Why wouldn't he? She went to his house three times a week, sat in his living room, listened to his stories, loudly and lustily sang songs to him. So, one Sunday morning, she walked to the front of her fundamentalist Christian church to profess her love for Jesus and be baptized. But from the moment her robe floated to the surface of the baptistry water, she began to question her fundamentalist faith. If baptism requires complete immersion underwater, what does it mean, if a piece of fabric attached to a would-be Christian floats to the top? Does the baptism still count? In Dating Jesus,, Campbell takes us into the world of fundamentalism-a world where details really, really matter-while wrestling with questions that would thwart any young woman intent on adhering to a literalist religion. If dancing isn't permitted, what do you do when you're voted part of the homecoming court? If instrumental music is prohibited inside the church, can a piano be played during your wedding? For a while, Campbell diligently plays by the gender-restrictive rules. She knocks on doors for Jesus rather than preach from the pulpit; diligently guards her chastity, refusing even to date; and memorizes long fragments from the Bible. But her questions continue to surface, and when dogmatic answers from her Bible teachers, family, and congregational fellows confirm that women will never be allowed a seat at the throne, her faith begins to erode. After Campbell flees her church, she remains thirsty for an unwavering and compassionate faith she knows is out there, somewhere. To find it, she returns to the historical roots of religious movements, studies the works of early feminist thinkers and contemporary theologians, and rereads the Bible with the same fervor of her youth. Dating Jesus is a lovingly told tale of how one born-and-bred fundamentalist matured into a feminist while holding onto her sanity and sense of humor.

    Aghast at the failings of their bodies, this cast of misfit women and girls sets out to remedy the misdirection of their lives in bold and reckless ways. Figure skaters screw skate blades into the bones of their feet to master elusive jumps. A divorcee steals the severed arm of her ex to reclaim the fragments of a dissolved marriage. Following the advice of a fashion magazine, teenaged girls binge on grapes to dye their skin purple and attract prom dates. And a college freshman wages war on her roommate from Jupiter, who has inadvertently seduced all the boys in their dorm with her exotic hermaphroditic anatomy.But it isn’t just the characters who are in crisis. In Lungs Full of Noise, personal disasters mirror the dissolution of the natural world. Written in lyrical prose with imagination and humor, Tessa Mellas’s collection is an aviary of feathered stories that are rich, emotive, and imbued with the strength to suspend strange new worlds on delicate wings.

    For many, filing the suit was a radicalizing act that empowered them to "find themselves" and stake a claim. Others lost their way in a landscape of opportunities, pressures, discouragements, and hostilities they weren't prepared to navigate.With warmth, humor, and perspective, the book also explores why changes in the law did not change everything for today's young women.

    Mark's decision to shake off her oath after fourteen years and to re-appropriate what is left of Hana's body and mind by moving to the United States creates a powerful rupture. The transition to a new life as a woman striving to shed the burden of her virginity is fraught with challenges, and the first-generation assimilated cousins with whom Hana tentatively undertakes her new life make her task no easier.Sworn Virgin is the first novel Elvira Dones wrote in Italian. She adds her voice to the burgeoning new generation of "blended" Italians, who deliberately adopt a "dirty" immigrant/exile approach to their language.According to Albanian tradition, if there are no male heirs, a woman can "choose" to become a man—and enjoy the associated freedoms—as long as she swears herself to virginity for life.Clever young Hana is ushered home by her uncle's impending death. Forced to abandon her studies in Tirana, she takes an oath and assumes the persona of Mark, a hardened mountain peasant—her only choice if she wants to be saved from an arranged marriage.Born in Durrës, Albania, Elvira Dones is a novelist, screenwriter, and documentary filmmaker currently based in the United States. After seven novels in Albanian, she wrote the two most recent in Italian, her adopted language. Sworn Virgin is the first of Dones's books to be translated into English.

    From her characterization of women as virtual economic, social, and sexual slaves, dependent on men for everything from food to friendship to protection, to her call for women to free themselves from these shackles, Women and Economics electrified Victorian readers. It remains a foundational work of feminist theory, essential reading for anyone wishing to understand women's struggle for full and self-determined personhood.

    Yet between those two views there is a group of Muslim women many do not believe exists: a diverse bunch who fight sexism from within, as committed to the fight as they are to their faith. Hemmed in by Islamophobia and sexism, they fight against sexism with their minds, words and bodies. Often, their biggest weapon is their religion. At a time when the media trumpets scandalous revelations about life for women from Saudi Arabia to Indonesia, Muslim women are always spoken about and over, never with. In Fighting Hislam, that ends.

    Wade and the continuing battle for women's rights, Blumenthal examines, in a straightforward tone, the root causes of the current debate around abortion and repercussions that have affected generations of American women.This eye-opening book is the perfect tool to facilitate difficult discussions and awareness of a topic that is rarely touched on in school but affects each and every young person. It's also perfect for fans of Steve Sheinkin and Deborah Heiligman.This journalistic look at the history of abortion and the landmark case of Roe v. Wade is an important and necessary book.

    Though much debated, its position as the basic textbook on women's history in Greece and Rome has hardly been challenged."--Mary Beard, Times Literary Supplement. Illustrations.

    The results are nothing less than an education in the ways literature grips its readers and, at times, transforms their lives. Imagining Characters is indispensable, a work of criticism that returns us to the books it discusses with renewed respect and wonder.

    Animal combines autobiography and evolutionary history to create a funny, fascinating insight into the forces that mould and affect modern women.Animal is entertaining and informative, personal and universal – silly about lots of things and serious about some. It's a laugh-out-loud investigation to help us understand and forgive our animal urges and insecurities.

    We're living in an increasingly sexualized world, and it's the young-particularly young women-who must deal with the consequences. Kids are having more sexual contact than ever, and at an earlier age. They call it "hooking up." But what is "hooking up"? According to Laura Sessions Stepp, a reporter at "The Washington Post," hooking up eludes a neat definition. It can be anything from an innocent kiss to sexual. In "Unhooked," Stepp follows three groups of young women (one in high school, one each at Duke and George Washington universities). She sat with them in class, socialized with them, listened to them talk, and came away with some disturbing insights, including that hooking up carries with it no obligation on either side. Relationships and romance are seen as messy and time-consuming, and love is postponed-or worse, seen as impossible. Some young women can handle this, but many can't, and they're being battered-physically and emotionally-by the new dating landscape. The result is a generation of young people stymied by relationships and unsure where to turn for help. "The need to be connected intimately to others is as central to our well-being as food and shelter," Stepp writes in "Unhooked." "In my view, if we don't get it right, we're probably not going to get anything else in life right."

    Her mother, outwardly conforming, had made sure that her daughter was educated and had ambitions of her own. Dreaming of a scholarship and the support to produce and tour a play about how to eradicate poverty in The Gambia, Toufah entered a presidential competition, sometimes called a beauty pageant in the media, designed to identify the country's smart young women and support their educational and career goals. Toufah won.Yahya Jammeh, the dictator who had ruled The Gambia all of Toufah's life, styled himself as a pious yet progressive protector of women. At first he behaved in a fatherly fashion toward Toufah, but then he proposed marriage. When she turned him down, his cousin lured her to the palace on a pretext, where Jammeh drugged and raped her. Toufah could not tell anyone what had happened. Not only was there no word for rape in her native language, but if she confided in her parents she knew they would take action, exposing them all to Jammeh's wrath, and worse--his critics were routinely imprisoned, tortured and murdered. To silence and control her, Jammeh had her followed. When his cousin sent for her again, she knew she couldn't stay in The Gambia. Wearing a niqab to hide her identity, she fled to Senegal, telling no one so she could keep them safe. Despite mounting pressure from the Gambian government, which claimed she was a "runaway teen," Senegalese authorities put her in contact with international humanitarian organizations and she found refuge in Canada.Eighteen months after Jammeh was deposed, in July 2019, Toufah Jallow became the first woman in The Gambia to make a public accusation of rape against him. Her testimony sparked marches of support and launched a social media outpouring of shared stories among West African women under #IAmToufah, setting Toufah Jallow on the path to reclaiming the future that Yahya Jammeh had tried to steal from her, a future of advocacy and leadership for survivors of sexual violence in The Gambia and beyond.

    Set against the backdrop of a world where equality is still to be achieved, it is a vital reminder of the great women who fought for change.

    Set against the early days of the feminist movement, it tells of two women and the choices they must make. Intelligent, sensual Miriam Berg trades her doctorate for marriage and security, only to find herself hungry for a life of her own but terrified of losing her husband Shy, frightened Beth runs away from the very life Miriam seeks to a new world of different ideas, and a different kind of love--the love of another woman...

    From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.