RIVER FLOW contains over one hundred poems selected from five previously published works, together with twenty-three new poems, including a tribute to an Ethiopian woman navigating her first escalator, a meditation of love and benediction for his young daughter, and a cycle of Irish poems that convey his deep love of the land and life-long appreciation for its wisdom. Within its covers are poems to be read and reread, poems that are sure to become companions on our own passage through the turbulent waters of a well-lived, well-loved life.

    Perfect for fans of Mike Lupica.Twelve-year-old Troy White has a phenomenal gift: He can predict football plays before they even happen. Any position. Any player. Any team.When Troy's single mom gets a job working for the Atlanta Falcons, Troy sees this as an opportunity to show what he can do. But first he has to get to the Falcons—and with tight security and a notoriously mean coach, even his mom's field passes aren't much help.Then Troy and his best friends devise a plan to get the attention of star linebacker Seth Halloway. With Seth's playing and Troy's genius, the Falcons could be unstoppable if they'll only listen. But if he can’t convince Seth he’s telling the truth, the Falcons’ championship and his mom’s job are at risk.

    Eisenstein traces all of the converging crises of our age to a common source, which he calls Separation. It is the ideology of the discrete and separate self that has generated these crises; therefore, he argues, nothing less than a "revolution in human beingness" will be sufficient to transform our relationship to each other and the planet. And this revolution is underway already. In all realms of human endeavor, an Age of Reunion is emerging out of the birth-pangs of a planet in crisis. The range and depth of Eisenstein's thesis is breath-taking. Encompassing science, religion, spirituality, technology, economics, medicine, education, and more, he details a vast paradigm shift reflecting a more fundamental shift in the human sense of self. Even in this dark hour, he says, a more beautiful world is possible -- but not through the extension of millennia-old methods of management and control. The convergence of crises is revealing the final bankruptcy of those methods. Soon, he says, we will abandon the Babelian effort to build a tower to Heaven, as we realize that the sky is all around us already. Then, we will turn our efforts to creating a new kind of civilization, a conscious civilization designed for beauty rather than height.

     An homage to Africa's people and wildlife   Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.  This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.   *Salgado’s Africa was awarded the M2-El Mundo People’s Choice Award for best exhibition at PhotoEspaña 2007!*

    The new edition of this book, which proved very popular when first published in 2007, provides a 'taster' for the study of law; a short, accessible presentation of law as an academic subject, designed to help 17- and 18-year old students and others decide whether law is the right choice for them as a university subject, or, if they have already made the choice, what to expect when they start their law degree. It helps answer the question 'what should I study at university?' and counters the perception that law is a dry, dull subject. What About Law? shows how the study of law can be fun, intellectually stimulating, challenging and of direct relevance to students. Using a case study approach, the book introduces prospective law students to the legal system, as well as to legal reasoning, critical thinking and argument.This is a book that should be in the library of every school with a sixth form, every college and every university, and it is one that any student about to embark on the study of law should read before they commence their legal studies.All of the authors have long experience in teaching law at Cambridge and elsewhere and all have also been involved, at various times, in advising prospective law students at open days and admissions conferences.Listed as one of the 'Six of the best law books' that a future law student should read by the Guardian Law Online, 8th August 2012.See the detailed website for this book: www.whataboutlaw.co.uk.

    In this beautiful new one-volume edition, modern readers are introduced to one of the best nature writers of the last century. More than one hundred of the original illustrations by Paul Landacre highlight the eloquent and entertaining accounts of American trees. As we read Peattie's descriptions, we catch glimpses of our country's history and past daily life that no textbook could ever illuminate so vividly.Here you'll learn about everything from how a species was discovered to the part it played in our country’s history. Pioneers often stabled an animal in the hollow heart of an old sycamore, and the whole family might live there until they could build a log cabin. The tuliptree, the tallest native hardwood, is easier to work than most softwood trees; Daniel Boone carved a sixty-foot canoe from one tree to carry his family from Kentucky into Spanish territory. In the days before the Revolution, the British and the colonists waged an undeclared war over New England's white pines, which made the best tall masts for fighting ships. It's fascinating to learn about the commercial uses of various woods -- for paper, fine furniture, fence posts, matchsticks, house framing, airplane wings, and dozens of other preplastic uses. But we cannot read this book without the occasional lump in our throats. The American elm was still alive when Peattie wrote, but as we read his account today we can see what caused its demise. Audubon's portrait of a pair of loving passenger pigeons in an American beech is considered by many to be his greatest painting. It certainly touched the poet in Donald Culross Peattie as he depicted the extinction of the passenger pigeon when the beech forest was destroyed. A Natural History of North American Trees gives us a picture of life in America from its earliest days to the middle of the last century. The information is always interesting, though often heartbreaking. While Peattie looks for the better side of man's nature, he reports sorrowfully on the greed and waste that have doomed so much of America's virgin forest.

    Truthful and tender, profoundly aware of the possibility of magic and the miraculous, these poems are beautiful, informed, and, even at their darkest moments, filled with courage and hope. Alongside old favorites, this edition will contain a selection of new, unpublished poems. This is a must for poetry lovers.

    Morson argues that Tolstoy’s ideas are far more radical than has been thought: his masterpiece challenges deeply held conceptions of romantic love, the process of social reform, modernization, and the nature of good and evil. By investigating the ethical, philosophical, and social issues with which Tolstoy grappled, Morson finds in Anna Karenina powerful connections with the concerns of today. He proposes that Tolstoy’s effort to see the world more wisely can deeply inform our own search for wisdom in the present day. The book offers brilliant analyses of Anna, Karenin, Dolly, Levin, and other characters, with a particularly subtle portrait of Anna’s extremism and self-deception. Morson probes Tolstoy’s important insights (evil is often the result of negligence; goodness derives from small, everyday deeds) and completes the volume with an irresistible, original list of One Hundred and Sixty-Three Tolstoyan Conclusions.

    It’s a basic premise too often overlooked. This collection of one hundred quotations and passages from Korczak’s writings provides valuable advice on how to take care of, respect, and love every child. In an inviting gift-book format, this is a heartfelt and helpful reminder of who we were as children and who we might become as parents.

    Both historically vital and hilarious, Beirut Won’t Cry introduces Mazen Kerbaj’s unique voice and urgent pen to an American audience for the very first time, teaching readers how to carry on and resist in times of war and oppression.

    Both text and images reveal the anguish and joy of her two marriages to muralist Diego Rivera, her life-long suffering from a crippling bus accident, and her thirst for life, even as she tasted death. Her favorite motto was: ¡Viva la vida! (Long live life!)Back matter includes excerpts from Frida’s diary and letters, a prose biography, a chronology of the artist’s life, a glossary of Spanish words, sources, and notes.

    When they retired in the early 1990s, they left behind a pile of bodies—and for more than a decade, it looked like they were going to get away with it. As highly decorated NYPD detectives with access to the department's most sensitive information, they sold their badges to the Mafia—and became murderers for the mob. Eventually they retired to Las Vegas, believing they had put their lives of murder and mayhem safely behind them. And they would have lived happily ever after, if not for one dedicated cop at the end of his career and an assistant district attorney. Detective Tommy Dades and Brooklyn Assistant DA Mike Vecchione turned this seemingly unsolvable cold-blooded case into one of the great law-and-order stories in the annals of New York City. And for the first time, in this book, Dades and Vecchione tell the whole inside story of the investigation. For Detective Tommy Dades, the case began with a phone call from a distraught mother who just happened to mention an almost forgotten meeting that had taken place years earlier. Dades and Mike Vecchione had performed cold-case miracles before, but this one seemed impossible. Together, quietly and tenaciously, they began to uncover the hideous truth. A highly secret joint state and federal task force began building a body-by-body case against an incredible array of characters, from one of the most viciously insane Mafia bosses in history—who wanted to kill people he dreamed were plotting against him—to the one-eyed Jew who knew all the secrets. As the cold case got front-page-headlinehot, Dades and Vecchione encountered an unexpected obstacle: the federal prosecutor plotted to take the case—and those headlines—away from Brooklyn. For the first time, the two men who brought this incredible story to life reveal the epic confrontations that occurred behind the scenes and led to a stunning courtroom announcement—and came perilously close to destroying the case against the Mafia cops. Friends of the Family is the complete, inside story of the historic case that rocked the world of law enforcement.

    Hip-hop has transformed theater, dance, performance, poetry, literature, fashion, design, photography, painting, and film, to become one of the most far-reaching and transformative arts movements of the past two decades.American Book Award-winning journalist Jeff Chang, author of the acclaimed Can't Stop Won't Stop: A History of the Hip-Hop Generation, assembles some of the most innovative and provocative voices in hip-hop to assess the most important cultural movement of our time. It's an incisive look at hip-hop arts in the voices of the pioneers, innovators, and mavericks.With an introductory survey essay by Chang, the anthology includes: Greg Tate, Mark Anthony Neal, Brian “B+” Cross, and Vijay Prashad examining hip-hop aesthetics in the wake of multiculturalism. Joan Morgan and Mark Anthony Neal discussing gender relations in hip-hop. Hip-hop novelists Danyel Smith and Adam Mansbach on "street lit" and "lit hop". Actor, playwright, and performance artist Danny Hoch on how hip-hop defined the aesthetics of a generation. Rock Steady Crew b-boy-turned-celebrated visual artist DOZE on the uses and limits of a "hip-hop" identity. Award-winning writer Raquel Cepeda on West African cosmology and "the flash of the spirit" in hip-hop arts. Pioneer dancer POPMASTER FABEL's history of hip-hop dance, and acclaimed choreographer Rennie Harris on hip-hop's transformation of global dance theatre. Bill Adler's history of hip-hop photography, including photos by Glen E. Friedman, Janette Beckman, and Joe Conzo. Poetry and prose from Watts Prophet Father Amde Hamilton and Def Poetry Jam veterans Staceyann Chin, Suheir Hammad, Marc Bamuthi Joseph and Kevin Coval. Roundtable discussions and essays presenting hip-hop in theatre, graphic design, documentary film and video, photography, and the visual arts. “Total Chaos is Jeff Chang at his best: fierce and unwavering in his commitment to document the hip-hop explosion. In beginning to define a hip-hop aesthetic, this gathering of artists, pioneers, and thinkers illuminates the special truth that hip-hop speaks to youth around the globe.” (Bakari Kitwana, author of The Hip-Hop Generation)

    Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses played far more significant public roles in ancient Greece than previously acknowledged.Connelly builds this history through a pioneering examination of archaeological evidence in the broader context of literary sources, inscriptions, sculpture, and vase painting. Ranging from southern Italy to Asia Minor, and from the late Bronze Age to the fifth century A.D., she brings the priestesses to life--their social origins, how they progressed through many sacred roles on the path to priesthood, and even how they dressed. She sheds light on the rituals they performed, the political power they wielded, their systems of patronage and compensation, and how they were honored, including in death. Connelly shows that understanding the complexity of priestesses' lives requires us to look past the simple lines we draw today between public and private, sacred and secular.The remarkable picture that emerges reveals that women in religious office were not as secluded and marginalized as we have thought--that religious office was one arena in ancient Greece where women enjoyed privileges and authority comparable to that of men. Connelly concludes by examining women's roles in early Christianity, taking on the larger issue of the exclusion of women from the Christian priesthood. This paperback edition includes additional maps and a glossary for student use.

    His latest book is an extraordinary and unique compilation of his 20 years of research in more than 40 countries, as he connects the dots between apparently unconnected people, events and subjects to show how everything fits together -- and to what end. The interest all over the world in David Icke's work is simply exploding and, with this book, the world's most controversial man is destinated to reach a still greater audience.

    It tells the story of why all human beings have the potential to be hideously cruel and destructive to one another. Why are we our own worst enemy? The book shows us that war has been with us---in one form or another---since prehistoric times, and looking at the behavior of our close relatives, the chimpanzees, it argues that a penchant for group violence has been bred into us over millions of years of biological evolution. The Most Dangerous Animal takes the reader on a journey through evolution, history, anthropology, and psychology, showing how and why the human mind has a dual nature: on the one hand, we are ferocious, dangerous animals who regularly commit terrible atrocities against our own kind, on the other, we have a deep aversion to killing, a horror of taking human life. Meticulously researched and far-reaching in scope and with examples taken from ancient and modern history, The Most Dangerous Animal delivers a sobering lesson for an increasingly dangerous world.

    "Nanook of the North" featured a mythical Eskimo hunter who lived in an igloo with his family in a frozen Eden. Nanook's story captured the world's imagination. Thirty years later, the Canadian government forcibly relocated three dozen Inuit from the east coast of Hudson Bay to a region of the high artic that was 1,200 miles farther north. Hailing from a land rich in caribou and arctic foxes, whales and seals, pink saxifrage and heather, the Inuit's destination was Ellesmere Island, an arid and desolate landscape of shale and ice virtually devoid of life. The most northerly landmass on the planet, Ellesmere is blanketed in darkness for four months of the year. There the exiles were left to live on their own with little government support and few provisions. Among this group was Josephie Flaherty, the unrecognized, half-Inuit son of Robert Flaherty, who never met his father. In a narrative rich with human drama and heartbreak, Melanie McGrath uses the story of three generations of the Flaherty family--the filmmaker; his illegitimate son, Josephie; and Josephie's daughters, Mary and Martha--to bring this extraordinary tale of mistreatment and deprivation to life.

    Seuss, Jane Street Press is pleased to release the electronic version of Signposts to Elsewhere: a book of aphorisms & other tailored thoughts, by Egyptian-Lebanese author Yahia Lababidi. Aphorisms, by the author’s own definition, are ‘complete fragments.’ Witty, resonant, and precise, they capture the contradictory nature of human truths and sentiments, reflecting ‘the soul’s dialogue with itself.’Signposts to Elsewhere is sorbet sharp, always leaving the palate clean for another, and another…Mark Simpson, The Independent (UK) ‘Books of the Year,’ 2008Signposts to Elsewhere is a succulent, stunning collection of images and thoughts more well-lit than the old swinging torches of the lamplighters. I find myself pausing everywhere among these wisdoms, wondering why the world stumbles and staggers through such a dark and greedy time when there are people alive with such keen, caring insight. This is a book to live with for the long run, to return to again and again, as one returns to a favorite corner for reading and thinking. If Yahia Samir Lababidi were in charge of a country, I would want to live there.Naomi Shihab NyeWisdom for Lababidi is on the move, a matter of suppleness rather than rigor, of insights and angles rather than rules... As intense as his conversation with himself is, it is also kind, tolerant of his own limits and of ours… I give you that expert self-listener, that excellent writer, Yahia Lababidi.James Richardson (from the Foreword)Lababidi knows that fables and metaphors overcome resistance more readily than facts and position papers. His half smile becomes our own, changing our self-estimate, and then—who knows?—the choices we make as well. Alfred CornYahia Lababidi's aphorisms are elegant, thoughtful and wise, written proof that the art of the aphorism is still very much alive.James Geary, author of Geary’s Guide to the World’s Great Aphorists

    In this extraordinary book Tim Ingold imagines a world in which everyone and everything consists of interwoven or interconnected lines and lays the foundations for a completely new discipline: the anthropological archaeology of the line.Ingold's argument leads us through the music of Ancient Greece and contemporary Japan, Siberian labyrinths and Roman roads, Chinese calligraphy and the printed alphabet, weaving a path between antiquity and the present.Setting out from a puzzle about the relation between speech and song, Ingold considers how two kinds of line - threads and traces - can turn into one another as surfaces form or dissolve. He reveals how our perception of lines has changed over time, with modernity converting to point-to-point connectors before becoming straight, only to be ruptured and fragmented by the postmodern world.Drawing on a multitude of disciplines including archaeology, classical studies, art history, linguistics, psychology, musicology, philosophy and many others, and including more than seventy illustrations, this book takes us on an exhilarating intellectual journey that will change the way we look at the world and how we go about in it.

    In this follow-up to Take Charge of Your Mind John Selby presents his 4-step Listening With Empathy mood-management method for doing just that, giving readers a practical toolkit for rapidly shifting from negative to genuinely positive moods at work, feeling good in your own skin in the present moment, and making authentic heart contact with customers, clients, and colleagues. As readers hone their abilities to create strong bonds with others by making them feel truly accepted and appreciated, they will naturally become more confident, charismatic, and successful. A highly regarded meditation teacher and business consultant, John Selby is the author of twenty-two books with sales totaling more than half a million copies.

    The book introduces key issues and debates in feminist philosophy including: the nature of sex, gender, and the body; the relation between gender, sexuality, and sexual difference; whether there is anything that all women have in common; and the nature of birth and its centrality to human existence. An Introduction to Feminist Philosophy shows how feminist thinking on these and related topics has developed since the 1960s. The book also explains how feminist philosophy relates to the many forms of feminist politics. The book provides clear, succinct and readable accounts of key feminist thinkers including de Beauvoir, Butler, Gilligan, Irigaray, and MacKinnon. The book also introduces other thinkers who have influenced feminist philosophy including Arendt, Foucault, Freud, and Lacan. Accessible in approach, this book is ideal for students and researchers interested in feminist philosophy, feminist theory, womens studies, and political theory. It will also appeal to the general reader.

    He outlines two main arguments for this surprising conclusion. First, academic biblical scholarship has clearly succeeded in showing that the ancient civilization that produced the Bible held beliefs about the origin, nature, and purpose of the world and humanity that are fundamentally opposed to the views of modern society. The Bible is thus largely irrelevant to the needs and concerns of contemporary human beings. Second, Avalos criticizes his colleagues for applying a variety of flawed and specious techniques aimed at maintaining the illusion that the Bible is still relevant in today’s world. In effect, he accuses his profession of being more concerned about its self-preservation than about giving an honest account of its own findings to the general public and faith communities. In a controversial conclusion, Avalos argues that our world is best served by leaving the Bible as a relic of an ancient civilization instead of the "living" document most religionist scholars believe it should be. He urges his colleagues to concentrate on educating the broader society to recognize the irrelevance and even violent effects of the Bible in modern life.

    The Victorians faced one of the greatest paradigm shifts in history: the bottom dropped out of time, and they had to reinvent their relationship to the earth and to time and history. These new sciences took the Victorians by storm, inundating them with fossils, skeletal remains, and potsherds--artifacts, or traces, that served at once as relics from the past, objects in the present, and markers of time's passage. Virginia Zimmerman explores how the Victorians utilized a nexus of literature, excavation, and reflections on time to ease anxieties about the individual's fate in the face of time's overwhelming expanse. The function of artifacts is also considered through careful readings of Tennyson's The Princess and Dickens's Little Dorrit and Our Mutual Friend. Zimmerman shows how these literary works make use of the language, tropes, and even generic conventions of excavation, and how they participate in the effort to rescue the individual from temporal insignificance.

    Some are based on demands for parsimony or for a non-arbitrary answer to the special composition question; others arise fromprohibitions against causal redundancy, ontological vagueness, or co-location; and others still come from worries that a common sense ontology would be a rival to a scientific one.Until now, little has been done to address these arguments in a unified and systematic way. Ordinary Objects is designed to fill this gap, demonstrating that the mistakes behind all of these superficially diverse eliminativist arguments may be traced to a common source. It aims to develop anontology of ordinary objects subject to no such problems, providing perhaps the first sustained defense of a common sense ontology in two generations. The work done along the way addresses a number of major issues in philosophy of language and metaphysics, contributing to debates about analyticity, identity conditions, co-location and the grounding problem, vagueness, overdetermination, parsimony, and ontological commitment.In the end, the most important result of addressing these eliminativist arguments is not merely avoiding their conclusions; examining their failings also gives us reason to suspect that many apparent disputes in ontology are pseudo-debates. For it brings into question widely-held assumptions aboutwhich uses of metaphysical principles are appropriate, which metaphysical demands are answerable, and how we should go about addressing such fundamental questions as What exists?. As a result, the work of Ordinary Objects promises to provide not only the route to a reflective understanding of ourunreflective common-sense view, but also a better understanding of the proper methods and limits of metaphysics.Ordinary Objects is well worth reading because it sheds new light on how to preserve the credibility of familiar things.--Marianne Djuth, The Review of Metaphysics In Ordinary Objects, Amie Thomasson mounts a spirited and vigorous defense of the reality of ordinary objects.--Terry Horgan, Times Literary SupplementOrdinary Objects is a fine book.... [Thomasson] writes insightfully and persuasively, and she has a realistic view of what metaphysical arguments can and cannot demonstrate... she approaches metaphysical theorizing more systematically than many other recent writers, drawing attention to the ways inwhich questionable assumptions in one area of philosophy are undergirding seemingly powerful arguments in another. Everyone working in metaphysics should make time for this volume.--R. W. Fischer, Metaphilosophy In Ordinary Objects, Thomasson pursues an integrated conception of ontology and metaontology. In ontology, she defends the existence of shoes, ships, and other ordinary objects. In metaontology, she defends a deflationary view of ontological inquiry, designed to suck the air out of argumentsagainst ordinary objects. The result is an elegant and insightful defense of a common sense worldview.--Jonathan Schaffer, Philosophical Books Amie Thomasson has written a lovely book which is certain to irritate many professional metaphysicians. But it is not just irritating: it is challenging...This book would be good supplementary text for upper-level metaphysics classes or seminars in which the sorts of arguments to which Thomassonreplies are also read.--Alan Sidelle, The Philosophical Quarterly