Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.

    Eliot to be the most important and influential poet of the 20th century, and Four Quartets to be his finest poem and greatest literary achievement. Dove Descending is a journey into the beauties and depths of Eliot's masterpiece written by Thomas Howard, bestselling author, professor and critic. In this line-by-line commentary, Howard unravels the complexities of the sublime poem with such adept adroitness that even its most difficult passages spring to life. During his many years as a professor of English and Literature, Howard taught this poem often, and developed what he calls "a reading" approach to its concepts that render their meaning more lucid for the reader. Dove Descending reunites the brilliant insights of a master teacher whose understanding and love of Eliot's writings are shared here for the great benefit of the reader.Dove Descending is:The first in-depth exposition of Eliot's masterwork ever publishedThe fruit of Howard's many years of teaching Eliot and his unique understanding of the complexities of the great poemA must-have book for fans of T. S Eliot, and anyone who wants to understand his greatest work.

    You may not be able to put your finger on it, but you sense it instinctively.How can you not sense it? For the first time ever, both the majority of the younger and the older generations of America now believe that future generations will not be as prosperous as their parents’ generation was. And that’s only the economic pessimism. On the social and cultural fronts, how many of us can truly say that we are proud are what our society has degenerated to?Make no mistake; the America we once knew has indeed been murdered. How did we arrive at this point of perpetual debt, perpetual inflation, massive taxation, chronically high unemployment, disintegrating families, massive dependency on the state, perpetual war, and ever-worsening moral degeneracy, mass psychological depression, and cultural degradation?Who did it? Why did they do it? How did they do it? How was the ‘murder’ concealed from the American people?Through the use of 40 clear, concise and very easy-to-digest illustrated ‘blurbs’ (The 40 Wounds), Killing America: The 100 Year Murder will answer those questions for you. This is a mass-distribution booklet designed for ‘crash-course’ simplicity. Please share it with others.

    Dr. Frye offers, in addition, challenging and stimulating ideas for the teaching of literature at lower school levels, designed both to promote an early interest and to lead the student to the knowledge and kaleidoscopic experience found in the study of literature.Dr. Frye's proposals for the teaching of literature include an early emphasis on poetry, the "central and original literary form," intensive study of the Bible, as literature, and the Greek and Latin classics, as these embody all the great enduring themes of western man, and study of the great literary forms: tragedy and comedy, romance and irony.

    A. S. Byatt does, and her case is persuasive. In a series of essays on the complicated relations between reading, writing, and remembering, the gifted novelist and critic sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.Whether writing about the renaissance of the historical novel, discussing her own translation of historical fact into fiction, or exploring the recent European revival of interest in myth, folklore, and fairytale, Byatt's abiding concern here is with the interplay of fiction and history. Her essays amount to an eloquent and often moving meditation on the commitment to historical narrative and storytelling that she shares with many of her British and European contemporaries. With copious illustration and abundant insights into writers from Elizabeth Bowen and Henry Green to Anthony Burgess, William Golding, Muriel Spark, Penelope Fitzgerald, Julian Barnes, Martin Amis, Hilary Mantel, and Pat Barker, On Histories and Stories is an oblique defense of the art Byatt practices and a map of the complex affiliations of British and European narrative since 1945.

    Written by Harvard students for students, since its inception SparkNotes(TM) has developed a loyal community of dedicated users and become a major education brand. Consumer demand has been so strong that the guides have expanded to over 150 titles. SparkNotes'(TM) motto is Smarter, Better, Faster because: - They feature the most current ideas and themes, written by experts. - They're easier to understand, because the same people who use them have also written them. - The clear writing style and edited content enables students to read through the material quickly, saving valuable time. And with everything covered--context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources--you don't have to go anywhere else!

    R. R. Tolkien... Free BONUS Inside! J. R. R. Tolkien, an orphan in love with words, spent most of his life as an unassuming Professor of Literature at Oxford studying and teaching old languages. During his time there, he created his very own languages and a mythological world, Middle-earth. Middle-earth was inhabited by Hobbits, Dwarves, Elves, and other fascinating creatures. It was a world that became almost more real to Tolkien than the one he lived in. Tolkien’s two masterpieces, The Hobbit and The Lord of the Rings, have set the standard in mythological literature. Translated into more than 70 languages, the books and their battles of good and evil are as relevant today as they were when Tolkien first wrote them. Discover a plethora of topics such as From South Africa to the English Countryside Tolkien’s Forbidden Love Tolkien during World War I Years at Oxford The Hobbit and The Lord of the Rings Late Life and Death And much more! So if you want a concise and informative book on J. R. R. Tolkien, simply scroll up and click the "Buy now" button for instant access!

    An acclaimed author and public speaker, Black shows how this body of knowledge has been declared ‘heretical’ both by the established church and by today’s atheistic intellectual elite.Finally, he outlines in the clearest terms possible the supernatural laws that govern our universe, and describes rules for living that take us beyond consensual thought, rules that may at first seem crazy, even dangerous, but which contain the secrets for achieving success, happiness and a higher state of being.

    Michael Ryan's comprehensive textbook on the practice of literary theory demonstrates how the full panoply of theoretical approaches can be used to read the same texts.

    He describes the elegant tour of France that Henry James and Edith Wharton made in 1907, and the orgy of drugs and suffering of the Tour de France in our own time. An unparalleled connoisseur of French writing and writers, Barnes gives us his thoughts on the prolific and priapic Simenon, on Sand, Baudelaire, and Mallarmé ("If literature is a spectrum, and Hugo hogs the rainbow, then Mallarmé is working in ultra-violet"). In several dazzling excursions into the prickly genius of Flaubert, Barnes discusses his letters; his lover Louise Colet; and his biographers (Sartre's The Family Idiot, "an intense, unfinished, three-volume growl at Flaubert, is mad, of course"). He delves into Flaubert's friendship with Turgenev; looks at the "faithful betrayal" of Claude Chabrol's film version of Madame Bovary; and reveals the importance of the pharmacist's assistant, the most major minor character in Flaubert's great novel: "if Madame Bovary were a mansion, Justin would be the handle to the back door; but great architects have the design of door-furniture in mind even as they lay out the west wing."For lovers of France and all things French-and of Julian Barnes's singular wit and intelligence-Something to Declare is an unadulterated joy to read.

    Ambiguity, according to Empson, includes "any verbal nuance, however slight, which gives room for alternative reactions to the same piece of language." From this definition, broad enough by his own admission sometimes to see "stretched absurdly far," he launches into a brilliant discussion, under seven classifications of differing complexity and depth, of such works, among others, as Shakespeare's plays and the poetry of Chaucer, Donne, Marvell, Pope, Wordsworth, Gerard Manley Hopkins, and T. S. Eliot.

    Who one’s father is isn’t immediately obvious, hardly being visible to the naked eye. Paternity is determined first and foremost by one’s culture. As Lacan said, "the Name-of-the-Father creates the function of the father." But then where does the plural stem from?It isn’t pagan, for it is found in the Bible. He who speaks from the burning bush says of Himself that He doesn't have just one Name. In other words, the Father has no proper Name. It is not a figure of speech, but rather a function. The Father has as many names as the function has props.What is its function? The religious function par excellence, that of tying things together. What things? The signifier and the signified, law and desire, thought and the body. In short, the symbolic and the imaginary. Yet if these two become tied to the real in a three-part knot, the Name-of-the-Father is no longer anything but mere semblance. On the other hand, if without it everything falls apart, it is the symptom of a failed knotting.- Jacques-Alain Miller Table of Contents:Foreword by Jacques-Alain MillerThe Symbolic, the Imaginary, and the RealIntroduction to the Names-of-the-FatherBio-bibliographical NotesTranslator’s Notes

    Professor Weil introduces you to masterpieces such as Tolstoy's War and Peace, Dostoevsky's Crime and Punishment, Pushkin's Eugene Onegin, Gogol's Dead Souls, Chekhov's The Seagull, Pasternak's Doctor Zhivago, and many other great novels, stories, plays, and poems. In all, you plunge into more than 40 works by a dozen writers, from Aleksandr Pushkin in the 19th century to Aleksandr Solzhenitsyn in the 20th century. You also investigate the origin of Russian literature itself, which traces its lineage back to powerful epic poetry and beautiful renderings of the Bible into Slavic during the Middle Ages. All of these works are treated in translation, but Professor Weil does something very unusual in the literature-in-translation arena. For almost every passage that he quotes in English, he reads an extract in the original Russian, with a fluent accent and an actor's sense of drama.

    Heinlein was sixty-six, at the height of his literary career; J. Neil Schulman was twenty and hadn't yet started his first novel. Because he was looking for a way to meet his idol, Schulman wangled an assignment from the New York Daily News--at the time the largest circulation newspaper in the U.S.--to interview Heinlein for its Sunday Book Supplement. The resulting taped interview lasted three-and-a-half hours. This turned out to be the longest interview Heinlein ever granted, and the only one in which he talked freely and extensively about his personal philosophy and ideology. "The Robert Heinlein Interview" contains Heinlein you won't find anywhere else--even in Heinlein's own "Expanded Universe." If you wnat to know what Heinlein had to say about UFO's, life after death, epistemology, or libertarianism, this interview is the only source available. Also included in this collection are articles, reviews, and letters that J. Neil Schulman wrote about Heinlein, including the original article written for The Daily News, about which the Heinleins wrote Schulman that it was, "The best article--in style, content, and accuracy--of the many, many written about him over the years." This book is must-reading for any serious student of Heinlein, or any reader seeking to know him better.

    S. Eliot, he was of supreme importance, both as poet and philosopher. Coleridge championed his introduction to an English readership. Tennyson based his poem "Ulysses" on lines from the Inferno. Byron chastised an "Ungrateful Florence" for exiling Dante. The Divine Comedy resonates across five hundred years of our literary canon.In Dante in Love, A. N. Wilson presents a glittering study of an artist and his world, arguing that without an understanding of medieval Florence, it is impossible to grasp the meaning of Dante's great poem. He explains how the Italian states were at that time locked into violent feuds, mirrored in the ferocious competition between the Holy Roman Empire and the Papacy. He shows how Dante's preoccupations with classical mythology, numerology, and the great Christian philosophers inform every line of the Comedy.Dante in Love also explores the enigma of the man who never wrote about the mother of his children, yet immortalized the mysterious Beatrice whom he barely knew. With a biographer's eye for detail and a novelist's comprehension of the creative process, A. N. Wilson paints a masterful portrait of Dante Alighieri and unlocks one of the seminal works of literature for a new generation of readers.