In this book, Nava Atlas explores 'the writing life' of 12 celebrated women writers."

    Baxter's experience from decades as a career martial artist make this book a valuable resource for writers who want to understand what fighting is all about - what it really feels like and what does and doesn't work - and how to factor those things into their writing to make their fight scenes visceral, realistic page turners. Baxter won't tell you how to write, but he will tell you what makes a great fight scene.

    This anthology covers all of the major topics that fall within this subject and includes essays and excerpts from fifty authors, including C.S. Lewis, Flannery O’Connor, Dorothy Sayers, and Frederick Buechner.

    It gives the background, insights, and specific procedures needed by all beginning writers. Here one can learn how to group words into copy that moves, movement into scenes, and scenes into stories; how to develop characters, how to revise and polish, and finally, how to sell the product.No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can shorten any beginner's apprenticeship by years.This is the book for writers who want to turn rejection slips into cashable checks.

    Punctuation reveals the writer: haphazard commas, for example, reveal haphazard thinking; clear, lucid breaks reveal clear, lucid thinking. Punctuation can be used to teach the writer how to think and how to write. This short, practical book shows authors the benefits that can be reaped from mastering punctuation: the art of style, sentence length, meaning, and economy of words. There are full-length chapters devoted to the period, the comma, the semicolon, the colon, quotation marks, the dash and parentheses, the paragraph and section break, and a cumulative chapter on integrating them all into "The Symphony of Punctuation." Filled with exercises and examples from literary masters (Why did Poe and Melville rely on the semicolon? Why did Hemingway embrace the period?), A Dash of Style is interactive, highly engaging, and a necessity for creative writers as well as for anyone looking to make punctuation their friend instead of their mysterious foe.

    You will learn how to break the topic down into easy-to-attack projects; how and where to do research; a process that makes writing easy; how to improve material; how to evaluate your publishing options and how to develop an individualized and workable plan. Using the pilot system of organization, the binder concept and the check-off lists, the book becomes easy to write. This plan will accelerate book writing whether you type it or dictate it..

    His approach is especially helpful to people who get stuck or blocked in their writing, and is equally useful for writing fiction, poetry, and essays, as well as reports, lectures, and memos. The core of Elbow's thinking is a challenge against traditional writing methods. Instead of editing and outlining material in the initial steps of the writing process, Elbow celebrates non-stop or free uncensored writing, without editorial checkpoints first, followed much later by the editorial process. This approach turns the focus towards encouraging ways of developing confidence and inspiration through free writing, multiple drafts, diaries, and notes. Elbow guides the reader through his metaphor of writing as cooking: his term for heating up the creative process where the subconscious bubbles up to the surface and the writing gets good. 1998 marks the twenty-fifth anniversary of Writing Without Teachers. In this edition, Elbow reexamines his program and the subsequent influence his techniques have had on writers, students, and teachers. This invaluable guide will benefit anyone, whether in the classroom, boardroom, or living room, who has ever had trouble writing.

    Drawing on the Method acting theory that theater professionals have used for decades, this in-depth guide explains seven characterization techniques and adapts them for the novelist's use. In this unique and practical book, you'll discover concepts that will help you understand and communicate the behavior, motivation, and psychology of every fictional character you create. Examples from classic and contemporary novels show you how these techniques have been used to dazzling effect by Jane Austen, Mark Twain, Steve Martini, Anne Rivers Siddons, and others. These simple yet highly effective techniques will help you: * Create characters whose distinctive traits become plot components * Determine each character's specific objectives and motivations * Write natural-sounding dialogue rich in meaning * Endow your characters with three-dimensional emotional lives * Use character to bring action sequences to exuberant life * Write convincingly about any character facing any circumstance

    Next time you're stuck, just flip open The Writer's Block to any page to find an idea or exercise that will jump-start your imagination. Many of these assignments come straight from the creative writing classes of celebrated novelists like Ethan Canin, Richard Price, Toni Morrison, and Kurt Vonnegut: Joyce Carol Oates explains how she uses running to destroy writer's block. Elmore Leonard describes how he often finds ideas just by reading the newspaper. E. Annie Proulx discusses finding inspiration at garage sales. Isabel Allende tells why she always begins a new novel on January 8th. John Irving explains why he prefers to write the last sentence first. Fresh, fun, and irreverent, The Writer's Block also features advice from contemporary editors and literary agents, lessons from the awful novels of Joan Collins and Robert James Waller, a filmography of movies concerning writer's block (e.g., The Shining, Barton Fink), and countless other surprises. With this chunky little book at your side, you may never experience writer's block again!

    She remarks in the first chapter, "Save the blood and pain for real life, where tourniquets and ibuprofen can have some chance of helping. Do not be afraid to grab hold of the experience with both hands and take joy."Addressing topics all writers struggle with, Yolen discusses the writer's voice, beginnings and endings, dealing with rejection, the technical aspects of writing, and the process of coming up with an idea–and deals with each of them in a way that focuses on the positive and eliminates the negative.As Yolen says, "Be prepared as you write to be surprised by your own writing, surprised by what you find out about yourself and about your world. Be ready for the happy accident."Get ready to take joy in your writing once again.

    A fascinating collection of six essays, written for the William Empson Lectures in Oxford, each exploring an aspect of writerly contemplation.

    Sometimes a writer needs something with a little more expressive power; a word or phrase that helps the reader visualize the tonal quality or mood of the character doing the talking.For many years, writers have been eagerly awaiting the publication of a resource to help them with this dilemma. Thankfully, that wait is finally over. Now there's a way for any writer, regardless of their experience, to craft dialogue tags that add emotion and vibrancy to their storytelling; all while avoiding tired and worn out cliches.Dahlia Evans has compiled a dialogue thesaurus unlike anything ever published. This unique sourcebook is filled to the brim with words and phrases gathered from hundreds of bestselling novels. Finally, you will be able to open up vistas of endless inspiration and bring your dialogue to life.Inside You'll Discover:# Over 500 dialogue and action tags you can use instead of 'said'.# More than 2900 adverbs that can be used to describe speech.# Thousands of emotion and feeling words in adjective and noun form.# A thousand phrases to describe body language and movement.# Tons of example sentences to help solidify your understanding.# And best of all, words are sorted in alphabetical order, as well as by category.'The Dialogue Thesaurus' is the first book of its kind; a thesaurus geared towards writers who want to frame their dialogue with compelling and expressive words and phrases.

    Authors discuss what impels them to write: creating a sense of control in a turbulent universe; bearing witness to events that would otherwise be lost in history or within the writer's soul; recapturing a fragment of time. Others praise mentors and lessons, whether from the classroom, daily circumstances, or the pages of a favorite writer. For anyone interested in the art and rewards of writing, Writers on Writing offers an uncommon and revealing view of a writer's world.Contributors include Russell Banks, Saul Bellow, E. L. Doctorow, Richard Ford, Kent Haruf, Carl Hiaasen, Alice Hoffman, Jamaica Kincaid, Barbara Kingsolver, Sue Miller, Walter Mosley, Joyce Carol Oates, Annie Proulx, Carol Shields, Jane Smiley, Susan Sontag, John Updike, Kurt Vonnegut Jr., Alice Walker, and Elie Wiesel.

    The book gives case histories of first novel success, detailing exactly how the book was created and sold. Included are tips from now-famous novelists on how they made their first sale and practical ideas on manuscript presentation.Even the most famous novelists had to start somewhere. Now you can make your start—successfully—will this book.Literary agent Oscar Collier and successful freelance writer Frances Spatz Leighton team up to give you practical, specific advice on how to write your first novel and get it published. You'll find 100 expert tips, including:Solid Writing Instruction•choose the kind of novel you want to write•make characters, dialogue and plot work together to keep your reader (and prospective editor) turning the pages•determine how many characters your story needs•establish a daily writing routine that works for you—and gets your novel finished•revise, edit and prepare your manuscript for submissionExpert Markieting Advice•the pros and cons of using an agent—and how to represent yourself if you choose•contract negotiations•publicity and self-promotion basicsActual Cast Histories•Conversations With Five New Novelists, a chapter dedicated to enlightening and inspiring interviews with newly published authors•valuable insight into the working methods, attitudes and specific strategies superstar novelists used to get published—to help you start building your own success“This book should inspire many yearners to start writing and stop talking about doing so. It is rich with tactical, down-to-earth information on how to write novels and contend with agents and publishers.”—Howard Cody, former editor in chief of Little, Brown; Putnam's; and Holt, Rhinehart & Winston

    And while there are hundreds of books, podcasts, and blog posts that teach aspiring authors how to structure scenes and plot out a solid story, none implement the most intuitive and effective method for success.What is that method? Layering. Novels are made up of dozens of scenes, and regardless of genre, time-tested structure dictates what key scenes are needed and where. Most writers are familiar with some of those scenes: the Inciting Incident, the Midpoint, and the Climax, to name a few.But novelists need more than a few landmarks to find their way across the tricky terrain of novel plotting. They need a surefire method to organizing all their scenes. In Layer Your Novel, you’ll be introduced to an innovative, intuitive method for arranging your scenes and crafting a beautifully structured story.First, you construct the ten most important scenes as a foundation.From there, you choose from one of three methods to craft a second layer of scenes: the action-reaction layer, the subplot layer, or the romance layer.Once your second layer is integrated, next comes the third layer: the processing scenes that the glue your plot together.In Layer Your Novel, you’ll learn: What the 5 major turning points are and where they’re placed in your novel How to know exactly where to start your story and how to set up your premise What the ten key scenes are that serve as the framework for your novel What pinch points are and why you need them How to craft those essential twists and where they’re placed in your story for greatest impact Why your protagonist’s goal is the key to great storytelling How to come up with a meaningful subplot that will showcase your story’s themes How a romance novel is structured and how to plot out the romance story line How to analyze best sellers in your genre to identify and learn from the layers evident in their plots How to apply this layering method to novellas Special bonus analyses! In Layer Your Novel, you’ll dig into deconstructions of best-selling novels across genres to see how successful authors have their key scenes in all the right places, which gives credence to this practical layering method. In contrast, examples of best sellers are dissected to show the structural flaws due to the lack of the needed foundational framework that this layering method advocates. Don’t guess what scenes you need in your novel. Don’t guess where your scenes go. Guessing usually leads to novel failure. With the method you’ll learn in Layer Your Novel, you’ll guess no more. You can write terrific novels, every time, if you layer your novel following this blueprint!