For readers devoted to poetry, it offers illuminating examples of the infinitely various ways a poem reaches a reader.In both the book and the videos on the accompanying DVD, poems by Sappho, Shakespeare, Keats, Whitman, and Dickinson as well as contemporary poets are introduced by people from across the United States—a construction worker, a Supreme Court justice, a glassblower, a marine—each of whom speaks about his or her connection to the poem. Their comments are variously poignant, funny, heartening, tart, penetrating, and eccentric, showing some of the ways poetry is alive for American readers. An Invitation to Poetry will inspire a fresh experience of poetry's pleasure and insight.

    The author of the critically acclaimed collections The Frost Fairs and Spacecraft, Brighton-based John McCullough pulls no punches in this latest - and his most powerful -collection. These are poems of skill, joy and quiet musicality that reflect the conflict and complexity of being.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Alexander, Volume 2 of the Finn Factor series and Finn’s Pub Romance Collection. Ravenous Is it wrong to be this Ravenous? When Jennifer Finn was good, she was very very good, and when she was bad…she got arrested for assault and indecent exposure. Now Jen’s back in school and determined to find her balance. But one man seems just as determined to destroy her equilibrium, and he knows all the right buttons to push. What began as a favor for an old friend became something more the instant Trick Dunham laid eyes on Jen. Now he can’t resist inserting himself into her life, despite warnings from her family. Little Finn might be struggling to find her path but Trick knows exactly where she belongs. What she needs. He just has to get her and their third to agree. Professor Declan Kelley has a weakness for his old lover, Trick. The bad boy ex-con has become a wickedly sensual man who comes whenever he pleases, but never stays. When he shows up again it’s to offer Declan one of his darkest desires to date—Jennifer Finn and Trick together on a three-way platter. But that would threaten the safe, uncomplicated life he’s built for himself, and Declan’s not doing that for anything. Unless it’s forever… Warning: This book is a Jenga tower of sin. Explicit, graphic, shocking, teetering-on-the-edge-of-unbalanced, unapologetic sin. M/m, m/f, f watching m/m together and liking it so much that m grabs f and makes her a part of the dirtiest m/m/f ménage in history. That’s right, I said it. Role play—the hot-for-teacher kind, the sexy-thief-in-the-night kind AND…well sometimes you just have to ignore the warnings and dive right in. *** A Curious Wedding Revisit the Finn Family as they prepare for Christmas Eve and the Curious Wedding of Owen Finn and Jeremy Porter. From bachelor parties with penis cakes to proposals and new revelations, the family has one heck of a holiday season. Are you Team Owen or Team Jeremy? Whatever side of the aisle you’re sitting on, you’ll finally get to see the wedding we’ve all been waiting for. And maybe catch a glimpse of a few new members of the Finn Club… Warning: This holiday feel good is full of nookie. m/m, m/m/f, m/m again…and some more m/m (you’ve read the series right? Then you know how they are.) *** Shameless Who knew he’d be so Shameless? Seamus Finn is a bar owner, a single father of four and the center of the Finn family… And he hasn’t been with anyone since his twins were born. An all-expense paid trip to Ireland for a firsthand lesson in brewing beer turns into a different kind of holiday as Seamus rediscovers things about himself—and his sexuality—that don’t fit into the carefully controlled balancing act his life has become. Giving in to a fling is one thing, but when risk-taking, over-the-top billionaire Bellamy Demir follows him home and meets the family things may get crazy… But crazy might be just what Seamus needs. Warning: Explicit m/m erotic romance full of awww, oooh, and oh my.

    It is just a very small square in the enormous circle that connects us all.I am the story.I am the poems.And you are my muse.

    Meanwhile, her husband Daniel mourns the demise of his marriage and his life.Full of Dorothy Porter's customary bite and sensuality, Wild Surmise is an engrossing duet between two passionately estranged voices. An intensely moving verse novel of passions and vulnerabilities, love and death.

    The title poem confronts a human ritual of marriage from the standpoint of a wedding photographer. Within the tedium and alienation of the ceremony, the speaker grapples with a strange human hopefulness. In this vein, Stone explores our everyday patterns and customs, and in doing so, exposes them for their complexities. Drawing on the neurological, scientific, psychological, and even supernatural, this collection confronts the difficulties of love and family. Stone rankles with a desire to understand, but the questions she asks are never answered simply. These poems stroll along the abyss, pointing towards the absurdity of our choices. They recede into the imaginative in order to understand and translate the distressing nature of reality. It is a bittersweet question this book raises: Why we are like this? There is no easy answer. So while we look down at our hands, perplexed, Someone Else’s Wedding Vows raises a glass to the future.

    Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.

    Modeled on the seventeenth-century practice of century forms, or books of one hundred pages, Columbarium expresses the bond between the living and the dead in voices of parent to child, lover to beloved, and mortal to the gods. The book arrives as a meditative gift from one of our most respected poet-critics. Stewart frames her Columbarium with four poems paying homage to the elements-to their destructive and creative aspects and to their roles in the human and more than human worlds. Both nest and crypt, the book's center holds an alphabet of "shadow georgics," poems of instruction and doubt that link knowledge and the unconscious. Questions of mortality, of goodness and suffering, and of the fragility and power of memory animate these poems. In one poem an apple calls the narrator back from the dead to savor the echoes of its varieties in myth and literature. In another, the seeds of a pear tree reveal the essential unity that makes the diversity of existence possible.Stewart's Columbarium is both a memorial to the dead and a testament to life.

    

    Philip Levine's New Selected Poems (1984) by adding to it a generous choice of major from each of the two volumes that followed it: Sweet Will (1985) and A Walk With Tom Jefferson (1988).

    Emerging out oa a life in shich, the poet's words, "each day was the only day", Menasches work has a mysterious simplicity, a religious intensity, and a lingering emotional force.

    Presenting a cast of allegorical and symbolic, yet very real, characters, the poems have “authority, daring, [and] a language of color and sure movement,” says series judge W.S. Merwin.From Seven ChimerasThe way Booth makes a love story: same as a regular story, except under one rock is a trapdoor that leads to a room full of belly buttons;  each must be pushed, one is a landmine. The way Booth makes hope: thirty-seven acres, Black Damon, Red Dog. Construct a pillar of fire in the Great Field and let it become unquenchable. The way Booth ends the Jack-in-the-Box charade: shoot the weasel in the neck and toss it to the buzzards. The way Booth thinks of salvation: God holding a broken abacus, colored beads falling away.

    Poems discuss a journey across the ocean, a veterans' cemetery, money, an abandoned collection of dolls, and a man who escapes from his prison cell to commit a murder.

    . . . Need is everywhere—in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."—Adrian MatejkaPhillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences."Epithalamium":A kiss. Train ride home from a late dinner,City Hall and document signing. Wasn't coldbut we cuddled in an empty car, legal.Last month a couple of guys left a gay barand were beaten with poles on the wayto their car. No one called them faggotso no hate crime's documented. A beat downis what some pray for, a pulse left to count.We knew we weren't protected. We knewour rings were party favors, gold to stealthe shine from. We couldn't protect us,knew the law wouldn't know how. Still, hisbeard across my brow, the burn of his cologne.When the train stopped, the people came on.Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.