggled to free themselves from the past. In the background beat the new rhythms of urban experience: the coming and going of the latest planes and trains and automobiles, the clacking of typewriters in vast offices, the jazz band that never sleeps. Berlin: The Twenties is a book for history buffs, travelers, and lovers of modern art and design.

    But as her economic dependence becomes brutally clear, Nora's acceptance of the status quo undergoes a profound change. To the horror of the bewildered Torvald, himself caught in the tight web of a conservative society which demands that he exert strict control, Nora comes to see that only possible true course of action is to leave the family home.Frank McGuinness's version of A Doll's House received its London premiere in October 1996 and opened on Broadway in 1997, where the production won four Tony Awards.

    To chart their progress, they created their blog Fit is a Feminist Issue, dedicated entirely to the unique challenges, questions, and issues they would face as women seeking fitness after the age forty. Soon, they had a community of thousands following their story. Women, it was clear, were looking for something different: a new approach to fitness that would champion strength, health, and personal accomplishment over weight loss and aesthetics.In Fit at Mid-Life, Brennan and Isaacs provide exactly that, offering a more practical, realistic path to getting active later in life. Drawing from their personal experiences as well as the latest research, they deliver a wealth of concrete advice on everything from how to keep bones strong to what types of fitness activities give the biggest returns. But Fit at Mid-Life is more than just a fitness book. Taking a feminist perspective, the authors challenge society’s default whats, whys, and hows of every aspect of getting fit, whether it’s why women avoid free weights at the gym, how personal trainers talk to their female clients, or why dress size is so often considered a benchmark for fitness. Empowering and relatable, the book shows how women can best take charge of their health and be active—no matter what their shape, size, age, or ability.

    In 1870, New York mountaineer Meta Brevoort climbed Mt. Blanc in a hoop skirt. Pausing at the summit only long enough to drink a glass of champagne and dance the quadrille with her alpine guides, she marched back down the mountain and into history as one of the first female mountain explorers.Here, Mick Conefrey weaves together tips, how-tos, anecdotes, and eccentric lists to tell the amazing stories of history's great female explorers--women who were just as fascinating and inspiring as all the Shackletons, Mallorys, and Livingstones. Most were brave, some were reckless, and all were fascinating. From Fanny Bullock Workman, who was photographed on top of a mountain pass in the Karakoram, holding up a banner calling for "Votes for Women" to Mary Hall, the Victorian world traveler, whose motto was, "take every precaution and abandon all fear," How to Climb Mt. Blanc in a Skirt is uproariously funny and occasionally downright strange.

    Lora Mathis' first full-length book of poetry, exploring femininity, mental illness, and regaining autonomy over the body.

    He was a tireless advocate of the technology of recording, an artist who looked forward to a time when mere musicians would be rendered obsolete. He was a notorious -- and, some thought, a deliberate -- eccentric, who muffled himself in scarves and gloves, liberally dosed himself with pills, and once sued Steinway & Sons because one of its employees had shaken his hand too roughly. He lived in hermetic solitude and liked to call himself "the last Puritan," but those who watched Glenn Gould play piano saw an eroticism so intense it was almost embarrassing.Drawing on extensive interviews and on archival materials that were previously inaccessible. Otto Friedrich has written a biography of exemplary depth and stylishness. Ranging over Gould's brief but spectacular public career and his prodigious exploits as teacher, author, and lecturer, his public opinions and his intensely private life. Glenn Gould; A Life and Variations does justice to a multifaceted and perverse genius.

    Bitter rivalries. Jealousy. Betrayals. Star-crossed lovers. When you consider all these plot points, it's pretty surprising William Shakespeare didn't write Mean Girls. But now fans can treat themselves to the epic drama--and heroic hilarity--of the classic teen comedy rendered with the wit, flair, and iambic pentameter of the Bard. Our heroine Cady disguises herself to infiltrate the conniving Plastics, falls for off-limits Aaron, struggles with her allegiance to newfound friends Damian and Janis, and stirs up age-old vendettas among the factions of her high school. Best-selling author Ian Doescher brings his signature Shakespearean wordsmithing to this cult classic beloved by generations of teen girls and other fans. Now, on the 15th anniversary of its release, Mean Girls is a recognized cultural phenomenon, and it's more than ready for an Elizabethan makeover.

    When a DNA test reveals a long-buried secret, a woman must look to the past to understand her mother and herself.When Paige Meyer gets an email from a DNA testing website announcing that her father is a man she never met, she is convinced there must be a mistake. But as she digs deeper into her mother's past and her own feelings of being the odd child out growing up, Paige begins to question everything she thought she knew. Could this be why Paige never felt like she fit in her family, and why her mother always seemed to keep her at an arm's length? And what does it mean for Paige's memories of her father, a man she idolized and whose death she is still grieving? Back in 1975, Betsy Kaplan, Paige's mom, is a straightlaced sophomore at the University of Kansas. When her sweet but boring boyfriend disappoints her, Betsy decides she wants more out of life, and is tired of playing it safe. Enter Andy Abrams, the golden boy on campus with a potentially devastating secret. After their night together has unexpected consequences, Betsy is determined to bury the truth and rebuild a stable life for her unborn child, whatever the cost.When Paige can't get answers from her mother, she goes looking for the only other person who was there that night. The more she learns about what happened, the more she sees her unflappable, distant mother as a real person faced with an impossible choice. But will it be enough to mend their broken relationship?Told in dual timelines, Little Pieces of Me examines identity and how the way we define ourselves changes (or not) through our life experiences.

    "Well-I never! what a dunderhead I am!" he said to himself-"fancy sleeping like that, why such a thing has never happened to me before! I had meant to go to have supper and stay the night at the new hotel in Elm. I have heard the landlord's daughter is an uncommonly pretty girl!" "Heigho!" he went on, stretching himself, "there's nothing for it, but to walk home. I might wait a long time before a motor-car came to pick[...].

    It is the author's attempt to reckon with the paradox of her father--a product of her grandparents' fiercely protective love and their status as Mitläufer, Germans who "went along" with Nazism, first reaping its benefits and later its consequences.This page-turning novel focuses on the Kappus family: Frank is a reconstructive surgeon who lost his beloved wife in childbirth and two months later married a young woman who must look after the baby and his two grieving sons when he is drafted into medical military service. Alone in the house, Liesl must attempt to keep the children fed with dwindling food supplies, safe from the constant Allied air attacks, and protected against the swell of desperate refugees flooding their town. When one child begins to mentally unravel, Liesl must discover the source of the boy's infirmity or lose him forever to Hadamar, the infamous hospital for "unfit" children. The novel bears witness to the shame and courage of Third Reich families during the devastating last days of the war, as each family member's fateful choices lead them deeper into questions of complicity and innocence, to the novel's heartbreaking and unforgettable conclusion.

    She talks of her life, career, family and loves and impending motherhood with surprising intimacy and, being true to her outspoken reputation, complete honesty.