And like his best work to date, these poems create new experiences with language owed to Jackson’s willingness to once again seek a rhythmic sound that expresses the unique realities of the twenty-first century with humor and understanding. Whether set in Nairobi, Madrid, or Greece, the poems are sensuously evocative and unapologetically with-it, in their effort to build community across borders of language and style.From Urban Renewal, “The Dadaab Suite”:I have come to Dadaab like an actoron a press release, unprepared for the drained facesof famine-fleeing refugees, my craft’s glamourdimmed by hundreds of infant graves, childrenwhose lolling heads’ final drop landed on their mothers’backs like soft stones. What beauty can I spell inthis swelter of dust?

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    Imbued with the poet’s characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more.Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.A poet whose “voice lifts from the page, alive and biting” (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing / no one can / listen I love you joy is coming."

    Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

    Lying in a hospital bed in 1915, recovering from combat wounds suffered in World War I, Apollinaire assembled the fragments of a tragicomic, mock-epic and occasionally obscene autobiography-a-clef: The Poet Assassinated. This novella recounts the life and death of Croniamantal, whose birth is -saluted- by the Eiffel Tower's -beautiful erection, - who rises through the Parisian literary world to proclaim himself - the greatest of living poets, - and who is then torn to pieces by a mob. A statue built -out of nothing, like poetry and glory, - is constructed in his honor. This translation is by Matthew Josephson, an American editor who arrived in Paris just after the war and entered the circle of avant-garde artists and poets that had been galvanized by Apollinaire's life and death. Josephson was among the first to introduce these Dadaists and Surrealists to America, via his small magazine, Broom, and among his most ambitious projects was this translation, published by Broom as a limited-edition book in 1923 and never since reprinted.

    All five authors are among the greatest Portuguese poets ever, but whereas the first two have been consistently translated in English and are now part of the global poetic legacy, the other three are far more ignored beyond the borders of the Portuguese-speaking world where they are widely praised.

    In the hands of Jean de Meun, who continued de Lorris's work, it assumed vast proportions and embraced almost every aspect of medieval life from predestination and optics, to the Franciscan controversy and the right way to deal with premature hair-loss.

    But this is merely the backdrop to Jean-Patrick Manchette’s first-person portrait (with shades of Jim Thompson’s The Killer Inside Me) of a man who lacks the insight to see himself for what he is: a wannabe nihilist too weak to be even a full-bore fascist.

    The selection of the "Beirut 39" follows the success of a similar competition in the 2007 World Book Capital, Bogotá, celebrating achievements in Latin American literature.This year, for the first time, the winners--nominated by publishers, literary critics, and readers across the Arab world and internationally, and selected by a panel of eminent Arab writers, academics, and journalists--will be published together in a one-of-a-kind anthology. Edited by Samuel Shimon of Banipal magazine, the collection will be published simultaneously in Arabic and English throughout the world by Bloomsbury and Bloomsbury Qatar Foundation Publishing.Beirut 39 provides an important look at the Arab-speaking world today, through the eyes of thirty-nine of its brightest young literary stars.

    Known for her art journals, Fiphie conjures up a beautiful concept of combining art and poetry, gifting the reader a unique compilation of her works. In her debut, Fiphie touches on subjects such as love, heartbreak, loss, death, trauma, femininity, longing and wanderlust. She creates powerful images which let the reader immerse deeply into her world of thought.Please note that The Dust Has Grown Flowers is exclusively available on fiphie.com/shop/

    Told at first through the frank eyes of a child whose life was irretrievably changed after being “adopted” into a German Lutheran family, Too Afraid to Cry braids piercingly lyrical verse with spare prose to tell an intensely personal story of abuse and trauma. After years of suffering as a dark-skinned “outsider,” Eckermann reveals her courageous efforts to reconcile with her birth family and find acceptance within their Indigenous community. Too Afraid to Cry offers a mirror to America and Canada’s own dark history of coerced adoption of Native American children, and the violence inflicted on our continent’s Indigenous peoples.

    But it contains much more than conflict. An epic masterpiece of huge sweep and magisterial power, “a hundred times more interesting” than the Iliad and the Odyssey, writes Wendy Doniger in the introduction, the Mahabharata is a timeless work that evokes a world of myth, passion, and warfare while exploring eternal questions of duty, love, and spiritual freedom. A seminal Hindu text, which includes the Bhagavad Gita, it is also one of the most important and influential works in the history of world civilization.Innovatively composed in blank verse rather than prose, Carole Satyamurti’s English retelling covers all eighteen books of the Mahabharata. This new version masterfully captures the beauty, excitement, and profundity of the original Sanskrit poem as well as its magnificent architecture and extraordinary scope.

    This volume includes 'Bobok', the tale of a frustrated writer visiting a cemetery and enjoying the gossip of the dead; 'The Dream of a Ridiculous Man', the story of one man's plan to commit suicide and the troubling dream that follows, as well as 'A Christmas Party and a Wedding', 'A Nasty Story' and 'The Meek One'.

    But as soon as I pick up the pen I'm overcome by horror." Margarita Karapanou’s third novel is, like roulette, a breathtaking, suspenseful game. The story is simple: a love affair ends badly. A woman and a man marry, and their marriage leads them to cruelty, infidelity, and divorce. But here their story is told twice, from opposing perspectives. We don’t know whom to trust; the distinction between truth and deception blurs, then seems to disappear. It becomes impossible to tell love story from horror story, as Karapanou explores just what makes us want to read one or the other, just what makes each so tempting to write. The result is an ironic, seductive, brutal experiment, a devastating exploration of what it can mean to narrate any life. This novel refuses to shy from the moment of rien ne va plus—the moment in roulette when all bets are off and the game becomes fate; when, with an impossible faith, a masterly writer tells of her own dissolution.

    Curiously, this labor of love started with the author’s signature: Faced with the daunting task of providing autographs for multiple copies of one of her poetry collections, Absolute Trust in the Goodness of the Earth, Walker turned an act of repetition into an act of inspiration. For each autograph became something more than a name: a thoughtful reflection, an impromptu sketch, a heartfelt poem. The result is this spontaneous burst of the unexpected. A Poem Traveled Down My Arm is a lovely collection of insights and drawings—by turns charming and humorous, provocative and profound—that represent the wisdom of one of today’s most beloved writers. The essence of Walker’s independent spirit emanates from words and images that are simple but deep in meaning. An empowering approach to life...the inspiration to live completely in the moment...the chance to nurture one’s creativity and peace of mind—all these beautiful elements are evoked by this unusual and original book.From the Hardcover edition.