This is Ashbery at his wacky best, from long lists that seem to make some sense, to short lists that seem to make no sense, to made-up diary entries. Here we find Joe Brainard's version of Americana. Combined, there is a wonderful innocence to this book that is found in the work of both of these artists. Joe Brainard's popularity is soaring to new heights as the traveling retrospective of his career captivates museum-goers throughout the United States, and this publication will be a valuable addition to the available publications of his work.

    In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others.

    

    From a writer who “adds new dimensions of depth and substance to the modern crime novel,” this thrilling and critically acclaimed series follows a tormented ex-cop from Philadelphia to South Florida on a quest to earn redemption for his dark past (Michael Connelly).  The Blue Edge of Midnight: After a shootout during a convenience store holdup led to the accidental death of a twelve-year-old, Max Freeman left the Philadelphia police department behind for a life in exile in the Florida Everglades. Since then, he’s lived in seclusion, haunted by guilt, with the humid night and the nocturnal predators of the swamp as his only company. But everything changes when he discovers a young girl’s body floating in the muddy waters and becomes the prime suspect for her murder. To prove his innocence, Freeman must find the real killer—and confront his own tortured soul—before it’s too late.  A Visible Darkness: When five elderly women are murdered in Fort Lauderdale, Max Freeman is determined to get to the bottom of it. His friend, lawyer Billy Manchester, believes the crimes are tied to a conspiracy to collect on the women’s life insurance policies. But when Freeman uncovers a shocking betrayal, he soon realizes the gruesome plot reaches further than anyone thought possible. Now, it’s a race against the clock to hunt down the psychopath behind the murders—before the killer sets his sights on Freeman himself.  Shadow Men: In the 1920s, three of Mark Mayes’s ancestors left to help build the first road through the Everglades, backbreaking labor from which they never returned. Now, decades later, Mayes has discovered letters that point to murder as the cause of their disappearance, and he hires Max Freeman to investigate. But as Freeman follows the trail of evidence, he incurs the wrath of the corporation that built the road—and realizes the case may not be as cold as everyone assumed.

    She keeps her feelings closely guarded and is good at pretending that everything is fine, even when it isn’t. When she finds herself seated next to Luqman Ahmed on an international flight, she knows why has avoided men like him all her life. But she also remembers everything that had drawn him to her the previous times she met him. Luqman is tired of travelling for his job and is seriously considering relocating to the US. But his plans go awry when he’s seated next to his friend Ayub's sister-in-law Ana. He considers himself lucky to get some time talking to pretty Ana whose eyes have always captivated him from the moment he met her for the first time. It isn't too long until they discover their feelings for each other but Luqman is travelling to the US and by the time he returns, their lives are thrown far apart and brought dangerously close at the same time. Will they be able to get back their love for each other again? Will they survive the double whammy that fate has planned for them? Loving you Twice is the second romance in the Jasmine Villa series by Andaleeb Wajid, author of acclaimed novels such as More than Just Biryani, My Brother’s Wedding, The Crunch Factor and House of Screams.

     Even before becoming a husband and father, safety had been Shane McDonald’s priority for most of his forty-five years. As a nuclear engineer, it’s his responsibility to keep the Sequoyah Nuclear Plant functioning at optimum levels to avoid what protesters fear most—a meltdown. But when a coronal mass ejection from the sun wipes out power across the globe, stopping a nuclear chain reaction is no longer his primary concern. Fallen World Family is all that matters when friend becomes foe—and the stakes are survival. The world has become a dangerous place for Shane McDonald and his family since the solar storm wiped out the power grid. Tensions flare when it grows clear the dire situation will be prolonged and most are ill-prepared. Even the friendly small town of his prepper mother-in-law has drawn unwanted attention as word gets around about sharing their supply stores. And strangers begin to infiltrate the once peaceful Georgia community. All Shane can think about is where his wife and son ended up in all the chaos as the hours stretch into days since they last communicated. Jodi is far too trusting a soul, her desire to help the downtrodden a dangerous commodity among desperate and increasingly hostile citizens. New World They’ll protect what’s theirs—or die trying. The McDonald clan have learned their lessons the hard way these last months. Shane and Jodi finally realize they must keep their reunited family close and protect their own above all others to survive in this new post-apocalyptic reality. The repairs on the home are complete, solar panels installed, and the now operational pump means they won’t have to continue collecting rainwater for the foreseeable future. But it’s no longer just outsiders wreaking havoc on the small Georgia town, as unprepared townsfolk learn of their hard-earned stores—and threaten to take their prepper supplies by force.

    Focusing on art before 1520, this edition organizes the material chronologically. It now incorporates considerable new material on the history of music and theatre, and updates scholarship on ancient art.

    In the second half, he examines the historical relations of modern art and the modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails of art criticism, and the double aftermath of modernism and postmodernism. Written in a lively style, Design and Crime offers historical sketches and contemporary test-cases in an attempt to illuminate the conditions for critical culture in the present.

    Created in the 1890s by George Washington Vanderbilt, a member of one of America's wealthiest families, the estate combined a 250-room French Renaissance-style chateau with 125,000 acres of gardens, forests, and working farms. Biltmore House served as Vanderbilt's primary residence for almost 20 years. After Mr. Vanderbilt's death in 1914, life at Biltmore continued for his wife Edith and daughter Cornelia. In 1930, Cornelia Vanderbilt Cecil and her husband, Hon. John Francis Amherst Cecil, opened Biltmore House--the largest private home in the United States--to the public, firmly establishing the Asheville area as a major tourist destination.

    Marian Burleigh-Motley. When the original edition of this book was published, John Russell hailed it as a massive contribution to our knowledge of one of the most fascinating and mysterious episodes in the history of modern art. It still remains the most compact, accurate and reasonably priced survey of sixty years of creative dynamic activity that profoundly influenced the progress of Western art and architecture.

    Describing mandatory skills for beginning and advanced students, the text covers such subjects as diminution, foreshortening, convergence, shade and shadow, and other visual principles of perspective drawing.Accompanying a concise and thoughtfully written text are more than 150 simply drawn illustrations that depict a sense of space and depth, demonstrate vanishing points and eye level, and explain such concepts as appearance versus reality; perspective distortion; determining heights, depths, and widths; and the use of circles, cylinders, and cones.Artists, architects, designers, and engineers will find this book invaluable in creating works with convincing perspective.

     The Taj Mahal in Agra is arguably the most iconic image of India and is visited by eight million tourists annually. It was characterized as “pure, perfect and unutterably lovely” by the British Viceroy, Lord Curzon, and in 1983, UNESCO declared it a World Heritage Site of “outstanding universal value.” For centuries the world has believed that it was built by Shah Jahan in 1631 to immortalize his love for his wife, Mumtaz Mahal. Certain mysteries and myths that surround the monument have recently come to the fore in the country, stimulating a public debate about the place it holds as a true representation of Indian culture. Inside you will read about... ✓ The Life of Mumtaz Mahal: The Jewel of the Palace ✓ The Building of the Taj Mahal ✓ A UNESCO World Heritage Site ✓ Myths, Conjecture, and Controversy ✓ The 22 Locked Rooms in the Basement And much more! This book presents the five main historical figures of the Mughal Empire in India during that period as well as many details of how the Taj Mahal was built. It traces the events that have led to the present controversy.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    . . . A rewarding close-up of Rothko’s . . . experience as a Jewish immigrant.”—Publishers Weekly, Starred Review Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: “Excellent.” – New York times “Exemplary.” – Wall St. Journal “Distinguished.” – New Yorker “Superb.” – The Guardian