Now available in paperback, this volume celebrates an artist whose acute perceptions and imagination embrace not only the photographs of children for which she is renowned, but also earlier landscapes and some unexpected, compelling forays into color and abstract photography. The 60 images include abstract platinum prints, Cibachromes and Polaroids, landscapes, portraits of women and 12-year-olds and her celebrated family pictures. Sally Mann was born in 1951 in Lexington, Virginia, where she continues to live and work. Among her many awards are three National Endowment for the Arts fellowships and a Guggenheim fellowship. Her photographs are in the permanent collections of the Metropolitan Museum of Art, The Museum of Modern Art, New York, the Whitney Museum of American Art, the Smithsonian American Art Museum and The Corcoran Museum of Art, to name just a few. Her books of photographs include Immediate Family and At Twelve: Portraits of Young Women.

     Beneath a bruise-dark monsoon sky, Villanelle paces the streets of Shanghai. Her task, to eliminate the leader of an elite team of Chinese hackers, who are stealing vital data from the West. Beautiful and sexually predatory, a psychopath who has been trained to kill without hesitation, Villanelle is the ultimate assassin. But hard on her heels is the brilliant and fiercely determined Eve Polastri of MI6, who has sworn to hunt Villanelle down, whatever the personal cost. The stage is set for erotic intrigue and bloody violence, played out against the glittering backdrop of Asia's most decadent city. "What I enjoy about Villanelle is that she is robotic and ruthless and kills to order, but you don’t in any way dislike her. Her effortless cool and glamour and cleverness ensure that. Villanelle is a professional killing machine and she does her job, never stopping to query the ethics or the rights and wrongs of her work. Actually, neither did I, very much. A gripping story. Well written. Fast paced. Two great female characters. What’s not to love?" Christine's Book Reviews (on Villanelle: Hollowpoint) "Fast and furious… We can't wait for the next one. And by the way, someone get a copy of this story to Jennifer Lawrence. If she’s looking for her next franchise after “The Hunger Games,” this may be it." Howard Polskin – Thin Reads (on Codename Villanelle). LUKE JENNINGS is the author of Blood Knots, short-listed for the Samuel Johnson and William Hill prizes, and of several novels, including the Booker Prize-nominated Atlantic. As a journalist he has written for The Observer, Vanity Fair, the New Yorker and Time.

    But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium, at least artistically: color photography. Laboring away as a virtually anonymous pioneer in this field, some 20 years before William Eggleston's watershed show at the Museum of Modern Art, Herzog was quietly documenting in rich Kodachrome the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does marvelous justice to his rich oeuvre.

    The book explores the influences that have affected the photo story, such as key twentieth century events and the life of photographic magazines such as Newsweek, Time, and Paris Match, all of which have helped to define the genre.

    Money isn’t who I am, so when I finally use a dating app, I make up a fake “me” with no strings attached. But when I meet Jacob, the spark between us is real.He’s the only man I want, but the closer we grow, the higher the risk he’ll find out I’m not the man he’s falling in love with. Worse, Jacob would never date a rich guy, and with good reason—but that doesn’t change who I am. And who I am could tear us apart when he finds out.He can’t fall in love with a lie.JACOB:I don’t date rich, and I don’t date risky.Another wealthy guy in my life is the last thing I need. My affluent boss used his power to harass me, and now I’m knees-deep in a lawsuit. But when a friend signs me up for the dating app Matched, I don’t exactly back out, and before I know it, I’m matched with Ben.Our date lasts until sunrise, and I know I’ve got to see Ben again. Feelings form fast, and I can’t keep my mind off him—or what he might be hiding from me. I can’t shake this bad feeling, and the more Ben hides, the more I’m worried there’s a dark secret that could pull us apart.Who am I really falling in love with?

    Society may label them bums, homeless, or pariahs, but Zellar's empathetic writing allows the reader to get inside one broken man, and therefore all."—Jim Walsh, MinnPostWashed up in the shadow of a refinery, Lester B. Morrison, legendary recluse, documents his life in a series of photographs taken with a disposable camera. In a landscape of off ramps, warehouses, and SRO hotels occupied by terminally lonely men, love and faith break in, quietly offering human connection and the possibility of redemption.Brad Zellar has worked as a writer and editor for daily and weekly newspapers, as well as for both regional and national magazines. He is the author of Suburban World: The Norling Photos, The 1968 Project, Conductors of the Moving World, and House of Coates.Alec Soth is a photographer whose first monograph, Sleeping by the Mississippi, was published by Steidl in 2004. Since then Soth has published over a dozen books including Niagara (2006), Dog Days, Bogotá (2007), The Last Days of W (2008), and Broken Manual (2010). Soth's work has been exhibited at Jeu de Paume in Paris and Fotomuseum Winterthur in Switzerland.

    Purity, elegance, and passion are the hallmarks of Strand's imagery. This inaugural volume of Aperture's "Masters of Photography" series presents 41 of Strand's greatest photographs, drawn from a career that spanned six decades. Included are his earliest experimental efforts, created from 1915 to 1917, which Alfred Stieglitz declared had begun to redefine the medium. Subsequent photographs reveal the artist's impeccable vision in locales as diverse as New England and the Outer Hebrides, France and Ghana. During Strand's last years, he concentrated on still lifes and the poignant beauty of his own garden at Orgeval, France.In an introductory essay, Mark Haworth-Booth, Curator of Photography at the Victoria and Albert Museum, London, provides an overview of the artist's life and his enduring contribution to photography.

    From Félix Nadar to Nan Goldin, each of the photographers featured here represents an important aspect of photography's evolution. The artists are presented in double-page spreads that include reproductions of their most important works, concise biographies, informative sidebars, and a timeline that extends throughout the volume. The result is a fascinating overview of the way photographers continue to push the limits of their genre, offering their audiences new ways of seeing and understanding our world.

    In the detached, back-fence gossip style he was famous for, Warhol tells all—the ultimate inside story of a decade of cultural revolution.

    Oriented toward traditional black and white photography, the book also explores digital techniques and web photography resources, equipment, the exposure and development of film, and the making and finishing of prints.

    Maupin deftly illustrates how far America and the pioneering Anna have come, and nearly forty years into the series, his writing remains wildly addictive but is deeper and richer.”—People The last three novels of Armistead Maupin’s bestselling, critically-acclaimed Tales of the City are now available for the first time as an omnibus edition. The epic series, published between 1978 and 2014, spans the decade before the AIDS crisis through the era of marriage equality following an unforgettable set of characters, whose diverse sexual identities helped set the social stage for the ongoing sexual revolution.Goodbye Barbary Lane—comprised of Michael Tolliver Lives (2007), Mary Ann in Autumn (2010), and The Days of Anna Madrigal (2014)—brings closure to the lives and legacies of the characters through which generations have found connection to America’s larger cultural struggles over the past four decades.Joining two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, Goodbye Barbary Lane presents all of “Mr. Maupin’s adeptness at fluid dialogue, his flair for shaping characters who thread the needle between pop archetypes and singular human beings, and his great gift for intricate if occasionally preposterous plotting”(New York Times).

    Snatched abruptly from his homeland and enslaved into the Antebellum South, grand homes and majestic oak trees meant little to him. Now he is considered the property of other men, but his spirit would not be broken. The awkward Benjamin Nathanael Lee lives a privileged life. His father owns the largest tobacco plantation south of the Mason Dixon line. Ben wants little to do with the harsh realities of running a plantation—that is, until he meets Tobias, the one person that changes everything for him. Wealth, greed, and power brought them together. The same now threatens to separate them forever. The two men are on the verge of losing the one thing that matters: their love for one another. Against the odds, they steal off and embark on a journey to find freedom: the freedom to love one another and to live a life without the chains of slavery. Come to the Oaks is the tale of a forbidden romance—a love forged by two young men as they journey through a land that is tearing itself apart.

    In Daido Moriyama: How I Take Photographs , he offers a unique opportunity for fans to learn about his methods, the cameras he uses, and the journeys he takes with a camera.

    My only wish is to be by his side. Forever and always. It is the last sentence in the pastel diary that drives Thien on his journey to become a volunteer teacher on a hill to fulfill her last wish. In a world unbeknownst to him, he begins to recognize his self-worth and the true meaning of giving without expecting anything in return. There, he meets Captain Phupha, and their intimacy blossoms into a tie within the embrace of the beautiful mountain ranges in the northernmost part of Thailand. Thien's heart is filled with the memories of the tall officer to the brim until he becomes confused as to whom the feelings really belong to. Are they his feelings or are they someone else's? As their love stands against the test of time, will they make it through? Or perhaps they have to wish upon the thousand stars for the promise they've made to come true?

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.