11 stories: The AwakeningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA ReflectionAt the 'Cadian BallThe Storm

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

    Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.

    Why does Mr Kipling bake such exceedingly good cakes? Is Jeremy Beadle really the devil incarnate? What happens when advertising turns you into a monomaniac? This title allows you to find out the answers.

    Each story is set in a distinct neighborhood or location within the geographic area of the book.Brand-new stories by: Ace Atkins, William Boyle, Megan Abbott, Jack Pendarvis, Dominiqua Dickey, Michael Kardos, Jamie Paige, Jimmy Cajoleas, Chris Offutt, Michael Farris Smith, Andrew Paul, Lee Durkee, Robert Busby, John M. Floyd, RaShell R. Smith-Spears, and Mary Miller.

    His only link to the outside world is a telephone that will not dial out. During the occasional calls he receives, usually wrong numbers, the narrator remembers his former life growing up in Injury, Alaska with his Mother, an often unemployed single parent, and his older brother, Charlie, a sometime boxer, sometime actor. Throughout the course of this extraordinary novel, the unwilling captive draws his life-story in stickfigures on the walls. From the difficulty of his birth, to his sickly childhood, to adventures with his brother, the narrator depicts his crazy life, which is at once fascinating and heartbreaking. The one memory that haunts him is that of watching a movie about slaves on television and how that one slave, the one for whom Kamby Bolongo Mean River meant freedom, would never relinquish the idea of returning home.

    From the top of the Berlin Wall to the depths of the darkest seas, gods and monsters battle their enemies and innermost fears, yet mere mortals make the truly difficult choices. A slightly regretful author and a vengeful-but-dilapidated dragon square off over an abandoned narrative; the children of the Shark God demand painful truths from their chronically absent father; and a bereaved women sacrifices herself to change one terrible moment, effortlessly reversed by a shuffle of the deck. Whether melancholic, comedic, or deeply tragic, each new tale is suffused with misdirection and discovery, expressed in the rich and mesmerizing voice of a masterful storyteller.“The Rock in the Park"“Sleight of Hand” “The Children of the Shark God” “The Best Worst Monster” “What Tune the Enchantress Plays” “La Lune T’Attend” “Up the Down Beanstalk: A Wife Remembers” “The Rabbi’s Hobby” “Oakland Dragon Blues” “The Bridge Partner” “Dirae” “Vanishing""The Woman Who Married the Man in the Moon” (A Schmendrick Tale)

    Readers have come to these stories over the years through word of mouth, posting glowing reviews to their Goodreads pages and on their blogs—unanimously agreeing that this collection is a modern classic that deserves to be in print. Crafted in graceful, honest prose, Vaughn’s stories go straight to the heart of how people live, grow and survive.

    They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence. Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.Miniature catastrophes --The rope barrier --Coed picnic --Winners --Grocery story --Garden party --Arranged marriage --American interiors --A house for living --The dance --The nearby place --Invitation --Doorstop --Imaginary museums --Your shining trapdoor --Slovak sceneries --Sabbatical --Flowers for Angelika --Thursdays at Waterhouse --The seamstress --How to eat well --Owls fall in Nitra --Library of lost things --Girls I no longer know --Guest books --Field notes --Rest in pieces --Pets I no longer have --The squinter's watch --Love language

    Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag Hush-Hush magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, Crime Wave is Ellroy at his best.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    Tales from Margaritaville is a collection of short stories (some purely fiction, some based in truth) so vividly packed with restless dreamers, wild wanderers, and pure gypsy souls that just reading it is a wild adventure. Travel along with a cowboy named Tully Mars, as he heads from Heartache, Wyoming, to Graceland, and relive the autobiographical odyssey of a third-generation sailor and first-rate musical outlaw. With unforgettable stories that present the true roamer's twin loves--the sea and the road--Tales from Margaritaville is one "smooth sailing book of infinite imagination" (Chicago Sun-Times).

    Other plots are only slightly less outrageous in conceit. In "Lieserl," a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in "The Faithful Companion at Forty," Tonto admits to second thoughts about his biggest life choice ("But for every day, for your ordinary life, a mask is only going to make you more obvious. There's an element of exhibitionism in it"). "The Travails" offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn't settle for amusing her readers, she makes a lively satirist.The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in "Duplicity" or the members of a seminar studying late-1960s college behavior in "The View from Venus: A Case Study") seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.Contents:Black Glass (1991)Contention (1986)Shimabara (1995)The Elizabeth Complex (1996)Go Back (1998)The Travails (1998)Lieserl (1990)Letters from Home (1987)Duplicity (1989)The Faithful Companion at Forty (1987)The Brew (1995)Lily Red (1988)The Black Fairy's Curse (1997)The View from Venus (1986)Game Night at the Fox and Goose (1989)