If the curse placed upon them by an ancient god doesn't kill them or the pack of reluctant orc assassins don't catch up to them, Helen and Troy might reach the end their journey in one piece, where they might just end up destroying the world. Or at least a state or two.A minotaur girl, an all-American boy, a three-legged dog, and a classic car are on the road to adventure, where every exit leads to adventure. Whether they like it or not.

    But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet as their love grows, they discover that the world around them is changing - and they cannot escape the curse for ever...

    And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories.Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Greek creation myths as her starting point and then retelling the four great mythic sagas: the Trojan War, the Royal House of Thebes, Jason and the Argonauts, Heracles, she puts the female characters on equal footing with their menfolk. The result is a vivid and powerful account of the deeds – and misdeeds - of Hera, Aphrodite, Athene and Circe. And away from the goddesses of Mount Olympus it is Helen, Clytemnestra, Jocasta, Antigone and Medea who sing from these pages, not Paris, Agamemnon, Orestes or Jason.

    Blending archaeological fact and legend, the myths of the gods and the feats of heroes, Marion Zimmer Bradley breathes new life into the classic tale of the Trojan War-reinventing larger-than-life figures as living people engaged in a desperate struggle that dooms both the victors and the vanquished, their fate seen through the eyes of Kassandra-priestess, princess, and passionate woman with the spirit of a warrior.

    Twenty curses, old and new. ALL THE BETTER TO READ YOU WITH. It's a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents... Here you'll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world...expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic. Some might shock you, some might make you laugh, but they will all impress you with their originality. TWENTY TIMELESS FOLKTALES, NEW AND OLD.Contents: *Introduction (Cursed) • essay by Paul Kane and Marie O'Regan *Castle Cursed (2020) / short fiction by Jane Yolen *As Red As Blood, As White As Snow (2020) / short fiction by Christina Henry *Troll Bridge (1993) / short story by Neil Gaiman (variant of Troll-Bridge) *At That Age / short fiction by Catriona Ward *Listen / short fiction by Jen Williams *Henry and the Snakewood Box / short fiction by M. R. Carey *Skin / short fiction by James Brogden *Faith & Fred / short fiction by Maura Mchugh *The Black Fairy's Curse (1997) / short story by Karen Joy Fowler *Wendy, Darling (2014) / short fiction by Christopher Golden * Fairy Werewolf vs. Vampire Zombie (2011) / short story by Charlie Jane Anders *Look Inside Me (2013) / short fiction by Michael Marshall Smith *Little Red (2009) / short story by Adam Stemple and Jane Yolen *New Wine / short fiction by Angela Slatter *Haza and Ghani / short fiction by Lilith Saintcrow *Hated / short fiction by Christopher Fowler *Merrie Dancers / short fiction by Allison Littlewood *Again / short fiction by Tim Lebbon *The Girl from the Hell / short fiction by Margo Lanagan *Castle Waking / short fiction by Jane Yolen *About the Authors *About the Editors *Acknowledgements.

    A far cry from the monster legends depict, she’s spent her time educating herself, gardening, and desperately trying to frighten away adventure seekers who occasionally end up, much to her dismay, as statues when they manage to catch her off guard. As time marches on without her, Medusa wishes for nothing more than to be given a second chance at a life stolen away at far too young an age.But then comes a day when Hermes, one of the few friends she still has and the only deity she trusts, petitions the rest of the gods and goddesses to reverse the curse. Thus begins a journey toward healing and redemption, of reclaiming a life after tragedy, and of just how powerful friendship and love can be—because sometimes, you have to sink in the deep end of the sea before you can rise back up again.

    Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments.At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.

    Twenty-five chances to impress.When the test takes an unexpected and tragic turn, Idir is handed the power of life and death.How do you value a life when all you have is multiple choice?

    She has seen him eyeing her, seen him moving closer, and holds out one of her hands. It is stronger than his, and the nails are pointed. “Are you curious, too?”Karitoki is fascinated by the Pania, who beckons him with her plump, scaled flesh, her razor-sharp nails, her fish-oil scent.His Pania, Karitoki thinks, as the two spend more time together by the rock pool. His Pania, he believes, loyal to him just as she is loyal to the lives of the dolphins and whales she guards. His Pania, if only she would eat the delicate mussels he cooks for her, every day, by the sea.But a Pania never eats cooked food.

    Wayward nights out that don’t go as planned; the righteous anger at those men with no talent or skill or smarts who occupy the most powerful positions in the world; the strange banality of madness and, of course, the hurt and indecision of unrequited love.For every woman surviving and thriving in today’s world, for every girl who feels too much; this is a call for communion, and you are not alone.

    Maddened by the discovery of his wife's orgies, King Shahrayar believes all women are unfaithful and vows to marry a virgin every night and kill her in the morning. To survive, his newest wife Shahrazad spins a web of tales night after night, leaving the King in suspense when morning comes, thus prolonging her life for another day.Written in Arabic from tales gathered in India, Persia and across the great Arab empire, these mesmerising stories tell of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate.Now adapted by Hanan al-Shaykh the One Thousand and One Nights are revealed in an intoxicating new voice.

    Interspersed with spotlight features on faery folklore, including fascinating quotes drawn from medieval manuscripts and both written and oral folklore, these tales cover faery morals, elvish misdemeanors, the spells cast by goblins, and the sightings of the creatures, as well as their dealings with mortals. The enchanting stories, rewritten to engage a new generation, are each attributed to a British region. With charming illustrations from favorite illustrators throughout, this book reminds readers of the enduring appeal of folklore and mystery for all generations.

    When Jenna died, she blamed herself for that, too. Unfortunately Jenna died too soon. Living or dead, every soul is promised a certain amount of time, and when Jenna passed she found a heavy debt of time in her record. Unwilling to simply steal that time from the living, Jenna earns every day she leeches with volunteer work at a suicide prevention hotline.But something has come for the ghosts of New York, something beyond reason, beyond death, beyond hope; something that can bind ghosts to mirrors and make them do its bidding. Only Jenna stands in its way.Dusk or Dark or Dawn or Day is a new standalone urban fantasy novella from New York Times bestselling author Seanan McGuire.

    An embittered mother cares for her dying son who is trapped in a thicket that guards a sleeping beauty... In a bleak and desolate industrial wasteland, a group of violent outcasts lays the tattered myths of one Millenium to rest, and gives terrifying birth to those of the next.Erotic, compelling, witty, and altogether extraordinary, these stories lay bare our innermost demons and desires--imaginatively transforming our youthful fantasies into things darker, slyer, and more delightfully subversive. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones