There are endless stories, frequent hand washing, and not enough eating. The book you hold before you is no ordinary Haggadah. For This We Left Egypt? is a hilarious and entertaining parody from the comedic minds of Dave Barry, Alan Zweibel, and Adam Mansbach. These award-winning comedy writers take you through every step of the Seder, from getting rid of all the chametz in your house by setting it on fire with a standard blowtorch (preferably outdoors), to breaking the middle matzah—that is, if you can find a piece that isn’t already broken, to a hilariously absurd retelling of the Passover story featuring Pharaoh Schmuck, a burning bush that sounds kind of like Morgan Freeman, and the Promised Land which turned out not to be a land of milk and honey but rather one of rocks and venomous scorpions the size of Yorkshire terriers. Also included are useless commentary, absurd two-color illustrations, and thought-provoking discussion questions throughout such as: Is Manischewitz considered a plague? Publishing just in time for Passover, this book will be the perfect gift book from G-d that you’ll want to share and laugh over with friends and family.

    According to the government it doesn’t exist; according to the military it must be defended. On this contested land, Othniel Assis—under the wary gaze of the neighboring Palestinian village—plants asparagus, arugula, and cherry tomatoes, and he installs goats—and his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and, amid a hodge-podge of shipping containers and mobile homes, the outpost takes root. One of the settlement’s steadfast residents is Gabi Kupper, a one-time free spirit and kibbutz-dweller, who undergoes a religious awakening. The delicate routines of Gabi’s new life are thrown into turmoil with the sudden arrival of Roni, his prodigal brother, who, years after venturing to America in search of fortune, arrives at Gabi’s door, penniless. To the settlement’s dismay, Roni soon hatches a plan to sell the “artisanal” olive oil from the Palestinian village to Tel Aviv yuppies. When a curious Washington Post correspondent stumbles into their midst, Ma’aleh Hermesh C becomes the focus of an international diplomatic scandal and faces its greatest test yet. By turns serious and satirical, The Hilltop brilliantly skewers the complex, often absurd reality of life in Israel, the West Bank settlers, and the nation's relationship to the United States, and makes a startling parallel between today’s settlements and the kibbutz movement of Gabi and Roni’s youth. Rich with humor and insight, Assaf Gavron’s novel is the first fiction to grapple with one of the most charged geo-political issues of our time, and he has written a masterpiece.

    The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."These striking, original, beautifully sensuous poems do just that. Ordinary moments--a sunset, a walk, a private religious ritual--are so alive in poems like 'Shabbat moment'  and 'Rosh Hodesh.' In the same way that she celebrates ordinary moments, small things become charged with memories and feelings: paper snowflakes, buttons, one bird, a bottle-cap flower made from a ginger ale top and crystal beads. "She celebrates the body in rollicking, gusto-filled poems like 'Belly good' and 'The chuppah,' where 'our bodies open their portals wide.' So much that is richly sensuous: 'hands that caressed you,  . . . untied the knot of pleasure and loosened your flesh till it fluttered,' and lush praise for 'life in our spines, our throats,  our knees, our genitals, our brains, our tongues.'"I love the humor in poems like 'Eat fruit,' the nostalgia and joy in 'The rabbi's granddaughter and the Christmas tree,' the fresh, beautiful images of nature--'In winter . . .the sun hangs its wizened rosehip in the oaks.'"I admire Piercy's sense of the past alive in the present, in personal and social history. The poems are memorials, like the yahrtzeit candle in a glass. 'We lose and we go on losing,' but the poems are never far from harsh joy, the joy that is 'the wine of life.'"Growing up haunted by Holocaust ghosts is an echo throughout the book, and some of the strongest poems are about the Holocaust, poems that become the voices of those who had no voice: 'What you  carry in your blood is us,  the books we did not write, music we could not make, a world  gone from gristle to smoke, only  as real now as words can make it.'"Marge Piercy's words make such a moving variety of experiences beautifully and forcefully real."

    The growing demands on theological education have made it difficult for students of the Hebrew Bible (or Old Testament) to master the intermediate-level skills required to interpret the syntax of the Bible's original language. A Guide to Biblical Hebrew Syntax defines the fundamental syntactical features of the Hebrew Bible, and illustrates each feature with at least one example, extracted from the Bible itself and accompanied with English translation.

    Charged with brilliance and daring, hypnotic in its intensity, Beaufort is at once a searing coming-of-age story and a novel for our times--one of the most powerful, visceral portraits of the horror, camaraderie, and absurdity of war in modern fiction. Beaufort. To the handful of Israeli soldiers occupying the ancient crusader fortress, it is a little slice of hell--a forbidding, fear-soaked enclave perched atop two acres of land in southern Lebanon, surrounded by an enemy they cannot see. And to the thirteen young men in his command, Twenty-one-year-old Lieutenant Liraz Erez Liberti is a taskmaster, confessor, and the only hope in the face of attacks that come out of nowhere and missions seemingly designed to get them all killed. All around them, tension crackles in the air. Long stretches of boredom and black humor are punctuated by flashes of terror. And the threat of death is constant. But in their stony haven, Erez and his soldiers have created their own little world, their own rules, their own language. And here Erez listens to his men build castles out of words, telling stories, telling lies, talking incessantly of women, sex, and dead comrades. Until, in the final days of the occupation, Erez and his squad of fed-up, pissed-off, frightened young soldiers are given one last order: a mission that will shatter all remaining illusions--and stand as a testament to the universal, gut-wrenching futility of war.

    The Orchard, her eighth book, is considered the most daring and ambitious of her novels. Critics went so far as to call it a cultural phenomenon after it eclipsed the Fifty Shades of Grey trilogy on the Israeli bestseller lists. The novel depicts the beginnings of modern Judaism and Christianity (in the first and second centuries) and the historical circumstances and tumultuous disputes that accompanied their births. The heroes of that generation (such as Rabbi Eliezer, Rabbi Ishmael, Rabban Gamaliel, Paul of Tarsus, and many others) become flesh and blood in this stunning interweaving of biblical and Talmudic lore into a page-turning read. At the heart of the book is Rabbi Akiva and his complicated relationship with his wife, Rachel, who met him when he was a forty-year-old illiterate shepherd, married him against her father's wishes, and compelled him to study the Torah until he became the nation of Israel's greatest sage. His novel method of interpreting Scripture provides his people with a life-giving elixir, but also gives them a lethal injection the Bar Kokhba Revolt (the second rebellion against the Romans), which brought a terrible holocaust upon the nation of Israel that nearly caused its end. The Orchard offers a brilliant narrative solution to the riddle of the Bar Kokhba Revolt by tying the rebellion to one of the most fascinating stories in the Jewish tradition, the story of four sages who entered a metaphysical orchard: one died, one lost his mind, one became a hater of God, and one, Rabbi Akiva, made it out unscathed. Or did he?

    Now in paperback, the book explores the history of the Septuagint, the various versions available, and its importance for biblical studies. "Admirably delivers what it promises: it is a clearly written and organized introduction to the Greek-language Hebrew Scriptures. . . . Highly recommended."--Library Journal

    But when one monkey too many joins the crowd, everyone's in for some hilarious surprises.

    First published in Odessa in 1908-11, it was recognized immediately as a masterwork in its own right, and reprinted numerous times in Israel.The Hebrew poet Hayim Nahman Bialik and the renowned editor Yehoshua Hana Ravnitzky, the architects of this masterful compendium, selected hundreds of texts from the Talmud and midrashic literature and arranged them thematically, in order to provide their contemporaries with easy access to the national literary heritage of the Jewish people -- the texts of Rabbinic Judaism that remain at the heart of Jewish literacy today.Bialik and Ravnitzky chose Aggadah -- the non-legal portions of the Talmud and Midrash -- for their anthology. Loosely translated as "legends", Aggadah includes the genres of biblical exegesis, stories about biblical characters, the lives of the Talmudic era sages and their contemporary history, parables, proverbs, and folklore. A captivating melange of wisdom and piety, fantasy and satire, Aggadah is the expressive medium of the Jewish creative genius.The arrangement of this compendium reflects the theological concerns of the Rabbinic sages: the role of Israel and the nations; God, good and evil; human relations; the world of nature; and the art of healing. Here, the reader who wants to explore traditional Jewish views on a particular subject is treated to a selection of relevant texts at his fingertips but will soon become immersed in a way of thinking, exploring, and questioning that is the hallmark of Jewish inquiry."Whatever the imagination can invent is found in the Aggadah," wrote the historian Leopold Zunz, "its purpose always being to teach man the ways of God." The Book of Legends/Sefer Ha-Aggadah, now available in William Braude's superbly annotated translation, enables modern Jews to experience firsthand the richness and excitement of their cultural inheritance.

    Ellis R. Brotzman explains the significance of scripts and writings of the ancient Near East, the Dead Sea Scrolls, and Hebrew manuscripts for students of Hebrew exegesis.

    With over 175 full-color pictures and illustrations, Life in Biblical Israel opens the door to everyday life in biblical Israel for all readers. This volume is perfect for classrooms, coffee tables, and personal use.Volumes in the Library of Ancient Israel draw on multiple disciplines--such as archaeology, anthropology, sociology, linguistics, and literary criticism--to illuminate the everyday realities and social subtleties these ancient cultures experienced. This series employs sophisticated methods resulting in original contributions that depict the reality of the people behind the Hebrew Bible and interprets these insights for a wide variety of readers.

    Written by a 12th- century thinker who was equally active as an original philosopher and as a Biblical and Talmudic scholar, it is both a classic of great historical importance and a work of living significance today.The Guide for the Perplexed was written for scholars who were bewildered by the conflict between religion and the scientific and philosophic thought of the day. It is concerned, basically, with finding a concord between the religion of the Old Testament and its commentaries, and Aristotelian philosophy. After analyzing the ideas of the Old Testament by means of "homonyms," Maimonides examines other reconciliations of religion and philosophy (the Moslem rationalists) and then proposes his own resolution with contemporary Aristotelianism. The Guide for the Perplexed was at once recognized as a masterwork, and it strongly influenced Jewish, Christian, and Moslem thought of the Middle Ages. It is necessary reading for any full comprehension of the thought of such scholastics as Aquinas and Scotus, and indispensable for everyone interested in the Middle Ages, Judaism, medieval philosophy, or the larger problems which Maimonides discusses.

     An enchanting mouse scours her cozy, miniature home for her Passover Seder plate with no luck. Sundown is near and the Passover celebration will begin soon. Pippa Mouse must venture out and be brave to ask a cat, a snake, and an owl for help. To her surprise not only are the animals helpful in tracing her plate to the pond, they become her Passover Seder guests. A spread at the end of the book shows the Passover plate with its six essential symbolic items: zeroah (a roasted bone), beitzah, (an egg), maror and charoset (bitter herbs), chazeret (mortar or paste), and karpas (a spring vegetable).

    But sometimes the excitement of Chanukah, its treasured rituals, and the tradition of gifts can tempt a youngster to misbehave. . . .Come along on a joyful romp filled with tumbling dreidels and melting gelt as America's favorite prehistoric pals spread a little mischief this season. Children will laugh out loud as dinosaurs fidget, fuss, and stomp through every occasion, while their human parents shift from shock to weary patience.Filled with warmth and cheer, this new book by the bestselling team of Jane Yolen and Mark Teague makes a perfect gift to be read again and again, year after year. How do dinosaurs say Happy Chanukah? The same way they say Merry Christmas: With an abundance of love, joy, memory, and gratitude.

    Folktales about and exploration of the mystical meanings of the Hebrew Alphabet. Open the old prayerbook-like pages of The Book of Letters and you will enter a special world of sacred tradition and religious feeling. More than just symbols, all twenty-two letters of the Hebrew alphabet overow with meanings and personalities of their own.