The wife meanwhile is writing a novel, which takes up all her time and when it is finished she is, ironically, advised by her publishers to turn her novel into a cookery book!In addition to short stories this book also has a section called Table Talk, which, according to R.K. Narayan, is a new form of writing, without the compulsion of an argument or conclusion, on any theme and without too definite a form. Writing in this vein then he gives us humorous pieces on, among others, language, personalities, travel, government—even parrots and a hangover.Narayan's stories and sketches are, as always, infused with wit, warmth and a wonderful timelessness making this book an essential read for all Narayan enthusiasts.

    . . casts its quiet spell over the reader. The writing is so evocative that you feel you are there, seeing, tasting, touching, and smelling this once enchanted place." -Scotia W. MacCrae, Philadelphia Inquirer Sitting in her grandmother Dhanna's kitchen, surrounded by the aromas of mint and the smoke of a hookah, warmed by the kangri tucked beneath her thighs, young Sudha Koul listened to tales of She Who Fears Nothing: The Tiger Lady, stories Sudha would repeat to her own daughters in time, though in a kitchen many thousands of miles away from her beloved Kashmir. This is a magical memoir of a land now consumed by political and religious turmoil, a richly detailed story of a girl's passage into maturity, marriage, and motherhood in the midst of an exquisite and fragile world that will never be entirely the same. "The Tiger Ladies is immensely, gracefully sad, an elegy for the customs and the courtliness of an irrecoverable civilization. Yet there is a sensuality running through her story . . . provided by Ms. Koul's devotion to Kashmiri cuisine and her description of how she has, through her kitchen, sought to keep alive the old Kashmiri ways." -Tunku Varadarajan, The Wall Street Journal "For those who only associate Kashmir with the violence that has claimed tens of thousands of lives, Koul's lovely, elegiac memoir The Tiger Ladies shows that the isolated vale in the Himalayas was a heaven before it became a hell." -Bryan Walsh, Time ASIA "Sudha Koul's writing is transportive, evoking beautifully the Kashmir we keep in our hearts. Her book is at once a history, memoir, and lesson; the author is both to be congratulated and thanked." -Indira Ganesan, author of Inheritance and The Journey Sudha Koul, like Indira Gandhi and her father, Jawaharlal Nehru, was born a Kashmiri Brahmin, in 1947, the year of the partition of India and Pakistan by the British and the first stirrings of fundamentalism in Kashmir. She completed her graduate education and become a magistrate in India before emigrating with her husband to the United States. Koul is the author of Curries without Worries and Come with Me to India: On a Wondrous Voyage through Time. She lives in New Jersey with her family.

    Today naxalism is no longer the che Guevara style revolution that it was.

    In this book Pupul Jayakar uncovers the many personalities that lay hidden within Mrs Gandhi.

    While Partition sounds smooth on paper, the reality was horrific. More than eight million people migrated and one million died in the process. The forced migration, violence between Hindus and Muslims, and mass widowhood were unprecedented and well-documented. What was less obvious but equally real was that millions of people had to realign their identities, uncertain about who they thought they were. The rending of the social and emotional fabric that took place in 1947 is still far from mended.While there are plenty of official accounts of Partition, there are few social histories and no feminist histories. Borders and Boundaries changes that, providing first-hand accounts and memoirs, juxtaposed alongside official government accounts. The authors make women not only visible but central. They explore what country, nation, and religious identity meant for women, and they address the question of the nation-state and the gendering of citizenship. In the largest ever peace-time mass migration of people, violence against women became the norm. Thousands of women committed suicide or were done to death by their own kinsmen. Nearly 100,000 women were "abducted" during the migration. A young woman might have been separated from her family when a convoy was ambushed, abducted by people of another religion, forced to convert, and forced into marriage or cohabitation. After bearing a child, she would be offered the opportunity to return only if she left her child behind and if she could face shame in her natal community. These stories do not paint their subjects as victims. Theirs are the stories of battles over gender, the body, sexuality, and nationalism-stories of women fighting for identity.

    A cow stands inside, angled diagonally to fit. It doesn’t look uncomfortable, merely impatient. “It is for the housewarming ceremony on the third floor,” explains the woman who stands behind the cow, holding it loosely with a rope. She has the sheepish look of a person caught in a strange situation who is trying to act as normal as possible. She introduces herself as Sarala and smiles reassuringly. The door closes. I shake my head and suppress a grin. It is good to be back. When Shoba Narayan—who has just returned to India with her husband and two daughters after years in the United States—asks whether said cow might bless her apartment next, it is the beginning of a beautiful friendship between our author and Sarala, who also sells fresh milk right across the street from that thoroughly modern apartment building. The two women connect over not only cows but also family, food, and life. When Shoba agrees to buy Sarala a new cow, they set off looking for just the right heifer, and what was at first a simple economic transaction becomes something much deeper, though never without a hint of slapstick.The Milk Lady of Bangalore immerses us in the culture, customs, myths, religion, sights, and sounds of a city in which the twenty-first century and the ancient past coexist like nowhere else in the world. It’s a true story of bridging divides, of understanding other ways of looking at the world, and of human connections and animal connections, and it’s an irresistible adventure of two strong women and the animals they love.

    A candid collection of riveting news-stories that brings alive the political history of the Indian subcontinent and the noble - and no-so-noble - men and women who shaped it...

    As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    The Naxalbari Movement is gathering strength in Bengal. Young men and women have left their homes, picked up arms to free land from the clutches of feudal landlords and the state, and return them to oppressed landless farmers. They are being arrested en masse and thrown into high-security jails. In one such jail, five Naxals are meticulously planning a jailbreak. They must free themselves if the revolution is to continue. But petty thief Bhagoban, much too happy to serve frequent terms for free food and shelter, has been planted by Jailor Bireshwar Mukherjee among them as a mole. Only, Bhagoban seems to be warming up to them. There’s Gunpowder in the Air is a searing investigation into what deprivation and isolation can do to human idealism. And Manoranjan Byapari is perhaps the most refreshing voice to emerge from Bengal in recent times.

    It is the story of notorious gangsters like Haji Mastan, Karim Lala, Varadarajan Mudaliar, Chhota Rajan, Abu Salem, but above all, it is the story of a young man who went astray despite having a father in the police force. Dawood Ibrahim was initiated into crime as a pawn in the hands of the Mumbai police and went on to wipe out the competition and eventually became the Mumbai police’s own nemesis.The narrative encompasses several milestones in the history of crime in India, from the rise of the Pathans, formation of the Dawood gang, the first ever supari, mafia’s nefarious role in Bollywood, Dawood’s move to Karachi, and Pakistan’s subsequent alleged role in sheltering one of the most wanted persons in the world. This story is primarily about how a boy from Dongri became a don in Dubai, and captures his bravado, focus, ambition, and lust for power in a gripping narrative. The meticulously researched book provides an in-depth and comprehensive account of the mafia’s games of supremacy and internecine warfare.

    Be it proposed porn bans, religious morality or women's rights, the assumption is that porn has a single, knowable definition. But one man's art is another woman's erotica is another person's sex tape.In this intrepid, empathetic and nuanced account of the sexual shopping cart that is the internet today, Richa Kaul Padte takes readers on an intimate tour of online sex cultures. From camgirls to fanfiction writers, homemade videos to consent violations, Cyber Sexy investigates what it means to seek out pleasure online.And as for whether or not something counts as porn? You'll know it when you see it.

    Here, lives intertwine and unravel. A widower struggles with his love for an unmarried cousin. Bakul, a motherless daughter, runs wild with Mukunda, an orphan of unknown caste adopted by the family. Confined in a room at the top of the house, a matriarch goes slowly mad; her husband searches for its cause as he shapes and reshapes his garden. As Mukunda and Bakul grow, their intense closeness matures into something else, and Mukunda is banished to Calcutta. He prospers in the turbulent years after Partition, but his thoughts stay with his home, with Bakul, with all that he has lost—and he knows that he must return.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    Drawing upon the previously unexplored records of the Supreme Court of India, A People's Constitution upends this narrative and shows how the Constitution actually transformed the daily lives of citizens in profound and lasting ways. This remarkable legal process was led by individuals on the margins of society, and Rohit De looks at how drinkers, smugglers, petty vendors, butchers, and prostitutes--all despised minorities--shaped the constitutional culture.The Constitution came alive in the popular imagination so much that ordinary people attributed meaning to its existence, took recourse to it, and argued with it. Focusing on the use of constitutional remedies by citizens against new state regulations seeking to reshape the society and economy, De illustrates how laws and policies were frequently undone or renegotiated from below using the state's own procedures. De examines four important cases that set legal precedents: a Parsi journalist's contestation of new alcohol prohibition laws, Marwari petty traders' challenge to the system of commodity control, Muslim butchers' petition against cow protection laws, and sex workers' battle to protect their right to practice prostitution.Exploring how the Indian Constitution of 1950 enfranchised the largest population in the world, A People's Constitution considers the ways that ordinary citizens produced, through litigation, alternative ethical models of citizenship.

    Incensed at the villagers’ refusal to share any information, soldiers pulled residents from their homes, torturing men and raping women. According to village accounts, as many as thirty-one women were raped. The Indian army initially carried out cursory investigations before shelving the case without explanation. Kunan and Poshpora have since become known as the villages of raped women, and their residents have found it difficult to escape this stigma. Then in 2012, the rape and murder of a young medical student in Delhi galvanized a protest movement so widespread and deep that it reached far beyond India’s borders. In Kashmir, a group of young women, all in their twenties, were inspired to reopen the Kunan-Poshpora case and revisit their history and that of the 1991 survivors. Do You Remember Kunan Poshpora? is a personal account of their journey, examining questions of justice, stigma, state responsibility, and the long-term impacts of trauma. With rarely heard voices and concerns, this book gives readers an opportunity to know the lives of ordinary Kashmiris in a state suffocated by thirty years of military rule.