The editing, with excellent notes, excerpts from Brecht's own views about poetry and Mr. Willett's concise introduction is exemplary. Most important, the translations by 35 poets, among them H.R. Hayes, Peter Levi, Christopher Middleton, and Naomi Replansky, maintain a high standard of accuracy and often convey a very clear idea of the texture and feeling of the German." --Stephen Spender, "The New York Times Book Review"

    B&W photos.

    "Death as a Friend," showing a man greeting his death as an old friend, with a hysterical mixture of joy and terror. "The People," in which a mother shields her offspring from phantoms of hate, poverty, and ignorance — and symbolizes woman as creator, begetter of the human race, link between past and future.These works represent the recurrent themes which most characterize the work of Käthe Kollwitz: social consciousness and a sense of the suffering of mankind, an urge to voice the basic maternal attitude, and a preoccupation with death. She has been called a propagandist, a crusader, yet her art is essentially apolitical. Her concern was not with partisan causes, but rather with universal rights.Fundamentally a dramatic artist, Käthe Kollwitz (1867–1945) brought to each of her works an uncanny ability to evoke human emotions through subtle gestures and facial expressions. The reactions of her characters were psychologically true primarily because she tested them on herself.The present collection contains 83 of Mrs. Kollwitz's finest works, including the last great print cycles: "The Weavers" of 1898; "The Peasant War" of 1908; "War" of 1925; and "Death" of 1935. These selections provide a full panorama of Mrs. Kollwitz's development as a master of the graphic techniques of etching, woodcutting and lithography. Over 69 of the illustrations have been rephotographed from the original works specially for this edition, and new techniques in photolithography and a larger format have resulted in reproductions that are as close as possible to the prints and drawings themselves.

    In it author Unica Zurn traces the roots of her obsessions: The exotic father she idealized, the "impure" mother she detested, the masochistic fantasies and onanistic rituals which she said described "the erotic life of a little girl based on my own childhood." Dark Spring is the story of a young girl's simultaneous introduction to sexuality and mental illness, revealing a different aspect of the "mad love" so romanticized by the (predominantly male) Surrealists. Unica Zurn (1916-1970) emigrated in 1953 from her native Berlin to Paris in order to live with the artist Hans Bellmer. There she exhibited drawings as a member of the Surrealist group and collaborated with Bellmer on a series of notorious photographs of her nude torso bound with string. In 1957, a fateful encounter with the poet and painter Henri Michaux led to the first of what would become a series of mental crises, some of which she documented in her writings. She committed suicide in 1970--an act foretold in this, her last completed work.

    Author Richard M. Watt begins with the defeat of the Kaiser in 1918 and the convention of the Versailles conference, where Europe was to be remade. This was the time when the victorious Allies might have imposed democracy on Europe by means of a peace with justice. Watt's gripping narrative quickly becomes tragedy as diplomacy and politics fail at every turn. He tells of victorious Allies too greedy and short-sighted to impose equitable peace on a defeated Germany, of Woodrow Wilson's tortured betrayal of his own idealism, and of a German people caught up in the realities of revolution, anarchy, and violence--waiting for the inevitable rise of a leader to exact vengeance on Europe--a Fuhrer. What began with the church bells of victory and hopes ends a year later in the first appearance of Adolf Hitler as a political power.

    Many of the letters are psychologically revealing; many touch upon characteristic themes, or freshly transcribe experience that sooner or later passes into the poetry.

    Salka, an actress in Europe, now married to theater director Bertold Viertel, finds herself living in LA and becoming a scriptwriter. She befriends arriving emigres like Thomas Mann, Brecht and Franz Werfel. Her story turns dark with W2 and then the Blacklist.

    Four men led by the Architect of Ruins construct an Armagedon shelter, in the shape of a giant cigar, so that when the end of the world comes they can enter eternity in the right mood, whilst playing a Schubert string quartet.

    Through these works--each written prior to the end of the sixteenth century--contemporary readers are able to engage the ideas that have shaped Christian theology and the church through the centuries.

    Incident at Eger; Prophets of Armageddon; The antipathetic alliance2 The road to Prague. "How long will this burlesque last?"; "Don't you see?...It's the German insurance companies that will have to pay!"; Hitler over Bohemia3 Warsaw or Moscow? The Führer is sick; The panic pact; Hitler briefs his generals; The conspirators are worried; "You must think we are nitwits & nincompoops!"; Slow boat to Leningrad4 Moment of truth. The walrus; Stalin makes up his mind; Hitler takes a hand; Ribbentrop's hour of triumph5 The sands run out. Mussolini reneges; The indefatigable Swede; Operation "Canned Goods"6 World War II. Common action or another conference?; At lastEpilogueSourcesNotesIndexMaps

    None, however, has satisfactorily explained why the Weimar Republic failed, how Hitler succeeded in taking power, and whether National Socialism has been truly defeated or survives in Germany today. In his search for the answers to these questions, Karl Dietrich Bracher has written what has already been acclaimed as a masterpiece of historical and political analysis, the most comprehensive and illuminating study of National Socialism to appear to date."

    Above all it gives a detailed, documented account of the assassination of Reinhard Heydrich, the most gruesome of the Nazi murderers, by Czech resisters parachuted from London but aided in their task by the Czech underground." William L. Shirer, author of The Rise and Fall of the Third Reich If you only read one book about what it felt like to be present during the worst time in modern human history, a time when your life could be snuffed out for having the mere thought of opposition against the Nazi regime, this should be the book because it is told by survivors and by one of the greatest survivors of them all, Jan Wiener.

    

    Crews of the battleships at Kiel and Wilhelmshaven let their fires go out, defied their admirals, hoisted the red flag and elected sailors' councils. Troops sent to suppress the mutiny joined it. Thus started the German Revolution. Dr Ryder begins this full-scale treatment of the German Revolution by summarizing the origins and development of German Social Democracy up to the party's historic vote for war credits on 4 August 1914. He then considers the socialists' attitudes to the war, notably in relation to the controversial question of annexations, and traces the growth of a threefold split inside the socialist party. The half-completed revolution is seen and evaluated in relation to the German past - Bismarck - and future - the weakness of Weimar democracy - and to the Marxist ideology of the revolutionary leaders.