Some forget the names of their villages. The youngest may not know the names of their parents. But Gladys Kalibbala—part journalist, part detective, part Good Samaritan—does not hesitate to dive into difficult or even dangerous situations to aid a child. Author of a newspaper column called “Lost and Abandoned,” she is a resource that police and others turn to when they stumble across a stranded kid with a hidden history.  Jessica Yu delivers an acutely observed story of this hardnosed and warmhearted woman, the children she helps, and the twists of fate they experience together. The subplot of Gladys’s garden—her precarious dream of providing a home and livelihood for her vulnerable charges—adds fascinating depth. Garden of the Lost and Abandoned chronicles one woman’s altruism, both ordinary and extraordinary, in a way that is impossible to forget, and impossible not to take to heart.

    When you flick on your light switch the light goes on--how? When you put out your garbage, where does it go? When you flush your toilet, what happens to the waste? How does water get from a reservoir in the mountains to your city faucet? How do flowers get to your corner store from Holland, or bananas get there from Ecuador? Who is operating the traffic lights all over the city? And what in the world is that steam coming out from underneath the potholes on the street? Across the city lies a series of extraordinarily complex and interconnected systems. Often invisible, and wholly taken for granted, these are the systems that make urban life possible. The Works: Anatomy of a City offers a cross section of this hidden infrastructure, using beautiful, innovative graphic images combined with short, clear text explanations to answer all the questions about the way things work in a modern city. It describes the technologies that keep the city functioning, as well as the people who support them-the pilots that bring the ships in over the Narrows sandbar, the sandhogs who are currently digging the third water tunnel under Manhattan, the television engineer who scales the Empire State Building's antenna for routine maintenance, the electrical wizards who maintain the century-old system that delivers power to subways. Did you know that the Verrazano-Narrows Bridge is so long, and its towers are so high, that the builders had to take the curvature of the earth's surface into account when designing it? Did you know that the George Washington Bridge takes in approximately $1 million per day in tolls? Did you know that retired subway cars travel by barge to the mid-Atlantic, where they are dumped overboard to form natural reefs for fish? Or that if the telecom cables under New York were strung end to end, they would reach from the earth to the sun? While the book uses New York as its example, it has relevance well beyond that city's boundaries as the systems that make New York a functioning metropolis are similar to those that keep the bright lights burning in big cities everywhere. The Works is for anyone who has ever stopped midcrosswalk, looked at the rapidly moving metropolis around them, and wondered, how does this all work?

    It was ordered by then Prime Minister Menachem Begin to rescue thousands of Ethiopian Jewish refugees in Sudan and "deliver them to me" in the Jewish state. No stranger to action in enemy countries, the agency established a covert forward base in a deserted holiday village in Sudan, and deployed a handful of operatives to launch and oversee the exodus of the refugees to the Promised Land, by sea and by air, in the early 1980s. Gad Shimron, the author of this book, was one of their number. First published in Hebrew in 1998, this updated English version of the book offers a thrilling firsthand account of how the operation was put in place, and how the Mossad team in Sudan brought it off, despite great personal risk, running a partying vacation spot for wealthy tourists by day as they stole through the Sudanese desert to rescue desperate refugees by night. The book sheds light on American involvement in the latter stages of the operation, when the White House facilitated an airlift of Ethiopian Jews and the CIA station in Khartoum sheltered the last Mossad operatives, on the run from Libyan secret service agents, and spirited them out of Sudan in special boxes labeled Diplomatic Mail. Enhanced by Gad Shimron's wide-ranging historical observations and his crisp, incisive prose, this is at once an entertaining read and a powerful tale of idealistic heroism.

    The book traces his trips from New Zealand to New Jersey and everywhere in between, mixing beautiful, never-before-seen photos and mementos with Bourdain's outrageous commentary on what really happens when you give a bad-boy chef an open ticket to the world. Want to know where to get good fatty crab in Rangoon? How to order your reindeer medium rare? How to tell a Frenchman that his baguette is invading your personal space? This is your book. For any Bourdain fan, this is an indispensable opportunity to hit the road with the man himself.

    The book provides not only amusement, but a commentary on how America has changed, and a celebration of those places that have been forgotten by conventional history.

    As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.

    The author documents the invention, technological evolution, and commercial history of the photobooth with illustrations culled from 25 years of collecting.

    In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to begin energetically exploring the possibilities created by digital innovations and to use them to better understand our rapidly changing world.Ritchin—one of our most influential commentators on photography—investigates the future of visual media as the digital revolution transforms images into a hypertextual medium, fundamentally changing the way we conceptualize the world. Simultaneously, the increased manipulation of photographs makes photography suspect as reliable documentation, raising questions about its role in recounting personal and public histories. In the tradition of John Berger and Susan Sontag, Ritchin analyzes photography's failings and reveals untapped potentials for the medium.

    This book contains previously unpublished work that has never been exhibited.

    The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe’s people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war’s full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa’s most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.Achebe masterfully relates his experience, both as he lived it and how he has come to understand it. He begins his story with Nigeria’s birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country’s promise, which turned to horror when the hot winds of hatred began to stir. To read There Was a Country is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers—they should speak for their history, their beliefs, and their people.Marrying history and memoir, poetry and prose, There Was a Country is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe’s place as one of the most vital literary and moral voices of our age.

    Now with a new introduction by Paul Theroux, Journey Without Maps is the spellbinding record of Greene's journey. Crossing the red-clay terrain from Sierra Leone to the coast of Grand Bassa with a chain of porters, he came to know one of the few areas of Africa untouched by colonization. Western civilization had not yet impinged on either the human psyche or the social structure, and neither poverty, disease, nor hunger seemed able to quell the native spirit.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    We are connected through an intertwining sameness called the struggles and joys of finding and becoming our authentic selves. When I read her words, I felt acknowledged for my journey and for being a woman in these complex times... Thank you, Sabrina, for sharing your gift with us. May we all continue to share our journeys together so we know we are not alone."--from the Foreword by Hilary Swank, actorFrom the acclaimed twenty-five-year-old author/artist of the stunning visual memoir Spilling Open comes the all-new multimedia installment of her intimate journey Brave on the Rocks: If You Don't Go, You Don't See.Picking up where Spilling Open left off, Sabrina Ward Harrison tells us about the surprising reaction to her first book. Via her readers' letters and e-mails, she realized that through her journal she had become an identifying voice for women around the world. However, along with recognition came a certain pressure to uphold her new image. Overwhelmed by her attempt to live up to what she thought she had to become, Sabrina decided to head out on her own. She chose as her destination Italy, a place she had always dreamed and written about, a place she felt she could go to "recolor" herself. In her journey she discovered a universal identity with other travelers and a particular kinship with the women she met. But back home she struggled to keep her newfound confidence intact as she navigated her life.Harrison writes and illustrates with a powerful and creative voice. Her thoughts are real and brave. She explores with sensitivity questions of love, faith, growing pains, being true to oneself, and what it means to be unique. With unfaltering honesty, she allows us to witness and share in her reconnection with herself, her growing and reaching, and, ultimately, her voyage home again.

    These innovatively designed, affordably priced, compact paperbacks bring ideas to life and amplify our understanding of civilization in a new way.

    The author concerns himself not only with art, but also with Chinese philosophy, religion, and the realm of ideas.

    When she's not the featured model in print campaigns for hip companies, or gracing the cover of Elle, she is working the runways of Paris, New York, and Milan to model for the world's leading designers, including Karl Lagerfeld for Chanel. But nothing in her early years prepared her for the life of a model.Born in Wau, in the southern Sudan, Alek knew only a few years of peace with her family before they were caught up in a ruthless civil war that pitted outlaw militias, the Muslim-dominated government, and southern rebels against each other in a brutal conflict that killed nearly two million people. Here is her daring story of fleeing the war on foot and her escape to London, where her rise from young model to supermodel was all the more notable because of Alek's non-European looks.A probe into the Sudanese conflict and an inside look into the life of a most unique supermodel, Alek is a book that will inspire as well as inform.