Everything known about the facts of William Shakespeare's life seems incompatible with the extraordinary genius of his writing. How could a man who left school at the age of 13, and apparently never travelled abroad have authored the incomparable Sonnets or so intricately described Renaissance Venice? Shakespeare 'candidates' abound, among them Sir Francis Bacon, The Earl of Oxford, even Queen Elizabeth I herself, but none have stood up to serious scrutiny. Until now....This remarkable, intriguing, and provocative book offers a completely plausible new candidate; Sir Henry Neville.

    Full color.

    The Nature of Design, on the other hand, is about starting things, specifically an ecological design revolution that changes how we provide food, shelter, energy, materials, and livelihood, and how we deal with waste.Ecological design is an emerging field that aims to recalibrate what humans do in the world according to how the world works as a biophysical system. Design in this sense is a large concept having to do as much with politics and ethics as with buildings and technology.The book begins by describing the scope of design, comparing it to the Enlightenment of the 18th century. Subsequent chapters describe barriers to a design revolution inherent in our misuse of language, the clockspeed of technological society, and shortsighted politics. Orr goes on to describe the critical role educational institutions might play in fostering design intelligence and what he calls a higher order of heroism.Appropriately, the book ends on themes of charity, wilderness, and the rights of children. Astute yet broadly appealing, The Nature of Design combines theory, practicality, and a call to action.

    It is also a book they may want to keep out of view of their professors, for it expresses in clear and simple language things that tend to be murky and abstruse in the classroom. These 101 concise lessons in design, drawing, the creative process, and presentation--from the basics of "How to Draw a Line" to the complexities of color theory--provide a much-needed primer in architectural literacy, making concrete what too often is left nebulous or open-ended in the architecture curriculum. Each lesson utilizes a two-page format, with a brief explanation and an illustration that can range from diagrammatic to whimsical. The lesson on "How to Draw a Line" is illustrated by examples of good and bad lines; a lesson on the dangers of awkward floor level changes shows the television actor Dick Van Dyke in the midst of a pratfall; a discussion of the proportional differences between traditional and modern buildings features a drawing of a building split neatly in half between the two. Written by an architect and instructor who remembers well the fog of his own student days, 101 Things I Learned in Architecture School provides valuable guideposts for navigating the design studio and other classes in the architecture curriculum. Architecture graduates--from young designers to experienced practitioners--will turn to the book as well, for inspiration and a guide back to basics when solving a complex design problem.

    When Bill Bratton was sworn in as New York City's police commissioner in 1994, he made what many considered a bold promise: The NYPD would fight crime in every borough...and win.  It seemed foolhardy; even everybody knows you can't win the war on crime.  But Bratton delivered.  In an extraordinary twenty-seven months, serious crime in New York City went down by 33 percent, the murder rate was cut in half--and Bill Bratton was heralded as the most charismatic  and respected law enforcement official in America..  In this outspoken account of his news-making career, Bratton reveals how his cutting-edge policing strategies brought about the historic reduction in crime.Bratton's success made national news and landed him on the cover of Time.  It also landed him in political hot water.  Bratton earned such positive press that before he'd completed his first week on the job, the administration of New York's media-hungry mayor Rudolph Giuliani, threatened to fire him.  Bratton gives a vivid, behind-the-scenes look at the sizzle and substance, and he pulls no punches describing the personalities who really run the city.Bratton grew up in a working-class Boston neighborhood, always dreaming of being a cop.  As a young officer under Robert di Grazia, Boston's progressive police commissioner, he got a ground-level view of real police reform and also saw what happens when an outspoken, dynamic, reform-minded police commissioner starts to outshine an ambitious mayor.  He was soon in the forefront of the community policing movement and a rising star in the profession.  Bratton had turned around four major police departments when he accepted the number one police job in America.When Bratton arrived at the NYPD, New York's Finest were almost hiding; they had given up on preventing crime and were trying only to respond to it.  Narcotics,  Vice,  Auto Theft, and the Gun Squads all worked banker's hours while the competition--the bad guys--worked around the clock.  Bratton changed that.  He brought talent to the top and instilled pride in the force; he listened to the people in the neighborhoods and to the cops on the street.  Bratton and his "dream team" created Compstat, a combination of computer statistics analysis and an unwavering demand for accountability.  Cops were called on the carpet, and crime began to drop.  With Bratton on the job, New York City was turned around.Today, New York's plummeting crime rate and improved quality of life remain a national success story.  Bratton is directly responsible, and his strategies are being studied and implemented by police forces across the country and around the world.  In Turnaround, Bratton shows how the war on crime can be won once and for all.

    Their focus is on a unique experiment begun in 1970 when Italy created new governments for each of its regions. After spending two decades analyzing the efficacy of these governments in such fields as agriculture, housing, and health services, they reveal patterns of associationism, trust, and cooperation that facilitate good governance and economic prosperity.

    In so doing, Dr. Flowers' sets out to help his readers understand a non-Calvinistic "Traditional" Southern Baptist interpretation of the most quoted and relied upon chapters for defending Calvinistic soteriology: Romans 8-9; Ephesians 1 and John 6. "In The Potter's Promise, Dr. Leighton Flowers reveals, by means of a refreshingly clear and persuasive writing style, the theological and philosophical arguments that compelled him to abandon his previously held Calvinistic convictions. While some Traditionalists have a tendency to avoid certain Bible verses, Dr. Flowers tackles them fearlessly, placing them in their proper context in a manner consistent with the entirety of God's Word. Calvinists have sometimes been known to object to Traditional writers and thinkers by making the claim, "You just don't understand Calvinism." Any such charge leveled against Dr. Flowers rings hollow. Having heard all the arguments Calvinism has to offer, he nevertheless disaffirms it. Every Calvinist needs to read this book to challenge their thinking and consider the other side. Every Traditionalist needs to read this book to become better equipped in defending their own view of salvation doctrine." -Dr. Rick Patrick, Executive Director of Connect 316 and Senior Pastor"Confused by the issues surrounding Calvinism? Does Romans 9 teach unconditional predestination? Want to cut through some of the red tape? Then read Leighton's book. He is charitable but gets right to the point, making a strong, biblical case for a God who is glorified by sacrificing Himself for creation and not by sacrificing creation for Himself. He makes a strong case for the God of Jesus Christ." - Austin Fischer, Pastor and Author of Young, Restless, No Longer Reformed."Some passages (especially Romans 9) appear to support Calvinism, but does God really predestine particular persons for heaven or hell? And where is the knowledgeable expositor who also possesses an irenic disposition to answer such critical questions? Leighton Flowers nobly meets these qualifications and approaches the Scripture with a passion for the original language and context. We are all deeply in his debt for teaching us to hear God's Word so much better than we did before this book was written. Highly recommended." -Dr. Malcolm B. Yarnell III, Research Professor of Systematic Theology, Author of God the Trinity: Biblical Portraits and Royal Priesthood in the English Reformation and The Formation of Christian Doctrine"The Potter's Promise is the fascinating pilgrimage of Leighton Flowers, Director of Apologetics and Youth Evangelism in the Baptist General Convention of Texas. Chronicled here is his journey out of Calvinism and into a New Testament faith through the saving grace of our Lord. This may well be the most important volume published this year for the reading of every young servant of Christ. Do you have the courage to read it?" -Dr. Paige Patterson, President of Southwestern Baptist Theological Seminary"Having vacated theological Geneva after years as one of its finest citizens, Dr. Leighton Flowers is well aware of how to reason like a Calvinist. His masterful treatment of the biblical text, and his philosophically consistent reasoning, is sure to satisfy the pallet of the academically interested. Yet, his accessible writing leads to a rare accomplishment. Lay readers will have no difficulty understanding the Calvinist positions and the best responses to them. Any related bibliography that does not include Dr. Flowers masterful work will, henceforth, surely look odd." - Dr. Braxton Hunter, President of Trinity Seminary

    As they invent new social structures, Neuwirth argues, squatters are at the forefront of the worldwide movement to develop new visions of what constitutes property and community.Visit Robert Neuwirth's blog at: http: //squatterci ty.blogspot.com

    Edited by two of the most respected scholars in the field, this best-selling collection places contemporary essays alongside classics of the discipline and includes divergent views to ensure a balanced perspective. The presentation of alternative perspectives provides students with challenging material in the language of the field. The anthology presents clear, theoretical works that inspire a deeper understanding of the forces that shape today's world.

    People, many of whom have already embarked upon that great adventure of genealogical research, and who have encountered their ancestors in the archives and uncovered family secrets, are now turning to the secrets contained within the four walls of their homes and in doing so finding a direct link to earlier generations. And it is ordinary homes, not grand public buildings or the mansions of the rich that have all the best stories.As with the television series, A House Through Time offers readers not only the tools to explore the histories of their own homes, but also a vividly readable history of the British city, the forces of industry, disease, mass transportation, crime and class. The rises and falls, the shifts in the fortunes of neighbourhoods and whole cities are here, tracing the often surprising journey one single house can take from elegant dwelling in a fashionable district to a tenement for society’s rejects.Packed with remarkable human stories, it is a phenomenal insight into living history, a history we can see every day on the streets where we live. And it reminds us that it is at home that we are truly ourselves. It is there that the honest face of life can be seen. At home, behind closed doors and drawn curtains, we live out our inner lives and family lives.

    From the moon landing hoax, to chemtrails, to the mind control dangers of fluoride, Dunning is here to sort the truth from the lies to tell you what really happened.

    Many of these small details are so obvious as to be invisible.

    This anthology brings together writings on Delhi by residents, refugees, travellers and invaders who have engaged with the city at various movements in its long history. Edited by Khushwant Singh, this is a collection as varied and lively - sometimes serious, sometimes richly humorous - as Delhi itself.

    

    She approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic.By regarding our most cultured human accomplishments as the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, F�lix Guattari, and Jakob von Uexk�ll, we are able to grasp art's deep animal lineage.Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change.