Will the new boy overshadow Jamie's skill? From the school pitch to the beaches of Rio, Jamie Johnson is going to learn there's more to being a great footballer than he ever imagined.

    In his "mini-manual for actors," Fo lays bare the tools of his craft. With the assistance of his wife, playwright Franca Rame, he explains how text, song, humor, mime and political intelligence can be fused into brilliant "popular theatre."

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    The miraculous feat is followed by an encore which consists of a two-minute version of the play! The vast multitude of characters is played by six actors with hectic doubling, and the action takes place at a shortened version of Elsinore Castle.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare's greatest plays—A Midsummer Night's Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest.In his brilliant commentary, McGinn explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy.As McGinn says about Shakespeare, "There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgement of a philosopher, and the soul of a poet." McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially at a time when a new audience has opened up for the greatest writer in English.

    "Peter Brook is one of the artistic geniuses of our time."--The San Francisco Chronicle¶The first paperback edition of this major collection of essays--the culmination of forty years' work by one of the most thoughtful directors in contemporary theatre.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    Book Details: Format: Paperback Publication Date: 5/1/2002 Pages: 112

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Monsarrat follows the great captains and naval adventurers from the Artic to the South Pacific. Lawe represents the spirit of maritime exploration and fortitude; his life is the thread stringing together a long history of nautical adventure.He finds himself mixed up with Drake and the Armada; sailing with Hudson in search of the North-West passage; a buccaneer under Sir Henry Morgan in the Caribbean; assisting Samuel Pepys with his responsibilities as Secretary to the Navy; at the side of Captain Cook as he transports General Wolf to the storming of Quebec, and then on to his death in the Pacific; serving in Nelson’s household and then to the Nile, Naples and Trafalgar; working on a slaver from Liverpool to the Caribbean; press-ganged aboard the Shannon just before her duel with the American Chesapeake, exploring the Artic with Sir John Franklin; fighting in both world wars, including the action at Zebrugge and ‘D’ Day; before a final test with a tanker catching fire after the opening of the St.Lawrence Seaway – and much more besides!Under sail and steam, as Mathew’s eternal existence progresses, the action-packed novel is both highly entertaining and instructive and has been widely acclaimed as a masterpiece. Some fourteen true maps, along with other diagrams, are included, and what was originally two volumes is supplied as one. ‘… this huge, action packed volume can be recommended to anyone’ – Sunday Times‘He has never written anything to compare with this work – it is a masterstroke’ – Manchester Evening News‘No one can bring alive the cruel sea and the valiant men who have sailed on it through all the generations like Monsarrat’ – Daily Mail‘This is Monsarrat, master storyteller, running proud’ – The ScotsmanNote: Nicholas Monsarrat died before Book II was finished. Anne Monsarrat completed the remainder of the story in Nicholas's own words, partly from some working notes he left and partly from his original synopsis of The Master Mariner Book II. Both are included here.

    But Olivier was as elusive in life as he was on the stage, a bold and practiced pretender who changed names, altered his identity, and defied characterization. In this mesmerizing book, acclaimed biographer Terry Coleman draws for the first time on the vast archive of Olivier’s private papers and correspondence, and those of his family, finally uncovering the history and the private self that Olivier worked so masterfully all his life to obscure. Beginning with the death of his mother at age eleven, Olivier was defined throughout his life by a passionate devotion to the women closest to him. Acting and sex were for him inseparable: through famous romances with Vivien Leigh and Joan Plowright and countless trysts with lesser-known mistresses, these relationships were constantly entangled with his stage work, each feeding the other and driving Olivier to greater heights. And the heights were great: at every step he was surrounded by the foremost celebrities of the time, on both sides of the Atlantic—Richard Burton, Greta Garbo, William Wyler, Katharine Hepburn. The list is as long as it is dazzling.Here is the first comprehensive account of the man whose autobiography, written late in his life, told only a small part of the story. In Olivier, Coleman uncovers the origins of Olivier’s genius and reveals the methods of the century’s most fascinating performer.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”