(Child Ballad, no. 113)So begins a stunning tale of love, loss and revenge, against a powerful backdrop of adventure on the high seas, and drama on the land. The Blue Salt Road balances passion and loss, love and violence and draws on nature and folklore to weave a stunning modern mythology around a nameless, wild young man.Passion drew him to a new world, and trickery has kept him there - without his memories, separated from his own people. But as he finds his way in this dangerous new way of life, so he learns that his notions of home, and your people, might not be as fixed as he believed.Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.

    On the night of the Harwoods' Spring Solstice Ball, in an underwater ballroom full of sparkling fey lights and danger, Amy will have to fight the greatest political battle of her life to win a family and a future that she could never have imagined.It will take an entirely unexpected kind of magic to keep everything from crashing down around her.Warning: this novella contains forbidden romance, dangerous magic, and political intrigue in an underwater ballroom. What could possibly go wrong?

    edition includes 16 pages of supplementary materials.Cover design by Richard L. AquanCover illustration from the Mary Evans Picture Library; painting of Great Fire of London on stepback

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    Squirrel.I am from Serenity Province, though I was not born there.My nation has been at war for a hundred years, Serenity is under attack, my family is in disgrace, but some people think that I can bring victory. That I can be a very special kind of woman.All I want to do is climb.My name is Kano Murasaki, but everyone calls me Squirrel.Risuko.Though Japan has been devastated by a century of civil war, Risuko just wants to climb trees. Growing up far from the battlefields and court intrigues, the fatherless girl finds herself pulled into a plot that may reunite Japan -- or may destroy it. She is torn from her home and what is left of her family, but finds new friends at a school that may not be what it seems. Magical but historical, Risuko follows her along the first dangerous steps to discovering who she truly is.Kano Murasaki, called Risuko (Squirrel) is a young, fatherless girl, more comfortable climbing trees than down on the ground. Yet she finds herself enmeshed in a game where the board is the whole nation of Japan, where the pieces are armies, moved by scheming lords, and a single girl couldn't possibly have the power to change the outcome. Or could she?

    Harsh winds scour the rocky coastline. The villagers' lives are inseparable from nature and its enchantments.Verlyn Webbe, born with a wing for an arm, unfurls his feathers in defiance of past shame; Plum is snatched by a water bull and dragged to his lair; little Crab Skerry takes his first run through the gorse-maze; Madden sleepwalks through violent storms, haunted by horses and her father's wishes.As the tales of this island community interweave over the course of a generation, their earthy desires, resentments, idle gossip and painful losses create a staggeringly original world. Crackling with echoes of ancient folklore, but entirely, wonderfully, her own, Zoe Gilbert's Folk is a dark, beautiful and intoxicating debut.

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    The scarred veteran Mr. Tiller, left disfigured by an impossible accident on the battlefields of France, brings with him a message: part prophecy, part warning.As Shirley's village prepares for the annual May Day celebrations, where a new queen will be crowned and the future reborn, she must choose between change and renewal - will the missives Mr. Tiller brings prevent her mastering her destiny?Exploring complex ideas of fate and power, and questioning the authority of those who write our cultural narratives, The Arrival of Missives is a unique work, deftly marrying literary and genre influences. It heralds the arrival of a major new voice in speculative fiction.

    And there she drew up the queen of shadows and set her upon the earth. Next she plaited the right side of her hair, the dark side, and with it caught the queen of light. And she set her next to the black queen. "And you two shall be sisters. You shall be as images in a glass, the one reflecting the other..."Raised on a mountainside, Jenna learned the arts of the warrior, and from the mountain women the magic of the ancient lore. The greatest magic was calling her dark sister from the depths of the mirror of the land of light and shadow. Skada, the dark one, existed only when the moonlight cast a shadow or lamplight flickered in a darkened room.

    The day she was born there was a devastating earthquake, and the tribe's shamaness had an amazing vision revealing the young girl's future—one day this privileged child will be the spiritual and tribal leader over all of the tribes. Book One revolves around the events of Himiko's early teen years—her shaman lessons, friendships, contact with other tribes, and journey to save her family after a series of tragic events. Once again, Esther Friesner masterfully weaves together history, myth, and mysticism in a tale of a princess whose path is far from traditional.

    . . not marry the next tyrannical prince that comes courting. Naturally, the king wants Aurelia to marry for political power. Aurelia wants to marry for love. And someone in the kingdom wants her . . . dead. Assigned to investigate and protect Aurelia is Robert, the son of the king's former royal spy and one of Aurelia's oldest friends. As Aurelia and Robert slowly uncover clues as to who is threatening her, their friendship turns to romance. With everything possible on the line, her life, her kingdom, her heart, Aurelia is forced to take matters into her own hands, no matter the cost.

    But in truth, they have continued to prick the imaginations of readers at all ages.Over the years, authors have often borrowed bits and pieces from these stories, grafting them into their own writing, creating literature with both new meaning and age-old significance. In the last few decades or so, they’ve also intentionally retold and reinvented the tales in a variety of ways—delightful or dark, wistful or wicked, sweet or satirical—that forge new trails through the forests of fantastic fiction.This new anthology compiles some of the best modern fairy-tale retellings and reinventions from award-winning and bestselling authors, acclaimed storytellers, and exciting new talents, into an enchanting collection. Explore magical new realms by traveling with us, Beyond the Woods . . .

    1789. More than anything in the world, Wendy Darling wants to be the captain of a ship, but women aren't allowed in the Royal Navy. When she learns the Home Office is accepting a handful of women into its ranks, she jumps at the chance, joining the fight against the most formidable threat England has ever faced. Magic.But the secret service isn't exactly what she hoped. Accompanied by a reimagined cast of the original Peter Pan, Wendy soon discovers that her dreams are as far away as ever, that choosing sides isn't as simple as she thought, and that the only man who isn't blinded by her gender might be the worst friend anyone could ask for.Anyone, that is, except Wendy Darling.

    Isolde is the only daughter and heiress of Ireland's great ruling queen, a lady as passionate in battle as she is in love. La Belle Isolde, like her mother, is famed for her beauty, but she is a healer instead of a warrior, "of all surgeons, the best among the isles." A natural peacemaker, Isolde is struggling to save Ireland from a war waged by her dangerously reckless mother. The Queen is influenced by her lover, Sir Marhaus, who urges her to invade neighboring Cornwall and claim it for her own, a foolhardy move Isolde is determined to prevent. But she is unable to stop them. King Mark of Cornwall sends forth his own champion to do battle with the Irish--Sir Tristan of Lyonesse--a young, untested knight with a mysterious past. A member of the Round Table, Tristan has returned to the land of his birth after many years in exile, only to face Ireland's fiercest champion in combat. When he lies victorious but near death on the field of battle, Tristan knows that his only hope of survival lies to the West. He must be taken to Ireland to be healed, but he must go in disguise--for if the Queen finds out who killed her beloved, he will follow Marhaus into the spirit world. His men smuggle him into the Queen's fort at Dubh Lein, and beg the princess to save him.From this first meeting of star-crossed lovers, an epic story unfolds. Isolde's skill and beauty impress Tristan's uncle, King Mark of Cornwall, and--knowing nothing of her love for Tristan--he decides to make her his queen, a match her mother encourages as a way to bind their lands under one rule. Tristan and Isolde find themselves caught in the crosscurrents of fate, as Isolde is forced to marry a man she does not love. Taking pity on her daughter, the Queen gives her an elixir that will create in her a passion for King Mark and ensure that their love will last until death. But on the voyage to Ireland, Tristan and Isolde drink the love potion by accident, sealing their already perilous love forever.So begins the first book of the Tristan and Isolde trilogy, another stunning example of the storyteller's craft from Rosalind Miles, author of the beloved and bestselling Guenevere trilogy.

    In our language, in our stories (many written by men), we underline the idea that women who step out of bounds--who are angry or greedy or ambitious, who are overtly sexual or not sexy enough--aren't just outside the norm. They're unnatural. Monstrous. But maybe, the traits we've been told make us dangerous and undesirable are actually our greatest strengths.Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match.Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we're told fall outside the bounds of natural femininity. But monsters also get to do what other female characters--damsels, love interests, and even most heroines--do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us--harassed, shut out, and ruled by predators--women have never been more ready to become repellent, fearsome, and ravenous.