In November of 2010, I read at the ‘Ear Eater’ reading series in Chicago. Ana was another reader. She was reading via Skype. There were a lot of people at the reading. After I read, I walked out of the room and stood in a hallway, staring at the floor. After a few difficult conversations with people in the hallway, I heard the host of the reading talking to someone on the computer. It was Ana. Ana started reading. I laughed a lot and enjoyed her reading. Seemed like other people weren’t enjoying it as much as me but I was enjoying it a lot. I stood in the hallway laughing and shaking my head ‘Yes’ and people looked at me. I kept thinking, ‘I want to go into the room and watch her face reading’ but then I would think, ‘No, don’t do that, just listen.’ Not sure why I kept telling myself not to go into the room where she was reading but I stood in the hallway and listened and enjoyed it a lot. Two years later, Ana emailed me Baby Babe. I opened the PDF just to skim a few poems but then I read the whole book. When I was done reading the book, I thought, ‘I’ll be glad to have this book so I can look at it whenever I want.’” — Sam Pink

    Rauan Klassnik's HOLY LAND is not a book for the faint of heart. His poems--dreamlike fables that conflate the domestic and quotidian with the dangerous and the perverse--are bathed in tears and blood: a trip to the bank becomes a journey to Auschwitz; bullets and gore find equivalence in rivers, birds and lush grass. In Klassnik's startling vision, 'the world knows what you want, and it knows what you need. It brings you bodies. And it brings you a gun.--Gary Young

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    I am a Very Productive Entrepreneur is poignant & brilliant; it's worth the investment.Christian Hawkey, author of Ventrakl

    Over and over these poems leave us convinced that we’ve learned something very important and mysterious, yet we can’t say exactly what.

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    I love how thick this writing is, sublimely claustrophobic yet expansive, like a child's nightmare of scale."—Dodie Bellamy"Autodidact and knight-errant, Ward often betrays the procedural forms he tries to impose on his labyrinthine ruminations in order to remain faithfully engaged to the traditional task of the post-Romantic poet, an 'ecstatic commingling' of okay-you know and 'starry anaphor.'"—Tyrone Williams"I should write a real blurb with real blurb-like things in it, but TCOIW, a kind of lullaby arranging the psychic terrain of my future prosodically, is saving my stupid ass."—Anselm Berrigan

    A former resident of St. Louis, where he founded the Observable Poetry reading series, he now lives in Hillsborough, North Carolina.

    Thanks. is an innovative book based on the recorded improvised poetic collaborations between two award-winning poets, Joshua Beckman and Matthew Rohrer. Nice Hat. Thanks. is a collection of transcriptions of these collaborations, with poems ranging from a few words to several pages.

    Chronicling the last few raucous years in American politics, Lithgow takes readers verse by verse through the history of Donald Trump's presidency.- Lampoons the likes of Betsy DeVos, William Barr, Rudy Giuliani, and dozens more.- Illustrated from cover to cover with Lithgow's never-before-seen line drawings.- Draws inspiration from A. A. Milne, Lewis Carroll, Edward Lear, and even Mother Goose.- Great for fans of A Very Stable Genius by Mike Luckovich, Win Bigly: Persuasion in a World Where Facts Don't Matter by Scott Adams, and The Donald J. Trump Presidential Twitter Library by The Daily Show with Trevor Noah.The poems collected in Dumpty draw inspiration from A. A. Milne, Lewis Carroll, Edward Lear, Rodgers and Hammerstein, Mother Goose, and many more. A feat of laugh-out-loud lyrical storytelling, this timely volume is bound to bring joy to poetry lovers, political junkies, and Lithgow fans alike.

    His drawings invite the same deeper thought as his writings, making use of wordplay, cultural references, and offbeat observations. The sparse illustrations are complemented by poignant one-liners, and reveal moments of lightness within the author’s dark humor, providing a wry, erudite commentary on American culture.

    The voice is consistently spare, honest, understated, and eccentric.

    As we read, each of our senses is engaged, and we come to detect a search for spiritual revelations--in buildings, churches, homes, trains, and cars. Then suddenly we find ourselves back in the open, pursuing the course to Baltimore and Bucharest, to the zoo and the park, to the past and future. As ever, Ashbery's wakeful digressions are wily, comic, heartbreaking, and vertiginous.

    Knox’s A Gringo Like Me contains poems at once raucous and sexy, tender and raw. Knox has collected dramatic monologues, personal lyrics, and even screenplays together in a single energetic volume for a genuinely surprising debut. In favorites such as “Hot Ass Poem,” “Cruising for Prostitutes,” and “Chicken Bucket,” Knox’s quirky characters appear ornery, hickish, misogynist, or worse, but each elucidates a truth worth knowing, even if it’s not always welcome. In poems like "A Common American Name" and "Freckles," Knox’s lyrical voice charms readers. Between the poles of her unique range, Knox straddles and tames what she may yet prove to be an artificial divide in American poetry: she's a former slam champion, but also a two-time contributor to The Best American Poetry; she's a hilarious performer on stage, but also a deeply intellectual and formally disciplined poet.