The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    A dead baby. An arrest. And now, if the court-appointed psychiatrist found her sane, a long, sensational trial. But Dr. Martha Livingston knew it was more complicated than that. How did you judge a twenty-one-year-old girl who wasn't sure where babies came from? Who didn't even remember having one . . . or what happened to him? Especially when a strong-willed Mother Superior is battling you every step of the way - and your own searing memories of a similar tragedy threaten to make you lose whatever objectivity you still possess.

    But there might be a way out… When fifteen-year-old Maggie, her sister Liz and young brother Charlie find themselves tragically orphaned they know their young lives can never be the same again. And when Liz is taken ill, Maggie has to tend to her, and loses what little work she had. In desperation, she ventures onto the streets, risking her safety and her innocence. A mysterious stranger appears to offer hope, but does he have only her best interests at heart? Will tragedy strike again or can Maggie save the family from poverty, and find the happiness she truly deserves? Set in London’s Bethnal Green shortly after the Ripper murders, A Handful of Sovereigns is a classic East End family saga, perfect for fans of Jennie Felton, Maggie Ford or Dilly Court.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    At first, the new doctor cures anything

    There he meets the eminent professor, Gordon Stone, and his beautiful wife, Judith Silver, with whom he soon falls into a passionate affair. Into this explosive mix, a young woman appears--a single mother at the end of her emotional rope. Crystal desperately needs David. Yet caught between two women, David bears witness to a heartbreaking turn of events that seems as inevitable as the push and pull of ocean waves. . . .

    They were, after all, born as conjoined twins. But a horrific revelation drives a wedge between the siblings, plunging Chandan into a cycle of guilt and blame from which he cannot escape. One of Mahesh Dattani's most popular works, Tara was also one of the first Indian plays in English to highlight the dangers of gender discrimination, and the insidious ways in which it operates in our society.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    And yet there were parts of this biography that made him wince.” For The Golden Ham is candid biography. To it Mr. Bishop brought his painstaking interest in detail, his reporter’s curiosity, his layman’s interest in the world of the theater, and his detachment. And most important, he began and ended his job with Jackie Gleason’s guarantee that nothing Bishop wrote would be censored. The result is a kind of theatrical biography that is entirely new and, like Gleason himself, is made up of a great deal of a great many things. As Bishop says: “There are several Jackie Gleasons. I know some of them. There is Gleason the comedian. Millions know him, and he’s a great talent. Then there is Gleason the producer and Gleason the writer. Some people know these...Gleason the businessman-second-rate, but he thinks he’s good at it – and then there is Gleason the thinker (apt and fast) and Gleason the man (fat, out of shape, but light on his feet) and Gleason the tenement-house kid from Brooklyn (nervy and not a bit surprised that he’s on top) and Gleason the lover, Gleason the musician, Gleason the moody, and Gleason the lonely, tormented soul.” This is a book about Jackie Gleason. If you like him, it may make you like him more, or less, depending on the kind of person you are. If you never liked him, it may change your mind a little. If you never had any special attitude toward Jackie Gleason, you will have one by the time you have finished this book.Gleason, a 4-pack-a-day smoker, passed away at his home in Florida on June 24, 1987.

    Complete collection volumes 1-5.Volume 1wizard of ozmarvelous land of ozozma of ozVolume 2dorothy and the wizard of ozthe road to ozthe emerald city of ozVolume 3patchwork girl of oztik-tok of ozthe scarecrow of ozVolume 4rinkitink of ozthe lost princess of ozthe tin woodman of ozVolume 5the magic of ozglinda of ozthe royal book of oz

    He lived alone in the Frank Church Wilderness for the winter of 2016, at almost 60 year of age, in a cabin with wood stove and an axe. He shares his sabbatical in this book; the conclusion of the 21st Century Mountain Man non-fiction adventure trilogy.

    These pages, apparently found concealed beneath some floorboards, seemed to cast a remarkable new light on the mystery at the heart of the play. While Frayn began to lose all sense of certainty, actor David Burke, who played Niels Bohr in the London production and had some experience with documents of this sort, followed the action with particularly close interest. After the riddle was cracked and the fog had cleared, Frayn and Burke sat down together to ponder the winding trail of the Copenhagen papers.By turns comic and profound, The Copenhagen Papers explores the conundrum at the heart of all Michael Frayn's work--human fallibility and the eternal difficulty of knowing why we do what we do.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.