Everyone held their breath to see what would happen; the Stones' previous U.S. tour had been a chaotic circus culminating in the infamous death of a fan at Altamont. And this tour (the "Stones Touring Party") was rumored to be wilder than ever: bigger shows in major arenas, with a far larger entourage and even more drugs. Robert Greenfield went along for the ride, and came away with a riveting insider's account, called by Ian Rankin "one of the greatest rock books ever written." The reality lived up to the rumor: take one part Lee Radziwill, a dash of Truman Capote, set the scene at Hef's Playboy mansion, and toss in the county jail for good measure. That was the Stones Touring Party, the ultimate rock 'n' roll band at the height of its spectacular depravity.

    NFT Guides detail everything residents take advantage of, placing a wealth of local services at their fingertips, in a convenient size.

    From its inception in 1992, it exploded on the rap music scene with sales climbing to the $125 million mark in just four years. Even more noticeable than the label's financial success is the effect it had on American youth culture, making gangsta rap more popular with suburban white youth and MTV viewers than traditional rock groups. But under the guidance of six-foot-four-inch, 300-pound CEO Marion "Suge" Knight, Death Row also became the most controversial record label in history - a place where violence, gang feuds, threats, intimidation, and brushes with death were business as usual. "Have Gun Will Travel" details the spectacular rise and violent fall of a music label that had at its heart a ferocious criminal enterprise cloaked behind corporate facades that gave it a guise of legitimacy. With inside access no other writer can claim, Ronin Ro, the country's preeminent rap journalist, exposes the facts everyone else is afraid to divulge - from the initial bankrolling of Death Row by a leader of L.A.'s notorious Bloods gang, to links with New York's Genovese crime family. "Have Gun Will Travel" lays bare the full story behind this influential label, including the still-unsolved murders of Tupac Shakur and the Notorious B.I.G., as well as Suge Knight's rise to power, his fights with East Coast rap titans such as Sean "Puffy" Combs, and his eventual imprisonment.

    "No Simple Highway" is the first book to ask the simple question of why and attempt to answer it. Drawing on new research, interviews, and a fresh supply of material from the Grateful Dead archives, author Peter Richardson vividly recounts the Dead's colorful history, adding new insight into everything from the Acid Tests to the band's formation of their own record label to their massive late career success, while probing the riddle of the Dead's vast and durable appeal.Arguing that the band successfully tapped three powerful utopian ideals for ecstasy, mobility, and community it also shows how the Dead's lived experience with these ideals struck deep chords with two generations of American youth and continues today.Routinely caricatured by the mainstream media, the Grateful Dead are often portrayed as grizzled hippy throwbacks with a cult following of burned-out stoners. "No Simple Highway" corrects that impression, revealing them to be one of the most popular, versatile, and resilient music ensembles in the second half of the twentieth century. The band's history has been well-documented by insiders, but its unique and sustained appeal has yet to be explored fully. At last, this legendary American musical institution is given the serious and entertaining examination it richly deserves."

    Writing in hyper-intelligent Benzedrine prose that calls to mind Jack Kerouac and Hunter S. Thompson, he eschewed all conventional thinking as he discussed everything from Black Sabbath being the first truly Catholic band to Anne Murray’s smoldering sexuality. In Mainlines, Blood Feasts, Bad Taste fellow rock critic John Morthland has compiled a companion volume to Psychotic Reactions and Carburetor Dung, the first, now classic collection of Bangs’s work. Here are excerpts from an autobiographical piece Bangs wrote as a teenager, travel essays, and, of course, the music pieces, essays, and criticism covering everything from titans like Miles Davis, Lou Reed, and the Rolling Stones to esoteric musicians like Brian Eno and Captain Beefheart. Singularly entertaining, this book is an absolute must for anyone interested in the history of rock.

    A celebration of rave's quest for the perfect beat definitive chronicle of rave culture and electronic dance music

    To millions of listeners, Bruce Springsteen’s Born to Run is much more than a rock-and-roll album—it’s a poetic explosion of freedom and frustration. It confirmed Springsteen’s status as a quintessential American performer: the rocker who, more than any other, gives voice to our hopes, fears, and aspirations. Runaway Dream chronicles the making of the album that launched Springsteen and his E Street Band into the firmament of American art, deftly sketching the ambition, history, and personalities that combined to create the enduring Born to Run.Springsteen wanted Born to Run to be the greatest rock record ever made. For a musician with just two modest-selling LPs to his credit, it was an extraordinary ambition, and session by session, track by track, Masur shows just how much grit, as well as genius, went into realizing it. Runaway Dream offers an expert tour of the trials and triumphs of Springsteen’s work. In addition to the story of the album itself, Masur masterfully places Born to Run within American cultural history, showing why the girls, hot rods, and Jersey nights of the album still resonate, even for listeners born years after its release.

    resident who knows them all, "Canyon"" of Dreams" traces the history of the community and its enduring legacy. Taking a deeply personal approach, it uses a multiple-voice narration based on exclusive interviews with the area s musical elite. Because of their close and long-time connection with Kubernik, some of these stars are speaking openly for the first time.Eye-opening both visually and informationally, this is a book no music lover can be without!"Interview highlights include" - For the first time in years, the three surviving Doors talk about performances, recordings, band dynamics, and, of course, Jim Morrison- Randy Meisner reminisces about the Eagles first gig and the recording of One of These Nights - Graham Nash reflects on life with Joni Mitchell and describes writing Our House - Lou Adler discusses his legendary Sunset Strip venues the Whisky a Go-Go, Roxy Theater, Rainbow Bar & Grill, and Tapestry and, with Michele Phillips, reflects on the Monterey Pop Festival.- Slash, a child of the Canyon, details the formation of Guns N' Roses- And much, much more!"

    As promoted by enterprises like IBM, Siemens and Cisco Systems, the vision of the "smart city" proposes that this technology can be harnessed by municipal administrators to achieve unprecedented levels of efficiency,security, convenience and sustainability. But a closer look at what this body of ideas actually consists of suggests that such a city will not, and cannot, serve the interests of the people who live in it. In this pamphlet, Everyware author Adam Greenfield explores the ways in which this discourse treats the city as an abstraction, misunderstands (or even undermines) the processes that truly do generate meaning and value — and winds up making many of the same blunders that doomed the High Modernist urban planning of the twentieth century. “Against the smart city” provides an intellectual toolkit for those of us interested in resisting this sterile and unappealing vision, and lays important groundwork for the far more fruitful alternatives to come.

    The city was a place of endless possibility, and he captured the pace and rhythms, the quandaries and exhilarations of city life. This selection of his work is edited by Mark Ford.

    Its story, however, extends deep into prehistory: the earliest Andean cultures depicted mescaline-containing cacti in their temples.   Mescaline was isolated in 1897 from the peyote cactus, first encountered by Europeans during the Spanish conquest of Mexico. During the twentieth century it was used by psychologists investigating the secrets of consciousness, spiritual seekers from Aleister Crowley to the president of the Church of Jesus Christ of Latter-day Saints, artists exploring the creative process, and psychiatrists looking to cure schizophrenia. Meanwhile peyote played a vital role in preserving and shaping Native American identity. Drawing on botany, pharmacology, ethnography, and the mind sciences and examining the mescaline experiences of figures from William James to Walter Benjamin to Hunter S. Thompson, this is an enthralling narrative of mescaline’s many lives.

    Frank, irreverent, funny--almost guaranteed to cure Xenophobia.

     This sumptuous hardcover edition, with a foreword by George Lucas, features over 250 pieces of artwork, including all of Drew's most iconic movie images, as well as other highlights from his career, including album, book and comic book covers, stamps, trading cards, promotional artwork and very personal original works. The book comes right up to date, including exclusive San Diego Comic-Con poster art produced for The Walking Dead (2010) and Cowboys & Aliens (2011), with text by his wife Dylan, providing an intimate look at the man and his legacy. The definitive collection of Struzan's work; this is an absolute must-have for any movie buff and an unrivalled slice of both art and cinema history.

    Cover photo by Judy Linn.

    Wasting no time, they bought an army tank and equipped it with a techno sound-system, caused national security alerts with 60-foot inflatable monsters, went into the Colombian jungle with armed Guerrilla fighters, and drew up plans to convert an aircraft carrier into a nightclub.Yet SFA's crazed adventures only tell half the story. By mixing up electronic beats, surf rock, Japanese culture and more, the band recorded some of the most acclaimed albums of the millennium, all the while documenting the mobile phone revolution in their uniquely surreal way.Written with the band’s own participation and housed in a jacket designed by Pete Fowler, the man behind some of SFA’s most iconic album covers, this is the remarkable story of their ascent to fame.