Written by a biblical scholar who has devoted thirty years to the study of the second Gospel, this commentary aims primarily to interpret the Gosepl of Mark according to its theological intentions and purposes, especially as they relate to the life and ministry of Jesus and the call to faith and discipleship. Unique features of James Edwards's approach include clear descriptions of key terms used by Mark and revealing discussion of the Gospel's literary features, including Mark's use of the "sandwich" technique and of imagistic motifs and irony. Edwards also proposes a new paradigm for interpreting the difficult "Little Apocalypse" of chapter 13, and he argues for a new understanding of Mark's controversial ending.

    After a thorough historical overview of hermeneutics, Thiselton moves into modern times with extensive analysis of scholarship from the mid-twentieth century, including liberation and feminist theologies, reader-response and reception theory, and postmodernism. No other text on hermeneutics covers the range of writers and subjects discussed in Thiselton’s Hermeneutics.

    All four canonical Gospels declare that the Torah and the Prophets and the Psalms mysteriously prefigure Jesus. The author of the Fourth Gospel states this claim succinctly: in his narrative, Jesus declares, If you believed Moses, you would believe me, for he wrote about me (John 5:46). Yet modern historical criticism characteristically judges that the New Testament's christological readings of Israel's Scripture misrepresent the original sense of the texts; this judgment forces fundamental questions to be asked: Why do the Gospel writers read the Scriptures in such surprising ways? Are their readings intelligible as coherent or persuasive interpretations of the Scriptures? Does Christian faith require the illegitimate theft of someone else's sacred texts?Echoes of Scripture in the Gospels answers these questions. Richard B. Hays chronicles the dramatically different ways the four Gospel writers interpreted Israel's Scripture and reveals that their readings were as complementary as they were faithful. In this long-awaited sequel to his Echoes of Scripture in the Letters of Paul, Hays highlights the theological consequences of the Gospel writers' distinctive hermeneutical approaches and asks what it might mean for contemporary readers to attempt to read Scripture through the eyes of the Evangelists. In particular, Hays carefully describes the Evangelists' practice of figural reading--an imaginative and retrospective move that creates narrative continuity and wholeness. He shows how each Gospel artfully uses scriptural echoes to re-narrate Israel's story, to assert that Jesus is the embodiment of Israel's God, and to prod the church in its vocation to engage the pagan world.Hays shows how the Evangelists summon readers to a conversion of their imagination. The Evangelists' use of scriptural echo beckons readers to believe the extraordinary: that Jesus was Israel's Messiah, that Jesus is Israel's God, and that contemporary believers are still on mission. The Evangelists, according to Hays, are training our scriptural senses, calling readers to be better scriptural people by being better scriptural poets.--J�rg Frey, Chair of New Testament Studies, University of Z�rich "Novum Testamentum"

    This revision by David O’Brien, which brings A Survey of Israel’s History up to date, is certain to add to its value and continue its popularity. A chapter on the Intertestamental Period has been added. Numerous line-maps, charts, and diagrams help to clarity details. An extensive chronological chart provides an overall summary of names and dates. Authoritative, thoroughly biblical, factually sound, and movingly human -- A Survey of Israel’s History will prove enormously helpful to the student of the Bible, and to anyone in search of a definitive history of the chosen people.

    How can Yahweh be the same God as the Father of our Lord Jesus Christ? What does genocide in the Bible have to do with the politics of the 21st century?Show Them No Mercy explores the Old Testament command of God to exterminate the Canaanite population and what that implies about continuity between the Old and New Testaments. The four views presented are:Strong Discontinuity – emphasizes the strong tension, regarding violence, between the two main texts of the Bible (C.S. Cowles)Moderate Discontinuity – provides a justification of God’s actions in the Old Testament with strong emphasis on exegesis (Eugene H. Merrill)Eschatological Continuity – a reading of the warfare narratives that ties them contextually to the book of Revelation and the Second Coming (Daniel L. Gard)Spiritual Continuity – incorporates the genocidal account into the full picture of the Old and New Testaments (Tremper Longman III)The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

    This book makes a plea for us to recover the old gospel as that which is still new and still fresh. The book stands on four arguments: that the gospel is defined by the apostles in 1 Corinthians 15 as the completion of the Story of Israel in the saving Story of Jesus; that the gospel is found in the Four Gospels; that the gospel was preached by Jesus; and that the sermons in the Book of Acts are the best example of gospeling in the New Testament. The King Jesus Gospel ends with practical suggestions about evangelism and about building a gospel culture.

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    It seems like something we already know. But do we? Questions haunt the careful reader. Among them: Doesn't the name Passover seem a bit strange? Why not just call it Freedom Day, or Independence Day? And did the Exodus have to be so complicated? Couldn't an All-Powerful deity have teleported the Israelites out of Egypt and spared everyone the arduous process of the Ten Plagues? Then there's the uncomfortable parts of the Exodus: Why, exactly, did God have to harden Pharaoh's heart? Was that really fair? In this book, Rabbi Fohrman invites us to look at the Exodus story with fresh eyes - to join him, as it were, on a guided adventure, a close reading of the ancient Biblical text. In so doing, Rabbi Fohrman reveals a side of the Exodus story that illuminates not just our past, but our future, and tells not only of our freedom, but of our destiny. This book will uncover secrets that lay hidden in this ancient and sacred saga; it tells the tale of the Exodus you thought you knew.

    Dr. Timothy Paul Jones gives easy-to-understand answers to popular questions on the Bible's reliability and accuracy.

    CONTENTS Part 1: INTRODUCTION Chapter 1 Introduction PART 2: THE METHODOLOGY OF OLD TESTAMENT THEOLOGY Chapter 2 Methodology Chapter 3 Text or Event Chapter 4 Criticism or Canon Chapter 5 Descriptive or Confessional Chapter 6 Diachronic or Synchronic PART 3: A CANONICAL THEOLOGY OF THE OLD TESTAMENT Chapter 7 A proposal for a Canonical Theology APPENDICES Appendix A The Mosaic Law and the Theology of the Pentateuch Appendix B Compositional Strategies in the Pentatuech Appendix C The Narrative World of Genesis Appendix D 1 Chronicles 21:16: A study in Inter-Biblical Interpretation

    Today, however, the entire biblical tradition, including its historical veracity, is being challenged. Leading this assault is a group of scholars described as the "minimalist" or "revisionist" school of biblical studies, which charges that the Hebrew Bible is largely pious fiction, that its writers and editors invented "ancient Israel" as a piece of late Jewish propaganda in the Hellenistic era.In this fascinating book noted Syro-Palestinian archaeologist William G. Dever attacks the minimalist position head-on, showing how modern archaeology brilliantly illuminates both life in ancient Palestine and the sacred scriptures as we have them today. Assembling a wealth of archaeological evidence, Dever builds the clearest, most complete picture yet of the real Israel that existed during the Iron Age of ancient Palestine (1200–600 B.C.).Dever's exceptional reconstruction of this key period points up the minimalists' abuse of archaeology and reveals the weakness of their revisionist histories. Dever shows that ancient Israel, far from being an "invention," is a reality to be discovered. Equally important, his recovery of a reliable core history of ancient Israel provides a firm foundation from which to appreciate the aesthetic value and lofty moral aspirations of the Hebrew Bible.

    This Counterpoints volume introduces three predominant interpretive genres and their implications for biblical understanding. Each contributor identifies their position on the genre of Genesis 1-11, addressing why it is appropriate to the text, and contributes examples of its application to a variety of passages.The contributors and views include:James K. Hoffmeier: Theological History Gordon J. Wenham: Proto-History Kenton K. Sparks: Ancient HistoriographyGeneral editor and Old Testament scholar Charles Halton explains the importance of genre and provides historical insight in the introduction and helpful summaries of each position in the conclusion. In the reader-friendly Counterpoints format, this book helps readers to reflect on the strengths and weaknesses of each view and draw informed conclusions in this much-debated topic.

    Wayne Grudem's bestselling Systematic Theology has several distinctive features:A strong emphasis on the scriptural basis for each doctrineClear writing, with technical terms kept to a minimumA contemporary approach, treating subjects of special interest to the church todayA friendly tone, appealing to the emotions and the spirit as well as the intellectFrequent application to lifeResources for worship within each chapter Bibliographies in each chapter that cross-reference subjects to a wide range of other systematic theologies.

    It introduces the Gospel of Mark as a unified composition, laying bare the narrative thread as well as the basic motifs. It is marked throughout by clarity, freshness, and a lively style.

    Clowney takes a fascinating walk through the Old Testament, revealing Christ in places where he is usually overlooked.