Now beautifully repackaged, the poems in Book of Mercy brim with praise, despair, anger, doubt and trust. Speaking from the heart of the modern world, yet in tones that resonate with an older devotional tradition, these verses give voice to our deepest, most powerful intuitions.

    I watch from afar. They have so much fun, so much life in them left to live. Although I deeply yearn to be included, I know it’s best to stay back. They would never accept me, even with their good hearts. I don’t deserve to be included. I’ve done things. Things I’m not proud of. I’ve taken souls. I’ve taken fortunes. I’ve ripped away loved ones and left strong men drowning in the darkest despair. I am broken. I’m evil. So, I hide. I watch. I listen to everything…" NOTE: This is the TWELTH book of the GODS OF CHAOS MOTORCYCLE CLUB series. Each book may be read alone, but they are best read together. To find book one, search for Gods of Chaos Motorcycle Club: The Trilogy. This book is intended for adults 18 & over.

    Sam Sax’s A Guide to Undressing Your Monsters, a runner up for the 2013 Button Poetry Prize.

    By simply taking the 45th President of the United States' tweets and transcripts, cutting them up and reordering them, Sears unearthed a trove of beautiful verse that was just waiting to be discovered.This groundbreaking collection gives readers a glimpse of Trump's innermost thoughts and feelings on everything from the nature of truth, to what he hates about Lord Sugar. And it will reveal a hitherto hidden Donald, who may surprise and delight both students and critics alike.Now with fifteen all-new poems as we lurch deeper into the Trump presidency, this timely publication also includes Sears' scholarly footnotes and introduction, in which he excavates new critical angles and insights into the President's poetry which the casual reader might initially overlook.

    The tall, handsome millionaire's warmth and kindness help her open up to him, but it is his readiness to take charge in the bedroom in a very specific, very embarrassing way that really sets her heart racing.Rafe's sprawling estate provides the perfect setting for all of Janie's naughtiest fantasies, and soon enough she is experiencing the kind of deeply humiliating medical play she has dreamed about for many years. Naked, bound, and on display, she is intimately examined, thoroughly cleansed, and subjected to one treatment after another, each more shameful than the last.Blushing crimson yet quivering with desire, Janie is brought to one shattering climax after another, and Rafe's dominant lovemaking leaves her utterly satisfied. Their passion for one another grows more intense by the day, but Rafe has a secret that he cannot keep from her forever. When Janie learns the truth at last, will it tear their newfound romance apart?Publisher's Note: Doctor's Orders includes sexual scenes, spankings, and extensive medical play. If such material offends you, please don't buy this book.

    This new collection showcases Beckman’s ability, even within the confines of a few brief lines, to suggest and sustain emotions, landscapes, humor and desire.

    In one of the most original books of poetry to appear in the last decade, Jackself spins a kind of 'fictionalized autobiography' through nursery rhymes, riddles and cautionary tales, and through the many 'Jacks' of our folktale, legend, phrase and fable - everyman Jacks and no one Jacks, Jackdaw, Jack-O-Lantern, Jack Sprat, Cheapjack and Jack Frost. At once playful and terrifying, lyric and narratively compelling, Jackself is an unforgettable exploration of an innocence and childhood lost in the darker corners of Reiver country and of English folklore, and once more shows Polley as one of the most remarkable imaginations at work in poetry today.

    Lang Leav presents a completely new collection of poetry with a celestial theme in The Universe of Us.Planets, stars, and constellations feature prominently in this beautiful, original poetry collection from Lang Leav.  Inspired by the wonders of the universe, the best-selling poetess writes about love and loss, hope and hurt, being lost and found.  Lang's poetry encompasses the breadth of emotions we all experience and evokes universal feelings with her skillfully crafted words.

    Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his ‘American’ haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In this beautifully packaged volume, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haikus, from both published and unpublished sources. The result is a compact collection of more than five hundred poems that reveal a lesser known but important side of Jack Kerouac’s literary legacy.

    But now I want her in my bed… In my billionaire empire, business always comes first. But as a single dad, this is a real issue. I have to be away for a while and I need help. And that help is Summer Edwards, my new, gorgeous as sin nanny. She takes great care of my kids, but I want her to take care of me too. She makes my children happier than they’ve ever been. And for that I want to make her happy. So happy that she screams my name in ecstasy. But will she let me? She only wants to stay for 30 days… *** Buckle up, it's going to be a wild ride! This is a steamy STANDALONE contemporary romance with no cliffhanger, no cheating, and a guaranteed happily-ever-after.***

    Her poems are lit with magic and stark with truth: whether they speak from the imagined dwelling of her “Abandonarium,” or from habitats where animals are farmed and harmed “humanely,” or even from the surreal confines of death row, they find a voice like no other—dazzling, intimate, startling, heartbreaking. Eddying between the theater of the lavish and the enigmatic, between the gaudy and the unadorned, Brock-Broido’s verse scours America for material to render unflinchingly the here and now. Grandeur devolves into a comic irony: “We have come to terms with our Self / Like a marmoset getting out of her Great Ape suit.” She dares the unexplained: “The wings were left ajar / At the altar where I’ve knelt all night, trembling, leaning, rough / As sugar raw, and sweet.” Each poem is a rebellious chain of words: “Be good, they said, and so too I was / Good until I was not.” Strange narratives, interior and exterior, make a world that is foreign and yet our own; like Dickinson, Brock-Broido constructs a spider-sibling, commanding the “silk spool of the recluse as she confects her eventual mythomania.” And why create the web? Because: “If it is written down, you can’t rescind it.”

    In this wise and intimate telling—which carries us through the seasons when her marriage was ending—Sharon Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love’s sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband’s smile to the set of his hip. Olds is naked before us, curious and brave and even generous toward the man who was her mate for thirty years and who now loves another woman. As she writes in the remarkable “Stag’s Leap,” “When anyone escapes, my heart / leaps up.  Even when it’s I who am escaped from, / I am half on the side of the leaver.” Olds’s propulsive poetic line and the magic of her imagery are as lively as ever, and there is a new range to the music—sometimes headlong, sometimes contemplative and deep. Her unsparing approach to both pain and love makes this one of the finest, most powerful books of poetry Olds has yet given us.

    In six long poems, Schnackenberg's rhyme-rich blank verse, with its densely packed images, shifts effortlessly between the lyric and the epic, setting passion to a verbal music that is recognizably her own.An exceptional and moving new collection from one of the most talented American poets of our time, Heavenly Questions is a work of intellectual, aesthetic, and technical innovation—and, more than that, a deeply compassionate and strikingly personal work.

    In The Road Show we meet Zachary Edge, a Confederate soldier, on his way home at the war's close. He stumbles upon a traveling troupe, a chance encounter that is the start of an unforgettable odyssey. Edge hits the road with bawdy showgirls, roguish tricksters, and a host of colorful characters. He soon finds himself in the arms of Autumn Auburn, the lithesome artiste known for her breathtaking sensuality.

     That’s all this was supposed to be. I came to Sin City with my best friend to celebrate my much-needed divorce. For once, I want to be the one with no care about tomorrow. That’s when he catches my eye. I watch as he works the room, and the women in it. He’s everything I hate in a man, but the epitome of what we all want. Sexy. Confident to a fault, and a smirk that will melt your panties. He’s everything my ex-husband is. As our eyes meet, I decide to give him a dose of his own medicine, show him how it feels to be used. Tonight, I’ll be the woman everyone stares at when she enters the room. The one I am in the boardroom, who takes no prisoners. I’ll be the one to bring him to his knees and leave him just as fast. I’ll be that woman. For One Night