Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.

    Truthful and tender, profoundly aware of the possibility of magic and the miraculous, these poems are beautiful, informed, and, even at their darkest moments, filled with courage and hope. Alongside old favorites, this edition will contain a selection of new, unpublished poems. This is a must for poetry lovers.

    With defiance and wild joy, Duan’s poems wrestle with and celebrate ancestry and history, racial consciousness, and the growing pains of girlhood. They explore difficult truths with grace and power. I Wore My Blackest Hair is an honest portrait of a woman in-between—identities, places, languages, and desires—and her quest to belong. The speaker is specific in her self-definition, discovering and reinventing what it means to be a bold woman, what it means to be Chinese American, and what it means to grow into adulthood. Duan moves seamlessly from the personal to the imaginative to the universal, heralding a brilliant new voice in contemporary poetry.

    It's raining heavily. Black umbrellas everywhere. Mysterious mourners, and the arrival of a new priest in Wonderland.Who died? When and why? And who is this crowd?The latest Snap of Insanity reveals a secret or two you may not have been ready for. It also hints to the coming events of Mushrooms (Insanity 8)

    Nobody comes out looking good. The slippery self, surveilled yet ready with her mask, performs a peep show—booth opens wide, yet somehow the dancer isn't there. She's in character. She's "cut off the head to let the humors hose through.

    Enjoy modern poetry, scanned pieces of typed words on scraps, and full color original artwork.Open your mind and let your heart go on an adventure.

    Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

    It's also too smart for bullshit and too graceful to be mean about the bullshit: a marvelous debut. I love it."Juliet Escoria, author of Black Cloud, says: "Imagine bodies within bodies eating a feast, spilling over with their own secrets and hopes and dreams and fears and brutality and witchery. That is the party you will find in this book — a modern-day, literary equivalent of a Bosch painting.Mike Young, author of Sprezzatura, says: "These poems list the real shit. These poems melt the hard fat of life into tallow candles, then reach up and light themselves.Salt Is For Curing is the lush and haunting full-length debut by Sonya Vatomsky. These poems, structured as an elaborate meal, conjure up a vapor of earthly pains and magical desires; like the most enduring rituals, Vatomsky’s poems both intoxicate and ward. A new blood moon in American poetry, Salt Is For Curing is surprising, disturbing, and spookily illuminating.

    These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.

    It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'." It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor's dogs—to create a mirror, inside of which every angle presents a new possibility.

    

    G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "then’s" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves’ Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

    Pretending to be John, his cousin’s outrider, he decides to take matters into his own hands and figure out why Ella hasn’t been seen at court. And more importantly why the daughter of one of the wealthiest families in the kingdom dresses like a pauper. Ella has had her own bout of trials, including losing her beloved father and facing the wrath and jealousy of her stepmother and stepsisters. Becoming a servant doesn’t seem all that bad until the handsome John comes into her life, now he appears to be upsetting everything. Never before has she been so unsettled. Just his presence is making her dream of a life beyond this one. When John invites Ella to the ball and she grudgingly accepts, he wonders if he’s truly losing his mind. How would he ever pull off pretending to be John while obviously hosting the ball as Anthony? Especially when the stubborn girl has made it quite obvious she would never attend a ball with a snobbish prince. HANSEL AND GRETEL A hidden princess and the boy who saves her life— Hansel's father finds a child lost and alone during a violent thunderstorm. After bringing her in from the tempest, he and his son are startled to discover that she is Gretel, a princess of Larkein--the enemy kingdom their own king has just destroyed. Fearful for her life, Hansel pleads with his father to save her. He believes they can make Gretel good by teaching her their ways. His kindhearted father agrees, but with great trepidation. Ten years later, Gretel has grown into a lovely young woman who both infuriates and drives Hansel to distraction while he attempts to not lose his heart to her. When the Larkein witch comes back in the guise of a beautiful woman and marries their father, everything is set into a tailspin. Now they must figure out their new stepmother's plans and prevent her from destroying them all before it is too late. JACK AND THE BEANSTALK The quest to save a girl from a giant— Jack Waithwrite is livid when he learns that his fiancée, Rachel, has been stolen by a giant and taken up to a kingdom in the sky. Without the means to save her, he travels with his sister to Larkein, the place where dark magic abides, to discover a way to help Rachel. While there, a cunning witch knows who he is and offers to help him. However, when he finds out the kidnapping was orchestrated by the witch to use him as her pawn for her own schemes, his true quest begins. Now Jack must outwit a giant and stay one step ahead of the witch in time to save Rachel. Enjoy Jack and the Beanstalk, the continuing tale of Hansel and Gretel and what happened after they were married. Jack and Jill Waithwrite are the children of Hansel and Gretel, and as their parents before them had adventures, now it is their turn.

    Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    With a gift for delicate, violent imagery, Ashe invites us to lose ourselves in her world. Wrong Side of a Fistfight feels like getting lost in the woods, with someone holding your hand promising to guide you home. This is the second book of poems by Ashe Vernon, spoken word poet and author of the blog Late Night Corner Store.