He has been in the studio with Wilson, as well as on the road for the celebrated European Smile concerts, and the result is the full version of one of pop's mythic stories. Features forewords by Brian Wilson and Van Dyke Parks.Previously published by Sanctuary.

    With ten months to live, he decided to accept his imminent death and went on the road. His calm, philosophical response made him even more beloved and admired. And then the strangest thing happened: he didn't die. Don't You Leave Me Here is the story of his life in music, his life with cancer, and his life now - in the future he never thought he would see.

    Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.The resulting fusion of American can-do and British fuck-you didn’t just lead to rock and roll’s most resonant music. It ushered in a golden era when a generation of kids born in ration card Britain, who had grown up with their nose pressed against the window of America’s plenty, were invited to wallow in their big neighbour’s largesse.It deals with a time when everything that was being done - from the Beatles playing Shea Stadium to the Rolling Stones at Altamont, from the Who performing their rock opera at the Metropolitan Opera House to David Bowie touching down in the USA for the first time with a couple of gowns in his luggage - was being done for the very first time.Rock and roll would never be quite so exciting again.

    A must-own souvenir for all Beatles fans and songwriters! The Beatles Lyrics is an amazing tribute to the most influential band in pop history. For the first time ever together in print, it publishes the lyrics to 192 songs by the Fab Four. Also includes a complete discography, lots of great full-page photos throughout the book, and a song title index.

    Music of the western classical tradition spanning some 14 centuries -- from the emergence of Gregorian chant to the sounds of the present day -- is illustrated by 150 musical examples.

    McBusted takes an exclusive look at the birth of Busted and McFly, two ground-breaking pop-rock bands who journeyed through sell-out arena tours with number-one hits, and the unique friendships that the boys shared from the very beginning. Packed with behind-the-scenes gossip, it follows the boys through the years, revealing the truth behind Busted's shock break-up and McFly's hiatus, the secrets of their private lives, and the roller-coaster ride that fame took them on - both the good times and the bad. In September 2013, McFly staged their tenth-anniversary show at the Royal Albert Hall and James and Matt were invited along as special guests to perform a medley of hits with the band. The reaction to the six-piece supergroup was stratospheric and the boys decided to take the new superband on tour - and lo, McBUSTED was born. McBusted walks side by side with Tom, James, Danny, Dougie, Matt and Harry as they build the band and provides a backstage pass into the tour, the fans and what the future might hold.

    

    This volume includes all of Chopin's 26 preludes, 21 nocturnes and 19 waltzes. It features a biography of the composer, notes on the individual genres, and pieces that surfaced after Joseffy's time-honored editions were initially published. Contents: 24 Preludes, Op. 28 * Prelude in C-sharp minor, Op. 45 * Prelude in A-flat Major, B. 86 * 3 Nocturnes, Op. 9 * 3 Nocturnes Op. 15 * 2 Nocturnes, Op. 27 * 2 Nocturnes, Op. 32 * 2 Nocturnes, Op. 37 * 2 Nocturnes, Op. 48 * 2 Nocturnes, Op. 55 * 2 Nocturnes, Op. 62 * Nocturne in E minor, Op. 72, No. 1 * Nocturne in C-sharp minor, B. 49 * Nocturne in C minor, B. 108 * Grand Valse Brillante in E-flat Major, Op. 18 * 3 Waltzes, Op. 34 * Waltz in A-flat Major, Op. 42 * 3 Waltzes, Op. 64 * 2 Waltzes, Op. 69 * 3 Waltzes, Op. 70 * Waltz in E Minor, B. 56 * Waltz in E Major, B. 44 * Waltz in A-flat Major, B. 21 * Waltz in E-flat Major, B. 46 * Waltz in E-flat Major, B. 133 * Waltz in A minor, B. 150

    It travels from the rainforests of Amazonas to virtual Las Vegas; from David Lynch's dream house high in the Hollywood Hills to the megalopolis of Tokyo.Ocean of Sound begins in 1889 at the Paris exposition when Debussy first heard Javanese music performed. An ethereal culture developed in response to the intangibility of 20th century communications.Author of Rap Attack 3 and Exotica, David Toop has in Ocean of Sound written an exhilarating, path-breaking account of ambient sound.

    The result was usually an interview free of phoney claims or self promotion, even if it might occasionally be tricky to follow - depending on what condition Keith was in when he gave it.Now, Sean Egan has done a sterling job of organising a huge number of Richards’ published utterances drawn from GQ, Melody Maker and Rolling Stone, plus many more never before seen in print.Taken together they form a riveting commentary on Keith Richards’ half-century progression from gauche young pretender to craggy elder statesman of rock music.They also reveal an unexpectedly warm, unpretentious, articulate and honest man who occupies a unique and rarefied role in the history of rock ’n’ roll.

    His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award

    For Pavement fans and rock enthusiasts comes an engaging profile of the band and their quirkily dark, melodic sound and cryptic, mirth-filled lyrics.

    Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar) and the wryly opinionated Bill Wyman and Charlie Watts, and the potential was obvious. During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30 they are now approaching their seventies and, in 2012, will have been together for 50 years. In The Rolling Stones, Christopher Sandford tells the human drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stones will make sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.

    This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality.A CD featuring songs by artists profiled in the book is also available.

    What could possibly go wrong? For fans of Nick Hornby, David Nicholls and Jonathan Tropper.Jaded music journalist Rick McLennan knows his life is going south when he loses his job, his apartment and his long-term girlfriend all on the same day. But then he is thrown a lifeline - a commission to write the story of his ex-rock-star brother, Stevie, and drive him from Austin, Texas, to New York to play one final gig. One small problem: the brothers haven't spoken in thirty years.Rick knows it's a bad idea. But he's out of choices. So he gets behind the wheel of a beaten-up 1985 Nissan Stanza and drives towards his destiny. He's about to find everything he didn't know he was missing. It's September 2001.From award-winning journalist and author Barry Divola comes a glorious, music-infused, rollicking road-trip novel - think High Fidelity meets The Big Lebowski meets The Darjeeling Limited. A smart, funny and wholly endearing story about how, though we may at times lose ourselves along the way, the road always leads back to family and the things that bring us joy.'Of course this road trip comes with a top-quality mix-tape - it's by Barry Divola - but it's the layers to this story, and its humour and its heart, that make this journey irresistible.' - Nick Earls'This book is the super f∗∗∗ing gnarly lead break of rock-lit novels.' - John Birmingham'Driving Stevie Fracasso reads as great as the fifth Replacements album sounds. It's a New York-centric, music-obsessive tale of humour and poignancy, the literary equivalent of hanging with folks who think going to church is finding a record fair. A+' - Stuart CoupeAn interpreter of the listening experience forced to listen to experience? This novel will be read in between flippin' records. Go for the ride. You'll be spent, you'll be grateful.' - Tim Rogers'If I could go back in time and take a different fork in the road, I would have lived like Barry Divola. But poor choices can't be unmade, and if Driving Stevie Fracasso is the only ride available I'll take it. Damn you, Barry Divola, you've been having everyone else's fun.' - Malcolm Knox