The music and lyrics of the Beatles have proven them to be artists of the page as well as the stage and have here provided inspiration to dozens of artists. Rendered in full color on every page are extravagantly colorful scenes and images, from the psychedelic visions evoked by “Strawberry Fields” to the youthful innocence that springs from “She Loves You.” Witty commentary and candid insights from John, Paul, George and Ringo make this a very special and personal tribute.

    Unlike many forms of popular music, whose fans are fickle and transitory, metalheads tend to embrace their favorite bands and follow them over decades. Metal is not only a pastime for these people; it's a lifestyle and obsession that permeates every aspect of their being.The book will feature over 250 interviews conducted by renowned journalists Jon Wiederhorn and Katherine Turman over the past 25 years. The book will include candid and confessional commentary from late icons of the genre. In addition, the book will feature comprehensive interviews with established metal musicians discussing their often-traumatic upbringings, musical histories, battles with substance abuse, sexual exploits, plus expert analysis of the heavy metal scene from the '60s to the present. Industry insiders (managers, record label A&R people, family members, friends, scenesters, groupies, journalists, porn stars and tattoo artists) will provide additional insight.

    Now, to celebrate a decade of delighting opera fans and foes alike, musical historian and humorist David Barber has prepared a special revised and expanded edition of his hilarious bestselling history of opera. Chapters such as Serious Buffoonery, Teutonic Tunesmiths and, of course, Italian Sausage Machines display Barber's rapier wit and knack for knowing fascinating, if sometimes useless, information about music, musicians and the offbeat world they live in. This expanded edition includes new material ranging from Strauss to ragtime, opera to the Tenor Menace. From Italian castrati to German Ring-bearers, from Handel's fights with rival sopranos to Puccini's nicotine habit, the author of Bach, Beethoven and the Boys and Tenors, Tantrums and Trills delivers a funny yet informative, irreverent yet affectionate history of serious music's most serious art form as only he can - and as only he would dare to do.

    Of course, at the heart of the conversation is the deep, rare romantic and spiritual bond between Lennon and Ono. Sympathetic and insightful questions from New York Times bestselling author David Sheff set the tone for Lennon's responses, and Sheff’s presence sets the scene, as he walks through the kitchen door of the musicians’ Dakota apartment and accompanies the famous couple to the studio, where they were recording what would turn out to be Lennon’s final albums. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview and a crucial piece of Beatles history: playful, intense, and inspiring.

    But it’s not the story you think you know.Yes, Jim Morrison died in Paris in 1971—but not in a bathtub. The other Doors were saddened and shocked but had already fired him anyway. It wasn’t Jim who wrote the hits; it was guitarist Robby Krieger. It wasn’t Jim who saw a bright, acid-flared future for the band but keyboardist Ray Manzarek.And so, the band that started out as the “American Rolling Stones,” noted for their wildly unpredictable performances, their jazzy vibe, and the crazed monologues of their front man, ended as badly as did the sixties: abruptly, bloodily, cripplingly.Along with evoking the cultural milieu of Los Angeles in the sixties, in Love Becomes a Funeral Pyre bestselling writer Mick Wall captures the true spirit of that tarnished age with a brilliantly penetrating and contemporary investigation into the real story of the Doors.

    There couldn't be a better person to put together this tome than Hot Water Music's Chuck Ragan and here he's collected tales from members of the Gaslight Anthem, Rise Against, At The Drive-In and more, all of whom share their own unique perspective on travel. The road isn't always glamorous but for some of us it's in our blood. These are those stories.

    Stephen Tow takes a second look at the music and community that vaulted the likes of Nirvana, Pearl Jam, Mudhoney, and Soundgarden to international fame. Chock-full of interviews with the starring characters, Tow extensively chronicles the rise of rock 'n' roll s last great statement and contextualizes what the music really meant to the key players. Delving deep into the archives, Tow paints a vivid picture of the underground rock circuit of tattered warehouses and community centers. Seattle s heady punk scene of the late '80s gave birth to a rowdy and raucous movement, influenced by metal, but wholly its own. Seattle made its own sound, a sound that came to be known internationally as grunge. Tow walks the reader through this sonic evolution, interviewing members of every band along the way. In 1991, Seattle s sound took the world by storm--but this same storm had been brewing in the Pacific Northwest for a decade before it hit MTV.The Strangest Tribeis a reframing of this last transformative era in music. Not just plaid shirts, bleached hair, and angst, grunge is a word used to describe a rich community of artists and jokers."

    Paperback Book

    Three modern day Tom Sawyers, with no caving expertise but an abundance of bravado, made Hannibal ground zero for a terrifying calamity that would leave its traumatic mark for half a century. Joel Hoag, his brother Billy, and their friend Craig Dowell vanished after exploring a vast and complex maze cave system that had been exposed by highway construction. Fifty years later, their fate remains the ultimate unsolved mystery.

    Ordained at twelve, he would eventually become the first Buddhist chaplain at an American university, the founder of a retreat center and monastery, and a bestselling author. Here, Bhante G. lays bare the often-surprising ups and downs of his seventy-five years, from his boyhood in Sri Lanka to his decades of sharing the insights of the Buddha, telling his story with the "plain-English" approach for which he is so renowned.

    There, he fell in with a subculture of young musicians playing some of the most original and brutal music in the world. Turns out the chaos of Pearson’s bands — The Locust, Swing Kids, and Some Girls — is nothing compared to the madness of his life.An icon of the West Coast noise and punk scene, Pearson managed to arrive at adulthood by outsmarting skinheads and dodging equally threatening violence at home. Once there, the struggle continued, with Pearson getting beat up on Jerry Springer and, on more than one occasion, chased out of town by ferociously angry audiences.From the Graveyard of the Arousal Industry is the outrageously candid story of Pearson’s life. In loving, meticulous detail, Pearson gives readers the dirt behind each rivalry, riff, and lineup change.

    Evocative and vivid descriptions of the early stages of the conflict populate these pages, from which the reader can gain lessons of the conditions of the stagnant front.Originally published in 1915, the set of tales within this book offer sobering accounts from various battlefields which took place during the early stages of the war. Although the war was not even halfway over by the time these stories found publication, the horrors of the conflict were already a fact of life, with casualties rapidly mounting on both sides.At that time public opinion hadn’t yet fully turned against the war, and in Britain – the nationality of all the soldiers here – the need for showing progress was essential to sustain civilian and military morale. All of the soldiers in these pages were already serving in their regiments, or had volunteered for service, when the war commenced. They were commonly professional soldiers, possessed of a natural – even ingrained - patriotism, and more accepting of the official narrative than the increasingly sceptical and fearful citizenry back home. There is however no doubt that many were already disillusioned, and that the stories here are taken from an already thinning group of soldiers still possessed of some shred of belief in the war as a noble, or even glorious, conflict.Despite the mood which underpins the pages here, one can read between the lines for a picture. The stories are honest: thing got worse between those elated first weeks wherein the French welcomed their allies so gladly, and the war that was to be over by Christmas 1914 was nowhere near ending, and it is in these stories that we witness the germinal seeds of disillusion and hatred of conflict. The majority of the illustrations which originally accompanied these accounts prioritise the heroism of their subjects, while a few offer a toned down presentation of the horrific battlefields. In this modern edition, we include a number of relevant photographic illustrations alongside the original drawings which accompanied the stories when they were first published. While the imagery of World War I is generally quite ingrained in our minds, these supplementary pictures are designed as on-the-spot reminders of how war was more than a century ago, as well as to provide demonstration of the weapons and technology of the era.

    Drawing on new documentary information, the author recreates the often grueling conditions of an early rock and roll tour, and provides new facts about "the day the music died." With 50 photos.

    The Beatles were such a big deal then - this was in 1963, before we had made a record - and we weren't really anyone.' - Mick Jagger. In this unique and evocative book, Yoko Ono, the widow of John Lennon, gathers together memories from fans, friends, and colleagues about the inspiring and influential singer-songwriter. Even in death Lennon and his work continues to inspire and enthrall. Some of the most well-respected artists, including James Brown, Marshall Crenshaw, Peter Gabriel and Dennis Hopper, share their reminiscences within these pages. Harry Benson is one of many photographers who recall Lennon's generosity and sense of humour; Cilla Black recounts how Lennon gave her her first break; activist Tom Hayden writes of how MI5 and the FBI tracked Lennon; Donovan tells of playing their guitars together at an Indian ashram; and many others tell of their excitement at hearing the Beatles music for the first time, and the impact it had on their lives. (less)

    The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes.Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the band’s members have lived in and written about. Tracking the band from Muscle Shoals, Alabama, to Richmond, Virginia, to the author’s hometown in McNairy County, Tennessee, Deusner explores the Truckers’ complex relationship to the South and the issues of class, race, history, and religion that run through their music. Drawing on new interviews with past and present band members, including Jason Isbell, Where the Devil Don’t Stay is more than the story of a great American band; it’s a reflection on the power of music and how it can frame and shape a larger culture.