In Revenge of the She-Punks, she probes four themes--identity, money, love, and protest--to explore what makes punk such a liberating art form for women.With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain's first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song "Free Money," for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem "Identity," with the refrain "Identity is the crisis you can't see." Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.

    It's like they were your actual high school peers - pissing off the administration and taking care of each other when they get beat up by skinheads. Liz Baillie has a real talent for dialogue, characters, storytelling, and capturing New York - especially those moments that we all live, awkwardly making out, pulling pranks, and drinking beer. This graphic novel collects the first five (out of 10) issues of the comic My Brain Hurts.

    As drummer for the British group Captain America, one of the two support bands on Nirvana's Nevermind UK tour, Andy Bollen had a ringside seat at the exact moment that Nirvana went massive. Afforded intimate access, Bollen wrote his own personal diary in Nirvana's dressing room, where he spoke candidly to Cobain—from his fears of losing original fans to his love of the Bay City Rollers. He saw firsthand how Nirvana worked, the relationships that made them tick, and the dynamic that made them one of the great bands. This is a warm, affectionate, funny, and, at times, brutally honest account, written by a guy on the periphery, perfectly positioned to observe. Drawing on the diaries he kept at the time, the book brings to life a pivotal moment in rock history, making it a must-read for Nirvana fans and lovers of iconic rock stories. The author also includes his own photographs which have never been seen before.

    From his childhood in Ann Arbor, Michigan to the inception and evolution of the seminal rock band, the Stooges, Pop vividly recalls his tales of reckless abandon in his own frank and indomitable manner and confirms his rightful position as a cultural iconoclast and one of rock music's true innovators.

    Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new. Images were compiled out of whatever material could be found, often photocopied and, still warm, stapled to the nearest telephone pole to warn the world about next week's gig. One glance and you can sense the fury of live performances by bands such as Black Flag, the Dead Kennedys and The Minutemen, and, through the subtext the reader is exposed to the psyche of a generation of musicians stripped bare: The Germs, J.F.A, NOFX, X, The Circle Jerks, Devo, The Exploited, The Screamers, The Cramps, The Dils, The Avengers and more.

    Thompson has decades of courtroom experience in his home state of Texas on controversial and important trials. Now, in Dead Peasants, Thompson has delivered a fast-moving and suspenseful legal thriller featuring a retired lawyer whose life gets turned upside down when a stranger asks for help.Jack Bryant, exhausted after a high-profile career as a lawyer, takes an early retirement in Fort Worth, Texas, where he plans to kick back, relax, and watch his son play football at TCU. But then an elderly widow shows up with a check for life insurance benefits and that is suspiciously made payable to her dead husband's employer, Jack can't turn down her pleas for help and files a civil suit to collect the benefits rightfully due the widow. A chain of events that can't be stopped thrusts Jack into a vortex of killings, and he and his new love interest find themselves targets of a murderer.Gripping, engaging, and written with the authority that only a seasoned lawyer could possess, Dead Peasants is a legal thriller that will stun and surprise you.

    Rejecting both traditional gender roles and their parents' brand of feminism, riot grrrls celebrated and deconstructed femininity. The media went into a titillated frenzy covering followers who wrote "slut" on their bodies, wore frilly dresses with combat boots, and talked openly about sexual politics.The movement's message of "revolution girl-style now" soon filtered into the mainstream as "girl power," popularized by the Spice Girls and transformed into merchandising gold as shrunken T-shirts, lip glosses, and posable dolls. Though many criticized girl power as at best frivolous and at worst soulless and hypersexualized, Marisa Meltzer argues that it paved the way for today's generation of confident girls who are playing instruments and joining bands in record numbers.Girl Power examines the role of women in rock since the riot grrrl revolution, weaving Meltzer's personal anecdotes with interviews with key players such as Tobi Vail from Bikini Kill and Amy Ray of the Indigo Girls. Chronicling the legacy of artists such as Bratmobile, Sleater-Kinney, Alanis Morissette, Britney Spears, and, yes, the Spice Girls, Girl Power points the way for the future of women in rock.

    This memoir is the true, first-hand account of one man’s survival during the Nashville floods of 2010, as entire neighborhoods were submerged, streets ran like rapids, and lives were lost. Destruction in communities and businesses was both total and personal, as Owen Grimenstein lost his home, most of his possessions, and very nearly, his own life. But what would emerge triumphant from the depths of such profound darkness was a community of family, friends, and strangers far more steeped in love, hope, and kindness than they could ever possibly fathom… “Reliving the Nashville flood is painful but inspiring; no one tells the story better than Owen. [Under Water: A Natural Disaster Memoir] will be a key part of Nashville's history and a guide to our future. People like Owen make Nashville the envy of America." —U.S. Congressman Jim Cooper“The story of one couple's strength and spirit is told beautifully by Owen Grimenstein. Owen captures the fear and stress that occurs in a natural disaster but also captures the fortitude and courage that was the response of so many individuals and families.” —Former Nashville mayor Karl Dean"Owen Grimenstein captures the will to survive, neighbors helping neighbors, strangers helping strangers. Under Water is a reliving of the pounding rain and rising water. It is also a reliving of how in a time of great need Nashville responded." —Bob Mueller, News 2 WKRN-TV anchor"Mr. Grimenstein’s memoir masterfully recounts the historical and devastating flood of May 2010 that gravely impacted the Nashville area and how the community came together to build back all that nature destroyed." —Nancy Stephens, editor, The Fairview Observer“The author’s words inspire us towards resilience and perseverance. Under Water stirs us to choose hope when circumstances seem hopeless, to cherish our families, and to come alongside and give generously to our suffering neighbors.” —Bunny Bennett, author of God Thinks I’m Beautiful“Owen takes the reader on a perilous journey through one of [Nashville's] most difficult times. This is an account that everyone needs to read. Frankly, this book is so well written it should be recognized by Nashville’s mayor Megan Barry as an official historical document.” —Bob Williams, author of Music City MacabreCheck out Under Water: A Natural Disaster Memoir on the news here: http://www.wsmv.com/clip/13160418/flo...

    Whitaker's Millionaire Wives Club are back for a third season of explosive lies, forbidden sex, and scandals like you've never seen before!Step into the world of cable TV's hit reality show and meet new bride and new mother Milan, who finally has everything she's ever dreamed of. Problem is her perfect life doesn't work for TV. What will she do when the producer threatens to fire her? Editor-in-chief Chaunci isn't feeling the fame and the last thing she needs is to share the spotlight with her worst enemy, newcomer Journee. Socialite Journee expected her eighty-two-year-old husband to only live four days past their wedding night, but it's been four years. And just when it seems that he's ready to meet his maker, his son--Journee's ex-lover--shows up. Hair care mogul Vera is struggling with her failing marriage and the last thing she needs is her drug-addicted mother to further ruin her life or her image. Jaise is finally standing by her man. But will she live the life she thinks or will it cost her everything?

    The complete account of the Sex Pistols saga.

    What it is and why it is embraced by punks all over the world. The failure of "bought and paid for" politicians has ensured a counterculture receptive to the idea that we would be better off without these vampires.Gender Issues: Sexism, feminism and open homosexuality.Environmentalism and Ecological Concerns: The ideas and techniques of Earth First, ALF, and others have found a comfortable home in the punk scene.Straight Edge: A movement that went from being a minor threat to a convervative, conformist no threat.DIYBibliography

    You just make it up as you go along." Certainly, the history of the plugged-in genre seems more like a mad romp than a logical development. James Miller sets out here to capture the evolution of early R&R as an industry and as a force in American life. Without descending into diatribe or veering towards critical theory, this former Michel Foucault biographer writes about the metamorphosis of casual basement jamming into a sometimes devious multi-million dollar business. Strewn along the way are epiphanies of music history: Bob Dylan turning the Beatles onto marijuana at their first meeting in 1964; Berry Gordy producing his first big hit by instructing Jackie Wilson to imitate Elvis Presley; the less-than-endearing first appearance of the Sex Pistols on British TV. Both literate and unpretentious, Miller catches the frantic surrealism of the rock scene. As Jerry Garcia said, "By comparison, real life is very dull." — Jules Herbert

    punk rock music scene that led to the rise of such bands as Positive Force, Riot Grrrl, Fugazi, and Bikini Kill.

    Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic--and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

    Amy Watkins and miner 'Big' Tom Kelly were in love. But can they keep their feelings secret or face the threat of death in a community torn apart by the miner's strike? Tonypandy, South Wales, 1911. Starving, striking miners fight soldiers and police on the picket lines for the right to earn a wage that will feed their families, while Irish labourers are brought in the take their place in the pits, for half their pay. Handsome 'Big' Tom Kelly, an Irish worker, comes to Wales looking for a better life and believes he has found it when he falls in love with Amy Watkins, the daughter of a strike leader. At night, the miners search out the Irish men, drag them from their beds, beat them and then hang them from the street lamp posts. Can Amy and Tom keep their love a secret forever? All they want is a future together. But in a world full of hatred, anger and violence, their dream seems impossible. Until another strike leader offers them a way out.