It will make you laugh and snarl and ponder the endless pleasures of books and their creators. This is a must for real book lovers.

    As any pet lover knows, a wagging tail or a tender purr can soothe the soul after a hard day. And sometimes, the presence of dogs and cats in our lives can do even more.In these delightful books, Callie Smith Grant collects stories that celebrate the dogs and cats in our lives: stories that touch our hearts, renew our spirit, and show us how God created these beasts for unique purposes.

    He lands an enviable gig writing about shopping and fashion for the city’s major newspaper, but an ill-fated promotional junket gets Albo into hot water. He becomes a gossip item and finds himself caught in an acrimonious war between Old and New Media. Here's a gimlet-eyed account of the back-biting media scene, a glimpse into the inner workings of the fashion crowd, and a candid portrait of what it takes to survive as a writer in today’s chattering and watchful New York City."I was perilously close to exposing a secret underground economy of promotion: favors and junkets and banquets and gifts that keeps the city in motion, and keeps underpaid writers at work. Basically, I became the Silkwood of Swag."

    These bewitching poems and stories unwind a fevered world of magic and longing and young women who chance the uncanny and gain wisdom beyond their years.

    They've become obsessed with Viator to the point that the world beyond seems of consequence only as it relates to the ship. When their putative leader, Thomas Willander, is afflicted by a series of disturbing dreams, he concludes that something on board may be responsible for their erraticism. He seeks the help of a woman in the nearby village of Kaliaska and together they initiate an investigation into the history of Viator, hoping to learn, among other things, why the ship was run aground and who was the mysterious man who hired the four. But their efforts may be too late. The men, whose eccentrities are now verging on the insane, show no sign of intending to abandon their new home, compelled by Viator's eerie allure. To make matters worse, winter will soon be setting in, ominous incidences of sound and light are issuing from the forest surrounding the ship, and Willander's dreams may be coming true...Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    Written with the same probing, analytic control that has long distinguished her poetry, American Originality is Glück’s second book of essays—her first, Proofs and Theories, won the 1993 PEN/Martha Albrand Award for First Nonfiction. Glück’s moving and disabusing lyricism is on full display in this decisive new collection.From its opening pages, American Originality forces readers to consider contemporary poetry and its demigods in radical, unconsoling, and ultimately very productive ways. Determined to wrest ample, often contradictory meaning from our current literary discourse, Glück comprehends and destabilizes notions of “narcissism” and “genius” that are unique to the American literary climate. This includes erudite analyses of the poets who have interested her throughout her own career, such as Rilke, Pinsky, Chiasson, and Dobyns, and introductions to the first books of poets like Dana Levin, Peter Streckfus, Spencer Reece, and Richard Siken. Forceful, revealing, challenging, and instructive, American Originality is a seminal critical achievement.

    In 1936, young Leiber, then in correspondence with the famous writer H.P. Lovecraft, drafted this eerie story. Now Tor is pleased to present in its first paperback publication this short novel of cosmic dread and Lovecraftian horror.

    In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.In more than two hundred original essays, "A New Literary History of America" brings together the nation s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what Made in America means. Literature, music, film, art, history, science, philosophy, political rhetoric cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood s "American Gothic," Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on "Tarzan," Bharati Mukherjee on "The Scarlet Letter," Gish Jen on "Catcher in the Rye," and Ishmael Reed on "Huckleberry Finn." From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, "Life," Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.Please visit www.newliteraryhistory.com for more information. "

    Take a trip to Hell and back with Russell Lee. This collection of stories is the most powerful yet of the True Singapore Ghost Stories series!

    Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work.

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    P. Lovecraft, who counted him second only to Edgar Allan Poe as an influence on his work. Lovecraft readers will be interested to know that two ideas Lovecraft got from Dunsany were (1) an artificial pantheon of gods and other entities (Dunsany's Pegāna Mythos predates Lovecraft's Cthulhu Mythos) and (2) a cosmic vision of man as living on a tiny island of order amid a vast and chaotic universe. Perhaps, as S. T. Joshi writes in the introduction to this collection, "It is now time to appreciate Dunsany in his own right as a master fantasist whose prodigal imagination was equaled by few, whose prose style was a model of affecting simplicity, and whose bold philosophical vision remains challenging to the present day." This edition includes the complete stories from The Gods of Pegāna (1905) and Time and the Gods (1906), plus three other stories belonging to the Pegāna cycle. --Fiona WebsterContents:The Gods of Pegāna (1905)Of Skarl the Drummer (1905)Of the Making of the Worlds (1905)Of the Game of the Gods (1905)The Chaunt of the Gods (1905)The Sayings of Kib (1905)Concerning Sish (1905)The Sayings of Slid (1905)The Deeds of Mung (1905)The Chaunt of the Priests (1905)The Sayings of Limpang-Tung (1905)Of Yoharneth-Lahai (1905)Of Roon, the God of Going (1905)The Revolt of the Home Gods (1905)Of Dorozhand (1905)The Eye in the Waste (1905)Of the Thing That Is neither God nor Beast (1905)Yonath the Prophet (1905)Yug the Prophet (1905)Alhireth-Hotep the Prophet (1905)Kabok the Prophet (1905)Of the Calamity That Befel Yun-Ilara by the Sea (1905)Of How the Gods Whelmed Sidith (1905)Of How Imbaun Became High Prophet in Aradec (1905)Of How Imbaun Met Zodrak (1905)Pegāna (1905)The Sayings of Imbaun (1905)Of How Imbaun Spake of Death to the King (1905)Of Ood (1905)The River (1905)The Bird of Doom and the End (1905)Time and the Gods (1906)The Coming of the Sea (1906)A Legend of the Dawn (1906)The Vengeance of Men (1906)When the Gods Slept (1906)The King That Was Not (1906)The Cave of Kai (1906)The Sorrow of Search (1906)The Men of Yarnith (1906)For the Honour of the Gods (1906)Night and Morning (1906)Usury (1906)Mlideen (1906)The Secret of the Gods (1906)The South Wind (1906)In the Land of Time (1906)The Relenting of Sarnidac (1906)The Jest of the Gods (1906)The Dreams of a Prophet (1906)The Journey of the King (1906)Beyond the Fields We Know (1919) essayIdle Days on the Yann (1910)A Shop in Go-by Street (1912)The Avenger of Perdóndaris (1912)

    Lovecraft. Although "Shadows Over Innsmouth" includes the said novella, the book is a collection of Innsmouth-related stories by a number of later authors and not a single story or novel. You might also consider moving your personal rating and/or review to the appropriate page if you have read only the novella. SEVENTEEN CHILLING STORIES, INCLUDING THE ORIGINAL MASTERPIECE OF HORROR: “THE SHADOW OVER INNSMOUTH” by H. P. LovecraftInspired by H. P. Lovecraft’s classic, today’s masters of horror take up their pens and turn once more to that decayed, forsaken New England fishing village with its sparkling treasure, loathsome denizens, and unspeakable evil. “ONLY THE END OF THE WORLD AGAIN” by Neil Gaiman: The community of Innsmouth performs a blood sacrifice–with shocking, terrifying results.“THE CHURCH IN HIGH STREET” by Ramsey Campbell: In the crypt of a derelict church, a sensible young man meets a bestial, unthinkable fate. “INNSMOUTH GOLD” by David Sutton: An adventurer searches for buried treasure–and discovers a slithering hell on earth.“THE BIG FISH” by Jack Yeovil: A few months after Pearl Harbor, a mobster and his floating casino lie under water, teeming with the stuff of nightmares.AND THIRTEEN MORE TERRIFYING TALES!

    In a series of personal essays they often reveal as much about themselves and their work as they do about the books that they love.